{"id":11832,"date":"2016-08-17T09:33:15","date_gmt":"2016-08-17T07:33:15","guid":{"rendered":"http:\/\/www.ife.ee\/?p=11394"},"modified":"2018-02-06T10:42:33","modified_gmt":"2018-02-06T08:42:33","slug":"retrospective-paris-eternelle","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/retrospective-paris-eternelle\/","title":{"rendered":"Filmiretrospektiiv “Igavene Pariis”"},"content":{"rendered":"

Augustikuu l\u00f5pus ei pea Pariisi lummuse nautimiseks Tallinnast kaugemale s\u00f5itma – 25.\u201331. augustini n\u00e4idatakse kinos S\u00f5prus armastatud filmiklassikat, mille lugude toimumispaigaks on v\u00f5luv Pariis.
\n <\/strong>
\n Kino S\u00f5pruse retrospektiiv \u201eIgavene Pariis\u201c viib vaataja maale, mis eksisteerib ainult unistustes. Pariis on koht, millest on oma arusaam ka neil, kes pole seal kunagi k\u00e4inud. Kujutluste Pariisis elavad rahumeelselt koos uus ja vana aeg, nostalgia ja uue tekkimine. K\u00f5ige kohal h\u00f5ljub saavutamatu chic<\/em>, mis r\u00fc\u00fctab ka argise asja \u00e4\u00e4rmiselt stiilseks ja k\u00fclget\u00f5mbavaks.<\/p>\n

Jean Vigo \u201eL\u2019Atalante\u201c (1934) <\/strong><\/span><\/a>on suur armastuslugu j\u00f5elaeval s\u00f5itvast noorpaarist, kelle \u00f5nnelikku mesin\u00e4dalasse sekkub saatuslikul kombel linn. Suhte tasakaalustavaks kolmandaks rattaks on igavene m\u00e4ssaja Michel Simon.
\n Miles Davisi loodud legendaarne soundtrack juhatab Jeanne Moreau samme Pariisi \u00f6istel t\u00e4navatel Louis Malle film noir<\/em>i meistriteoses \u201eLift tapalavale\u201d (1958)<\/strong><\/span><\/a>.
\n Jean-Pierre L\u00e9aud hiilgab Jean Eustache\u2019i ligi neljatunnises kultusfilmis \u201eEma ja libu\u201c (1974)<\/strong><\/span><\/a>. Linateos koondab endasse Pariisi intellektuaalide eksistentsiaalse maailmavalu l\u00f5putu iroonia ning laialivalguvad filosoofilised vestlused naise ja mehe suhetest.
\n 1970. aastatel oli Pariis ultramoodsa linnaplaneerimise fookuses. Maniakaalselt lammutati vana ja ehitati uut. Marco Ferreri kritiseeris ja ironiseeris uue ning vana aja kokkup\u00f5rke \u00fcle lustlikus vesternis \u201e\u00c4rge puutuge valget naist\u201c (1974)<\/strong><\/span><\/a>. S\u00fcndmused leiavad aset s\u00fcdalinnas tohutus liivaaugus, kuhu kohe p\u00e4rast filmiv\u00f5tteid hakati rajama Les Halles\u2019i kvartalit ja ostukeskust. Vesterni peaosades s\u00e4ravad Catherine Deneuve, Marcello Mastroianni ja Michel Piccoli.<\/p>\n

Ameeriklased haaravad linna oma embusse Stanley Doneni filmis \u201eNaljakas n\u00e4gu\u201c (1957)<\/strong><\/span><\/a>. Pariisi vasakpoolsetest filosoofilidest huvitunud ameeriklasest raamatukoi meelitatakse tippmoe maailma \u2013 ja ka armuma Pariisi linna. Filmi s\u00fcdametemurdjana laulab ja tantsib Fred Astaire ning kangelannana s\u00e4rab igik\u00fctkestav Audrey Hepburn.
\n Disney koguperefilmis \u201eAristokassid\u201c (1970)<\/strong><\/span><\/a> satub aristokraatidest kassiperekond ebamugavate juhtumite t\u00f5ttu kaugele oma luksuslikust kodust Pariisi parimas linnaosas. Seej\u00e4rel tutvuvad nad aga Pariisi katustel j\u00e4mmiva vinge kassib\u00e4ndiga ja hulkuvate kasside kuninga, sarmika Thomas O\u2019Malleyga. Armastus ja Pariis!
\n Filmiseeria krooniks on kriminaalfilmide p\u00e4rl, Jacques Beckeri \u201eK\u00e4ed eemale noosist!\u201c (1954)<\/strong><\/span><\/a>, mis sukeldub Pariisi s\u00fcngesse allilma. Oma aja kultusn\u00e4itleja Jean Gabini kehastatud tegelases materialiseerub linna h\u00e4marate p\u00f5ikt\u00e4navate lootusetus ja saatuslik \u00fcksk\u00f5iksus. Linn hoiab kurjategijaid kindlalt oma haardes ning p\u00f5genemisteed ei ole. \u00d6\u00f6 l\u00e4bi kestnud klaperjahi l\u00f5ppedes naaseb Gabini kehastatud Max oma l\u00e4htepunkti \u2013 restorani, kus ta on p\u00fcsikunde, ning tellib \u00fcksk\u00f5ikselt tavap\u00e4rase prae.<\/p>\n

C\u2019est la vie!<\/em><\/p>\n

\u201cIgavene Pariis\u201d retrospektiiv tuleb ekraanile koost\u00f6\u00f6s Prantsuse Instituudiga, filme toetavad Bonaparte ja DHL.<\/p>\n

Kava:<\/strong><\/p>\n

N \/ 25.8. kell 21.00 \u201eL\u2019Atalante” (Prantsusmaa, 1934) 89 min. Retrospektiivi avafilm.<\/span>
\n R \/ 26.8. kell 21.00 \u201e\u00c4rge puutuge valget naist” (Touche pas \u00e0 la femme blanche<\/em>, Prantsusmaa, Itaalia, 1974) 108 min.<\/span>
\n L \/ 27.8. kell 19.00 \u201eK\u00e4ed eemale noosist!”<\/span> (Touchez pas au grisbi<\/em>, Prantsusmaa, Itaalia, 1954) 94 min.<\/span>
\n P \/ 28.8. kell 16.00 \u201eAristokassid” (The Aristocats<\/em>, USA, 1970) 78 min.<\/span>
\n E \/ 29.8. kell 18.00 \u201eEma ja libu” (La maman et la putain<\/em>, Prantsusmaa, 1973) 217 min.<\/span>
\n T \/ 30.8. kell 19.00 \u201eNaljakas n\u00e4gu” (Funny Face<\/em>, USA, 1957) 103 min.<\/span>
\n K \/ 31.8. kell 19.00 \u201eLift tapalavale”<\/span> (Ascenseur pour l’\u00e9chafaud<\/em>, Prantsusmaa, 1958) 91 min.<\/p>\n","protected":false},"excerpt":{"rendered":"

Augustikuu l\u00f5pus ei pea Pariisi lummuse nautimiseks Tallinnast kaugemale s\u00f5itma – 25.\u201331. augustini n\u00e4idatakse kinos S\u00f5prus armastatud filmiklassikat, mille lugude […]<\/p>\n","protected":false},"author":1,"featured_media":11397,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-11832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/11832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=11832"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/11832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/11397"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=11832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=11832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=11832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}