{"id":10626,"date":"2016-05-30T09:18:12","date_gmt":"2016-05-30T07:18:12","guid":{"rendered":"http:\/\/www.ife.ee\/?p=10626"},"modified":"2016-05-30T16:40:14","modified_gmt":"2016-05-30T14:40:14","slug":"inimhaal","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/inimhaal\/","title":{"rendered":"Francis Poulenci mono-ooper “Inimh\u00e4\u00e4l” EMTAs ja VAT Teatris"},"content":{"rendered":"

Cocteau \/ Poulenc \/ J\u00fcrna \/ Kuusik-Casanova \/ Paemurru<\/strong><\/p>\n

\u201eInimh\u00e4\u00e4l\u201c on Eesti Muusika- ja Teatriakadeemia kahe tudengi ja kahe \u00f5ppej\u00f5u koost\u00f6\u00f6na s\u00fcndinud lavastus. Auri J\u00fcrna on lavastaja, \u00f5ppej\u00f5ud ja teatripedagoogika eriala magistrant. Geraldine Kuusik-Casanova on sopran ja laulueriala doktorant, aga ka prantsuse keele \u00f5petaja Prantsuse Instituudis. Neid saadab klaveril kontsertmeister Piia Paemurru, muusikalisi proove juhendas lauluosakonna juhataja Nadia Kurem. N\u00f5u ja j\u00f5uga on abiks olnud Ene Rindesalu, Ene J\u00fcrna ja Peeter Veltmann.<\/p>\n

\u201eInimh\u00e4\u00e4l\u201c esietendub koolieksamina 31. mail 2016 kell 19:00 Eesti Muusika- ja Teatriakadeemia ooperistuudios ning avaliku etendusena 4. juunil 2016 kell 18:00 VAT Teatris<\/strong> (Rahvusraamatukogu Teatrisaalis), kuhu saab pileteid \u20ac3\/5 (sooduspilet \u00f5pilastele, pension\u00e4ridele ja Vanalinna p\u00e4evade vihikuga) osta enne etenduse algust kohapealt.<\/p>\n

\u201eMa \u00fctlesin lihtsalt, et kui sa mulle head soovides valetaksid ja ma seda teada saaks, oleksid mulle veel armsam\u2026 Halloo, halloo!
Paneb telefoni k\u00e4est.
<\/em>Mu jumal, tee, et ta uuesti helistaks. Mu jumal, tee, et ta uuesti helistaks. Mu jumal, tee, et ta uuesti helistaks. Mu jumal, tee\u2026
Telefon heliseb.\u201c<\/em><\/p>\n

(Jean Cocteau n\u00e4idendist \u201eLa voix humaine\u201c, prantsuse keelest t\u00f5lkinud Tatjana Hallap)<\/p>\n

\u201eInimh\u00e4\u00e4l\u201c on Jean Cocteau n\u00e4idend, mis esietendus esmakordselt 1930. aastal Com\u00e9die-Fran\u00e7aise laval ning millest on inspiratsiooni saanud mitmed teatri-, filmi- ja muusikainimesed. \u00dcks neist oli ka prantsuse helilooja Francis Poulenc, kes n\u00e4idendi p\u00f5hjal 1958. aastal mono-ooperi kirjutas ning j\u00e4rgmisel aastal j\u00f5udis see trag\u00e9die lyrique<\/em> koost\u00f6\u00f6s Cocteau endaga Pariisis sopran Denise Duval kehastuses ka lavale. On \u00fcks tuba, \u00fcks naine, \u00fcks telefonik\u00f5ne. On \u00fche mahaj\u00e4etud naise monoloog, 40 minutiline h\u00fcvastij\u00e4tt armastatule ja elatud elule ning tuleviku(l)ootuste hajumine.<\/p>\n

Auri J\u00fcrna:\u00a0<\/p>\n

\u201eInimh\u00e4\u00e4l\u201c on p\u00f5him\u00f5tteliselt dialoog, aga publik kuuleb ja n\u00e4eb sellest vaid \u00fcht poolt. See on justkui kahe hinget\u00f5mbe vahel toimuv murrang, hetk, millesse mahub \u00fche armastuse eufooria ja traagika. See on emotsionaalne seisund, mis on nii tavaline ja korduv, et balansseerub kuskil sentimentaalsuse ja banaalsuse piiril. Nagu alastus. Nagu lein. Ometi on see ka \u00fcdini inimlik, siiras ja kordumatu. Alustasime Geraldine\u2019iga proove s\u00f5nateatrilikult \u2014 p\u00f5hjaliku anal\u00fc\u00fcsi ja lugemisproovide perioodiga juba s\u00fcgisel \u2014 ning j\u00f5udsime pikkade t\u00f5lkimiste-t\u00f5lgendamiste, arutelude ja vaidlustega alati inimlikkuse juurde tagasi. Igas lahkuminekus on kaks poolt, kaks vaatenurka, kaks p\u00f5hjendust, \u00f5igustust ja s\u00fc\u00fcdistust, \u00fche elu l\u00f5pp ja \u00fche elu algus. Aga leina erinevad etapid l\u00e4bivad m\u00f5lemad. Liiga pinnapealne pilk ja kergek\u00e4eline hinnang v\u00e4hendab raami, mitte pildi suurust.<\/em><\/p>\n

\u00dcrituse Facebooki \u00fcrituse leiate siit<\/span><\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cocteau \/ Poulenc \/ J\u00fcrna \/ Kuusik-Casanova \/ Paemurru \u201eInimh\u00e4\u00e4l\u201c on Eesti Muusika- ja Teatriakadeemia kahe tudengi ja kahe \u00f5ppej\u00f5u […]<\/p>\n","protected":false},"author":1,"featured_media":10627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[109,111],"tags":[],"class_list":["post-10626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tallinn-antenne-2","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/10626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=10626"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/10626\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/10627"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=10626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=10626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=10626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}