{"id":27918,"date":"2018-04-12T14:14:34","date_gmt":"2018-04-12T12:14:34","guid":{"rendered":"http:\/\/www.ife.ee\/en\/?p=27918"},"modified":"2019-04-22T11:42:53","modified_gmt":"2019-04-22T09:42:53","slug":"events-nadja-lesaulnier-tallinn-harpsichord-festival","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/en\/events-nadja-lesaulnier-tallinn-harpsichord-festival\/","title":{"rendered":"Nadja Lesaulnier at Tallinn Harpsichord Festival"},"content":{"rendered":"<p>On <strong>April 21<\/strong>, the French harpsichord player <strong>Nadja Lesaulnier<\/strong> will give the only concert of the festival&#8217;s opening day. Well known young musician, she&#8217;s appreciated for her solo interpretations as well as for her sense of chamber music and her creative continuo playing.<\/p>\n<p>Born in <strong>Aix-en-Provence<\/strong>, in 1986, Nadja Lesaulnier started her musical formation with Pierre Hanta\u00ef and \u00c9lisabeth Joy\u00e9 in Paris, before moving to Barcelona to take part in B\u00e9atrice Martin&#8217;s external degree at the Escuola Superior de Musica de Catalunya. She also studied <strong>chamber music<\/strong> with Manfredo Kraemer.<\/p>\n<p><span style=\"font-weight: 400;\">In 2003, Nadja began studies at the Schola Cantorum Basiliensis in Basel, with Jesper B. Christensen, Andrea Marcon and J\u00f6rg-Andreas B\u00f6tticher. She also took part in courses by Andreas Scholl, Paolo Pandolfo, Gerd T\u00fcrk and Chiara Banchini. She completed a <strong>harpsichord<\/strong> soloist diploma with honours in 2007 and a master in Basso Continuo in 2010.<\/span><\/p>\n<p>As a solo harpsichordist, Nadja Lesaulnier performs <strong>all over the world<\/strong>: Vienna (Italia Mia), Venice, Schaffhausen (Bach Festspiel), Saint-Paul-MN (Baroque Room), Vermillion-SD (National Music Museum), Basel (Cembalo in der Stadt Basel), Utrecht (Oude Muziek Festival), Stuttgart (Europ\u00e4isches Musikfest), Zurich, London, Philadelphia (Curtis Institute), Tokyo and Kanazawa (Folles Journ\u00e9es).<\/p>\n<p>In addition to her career as a harpsichordist, Nadja Lesaulnier plays the <strong>baroque violin<\/strong>, the baroque <strong>cello<\/strong> and the baroque <strong>double bass<\/strong>. She also plays the <strong>piano<\/strong> and the <strong>fortepiano<\/strong>, studying in 2010 with Jean-Jacques D\u00fcnki at the Hochschule f\u00fcr Musik in Basel.<\/p>\n<p>\n<strong>BUY <a href=\"https:\/\/www.piletimaailm.com\/performances\/77005\/buy?lang=et_EE\" target=\"_blank\" rel=\"noopener noreferrer\">TICKETS<\/a><\/strong><\/p>\n<p>\n<strong>Date:<\/strong> Saturday, April 21 at 6pm<\/p>\n<p>\n<strong>Place:<\/strong> Ungern-Sternberg palace (Estonian Academy of Sciences), Kohtu 6<\/p>\n<p>\n<strong>Program:<\/strong><\/p>\n<ul style=\"list-style-type: circle;\">\n<li><strong>D. Scarlatti:<\/strong> sonatas K477, K470, K208, K209<\/li>\n<li><strong>C.P.E. Bach:<\/strong> sonata in B major from the &#8220;Prussian sonatas&#8221; Wq. 48<\/li>\n<li><strong>D. Scarlatti:<\/strong> sonatas K490, K491, K492<\/li>\n<li><strong>C.P.E. Bach:<\/strong> sonata in C minor from the &#8220;Prussian sonatas&#8221; Wq. 48<\/li>\n<li><strong>D. Scarlatti:<\/strong> sonatas K481, K482, K483<\/li>\n<li><strong>C.P.E. Bach:<\/strong> sonata in A minor from the &#8220;W\u00fcrttemberg sonatas&#8221; Wq. 49<\/li>\n<\/ul>\n<p><div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe title=\"H\u00e4ndel Suite HWV 427 in F. Adagio - Nadja Lesaulnier\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/sku7F102Szc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On April 21, the French harpsichord player Nadja Lesaulnier will give the only concert of the festival&#8217;s opening day. Well [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[231],"tags":[682,707],"class_list":["post-27918","post","type-post","status-publish","format-standard","hentry","category-events","tag-baroque","tag-classical-music"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/posts\/27918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/comments?post=27918"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/posts\/27918\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/media?parent=27918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/categories?post=27918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/en\/wp-json\/wp\/v2\/tags?post=27918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}