{"id":21210,"date":"2017-06-27T10:00:28","date_gmt":"2017-06-27T08:00:28","guid":{"rendered":"http:\/\/www.ife.ee\/en\/?p=21210"},"modified":"2018-04-24T15:34:24","modified_gmt":"2018-04-24T13:34:24","slug":"culturetheque-tribute-jacques-prevert","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/en\/culturetheque-tribute-jacques-prevert\/","title":{"rendered":"Cultureth\u00e8que – Tribute to Jacques Pr\u00e9vert"},"content":{"rendered":"

On the occasion of the 40th anniversary of the death of the French poet, here you have a selection of some of his poetry collection:<\/p>\n

\"\"<\/a>FATRAS<\/a><\/strong><\/span><\/p>\n

“La po\u00e9sie peut na\u00eetre des images aussi bien que des mots, surtout chez un Pr\u00e9vert qui, d’abord homme de cin\u00e9ma, a un sens tr\u00e8s aigu de l’image et de ses pouvoirs de suggestion. C’est la confrontation de ces deux moyens d’expression que propose Fatras, o\u00f9 quelques-uns des “collages” auxquels s’applique depuis longtemps Jacques Pr\u00e9vert ont \u00e9t\u00e9 reproduits comme pour prolonger sur le plan visuel les th\u00e8mes essentiels de son \u0153uvre po\u00e9tique. Textes et images poursuivent ici le m\u00eame but : dissocier les s\u00e9quences de nos habitudes mentales, corriger le quotidien, donner aux lieux communs et aux biens\u00e9ances le coup de pouce qui fait chavirer le d\u00e9cor et remet en question son opportunit\u00e9.” Ren\u00e9 Bertel\u00e9.<\/p>\n

\u00a0<\/p>\n

\"\"<\/a>GRAND BAL DU PRINTEMPS \/ CHARMES DE LONDRES<\/a><\/strong><\/span><\/p>\n

“M\u00eame si vous ne le voyez pas d\u2019un bon \u0153il le paysage n\u2019est pas laid c\u2019est votre \u0153il qui peut-\u00eatre est mauvais.” (Graffiti) Paris, Londres et Pr\u00e9vert. Dans Grand bal du printemps, Pr\u00e9vert chante Paris, ses rues, ses march\u00e9s, les enfants, les chats et les chiens, les amoureux \u00e0 Paris, les amoureux de Paris. Dans Charmes de Londres on voyage de Hyde Park aux docks de l’Est, de Portobello Road \u00e0 Whitechapel, en rencontrant les lions de pierre ou les amants.<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\"\"<\/a>JACQUES PREVERT<\/a>, ENFANCE (LU PAR L’AUTEUR) – DOCUMENT AUDIO<\/strong><\/span><\/p>\n

\n
\n
1. Enfance 1: Souvenirs d’un enfant de six ans<\/dt>\n
1. Enfance 4: La p\u00e9riode sombre<\/dt>\n
2. Enfance 2: Portrait de ses parents<\/dt>\n
2. Enfance 5: Arriv\u00e9e \u00e0 Paris avec ses parents\u00a0<\/dt>\n
3. Enfance 3: Les vacances en famille\u00a0<\/dt>\n
3. Le cancre<\/dt>\n
4. Deux escargots<\/dt>\n
5. Droit de regard\u00a0<\/dt>\n
6. Je suis comme je suis<\/dt>\n
7. Embrasse-moi<\/dt>\n
8. Chanson et Le jardin<\/dt>\n
9. Cet amour<\/dt>\n
10. Les enfants qui s’aiment\u00a0<\/dt>\n
11. Le portrait d’un oiseau<\/dt>\n
12. Un petit mendiant<\/dt>\n
13. Les feuilles mortes\u00a0<\/dt>\n<\/dl>\n

 <\/p>\n

\n
<\/dt>\n<\/dl>\n<\/div>\n

\"\"<\/a>CHOSES ET AUTRES<\/a><\/strong><\/span><\/p>\n

1906, Neuilly-sur-Seine. Souvent, au Bois, un cerf traversait une all\u00e9e. Un peu partout, les gens mangeaient, buvaient, prenaient le caf\u00e9. Un ivrogne passait et hurlait : “D\u00e9p\u00eachez-vous ! Mangez sur l’herbe, un jour ou l’autre, l’herbe mangera sur vous !” Choses et autres, le dernier recueil publi\u00e9 du vivant de Jacques Pr\u00e9vert, est l\u2019un de ses plus surprenants. Il y ose son seul texte autobiographique, se livre \u00e0 des exp\u00e9rimentations audacieuses et parvient encore \u00e0 renouveler son style, avec une \u00e9tonnante libert\u00e9.<\/p>\n

Retrouvez d’autres oeuvres de Jacques Pr\u00e9vert sur Cultureth\u00e8que<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

On the occasion of the 40th anniversary of the death of the French poet, here you have a selection of […]<\/p>\n","protected":false},"author":1,"featured_media":21128,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[407,865],"tags":[652],"class_list":["post-21210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","category-literature","tag-french-culture"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/posts\/21210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/comments?post=21210"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/posts\/21210\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/media\/21128"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/media?parent=21210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/categories?post=21210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/tags?post=21210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}