{"id":13543,"date":"2016-10-01T14:47:10","date_gmt":"2016-10-01T12:47:10","guid":{"rendered":"http:\/\/www.ife.ee\/?p=13543"},"modified":"2016-10-20T09:00:09","modified_gmt":"2016-10-20T07:00:09","slug":"piirilkonnid-prantsuse-instituudi-ja-goethe-instituudi-uehisprojekt","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/piirilkonnid-prantsuse-instituudi-ja-goethe-instituudi-uehisprojekt\/","title":{"rendered":"&#8220;Piirilk\u00f5nnid&#8221; &#8211; Prantsuse Instituudi ja Goethe Instituudi \u00fchisprojekt"},"content":{"rendered":"<p><span style=\"font-weight: 400;\"><strong>N\u00e4itus\u00a0&#8220;Piirilk\u00f5nnid&#8221;\u00a0toimub:<br \/>\n<\/strong>19\u00a0oktoober- 11 detsember 2016<br \/>\nTallinna Fotomuuseumis<br \/>\nRaekoja 4, 10146 Tallinn<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Moodsas Euroopas on juba pikka aega t\u00f6\u00f6tatud piiride t\u00e4htsuse v\u00e4hendamise suunas. See ei kehti vaid riigipiiride, vaid ka piiride kohta hariduses, infrastruktuuris, majanduses ja sotsiaalses kooselamises. Globaliseerumise ja interneti laiaulatusliku leviku t\u00f5ttu tunnevad inimesed \u00fclemaailmse v\u00f5rgustumise tulemusi ka oma igap\u00e4evaelus. Kuid hoolimata paljudest j\u00f5upingutustest on teema ikka veel aktuaalne. Hiljutine p\u00f5genikekriis, mis ulatub ka Euroopa \u00e4\u00e4realadele ja t\u00f5us parem\u00e4\u00e4rmusliku liikumise populaarsuses t\u00f5estavad just vastupidist. <\/span><span style=\"font-weight: 400;\">Endiselt tajume nii vanu kui uusi piire.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Prantsuse Instituut Eestis ja Tallinna Goethe Instituut<\/strong> kutsusid seet\u00f5ttu Eestisse kaks erinevat fotokunstnikku. \u00dcks Prantsusmaalt, teine Saksamaalt \u2013 m\u00f5lemad j\u00e4\u00e4dvustasid piire Tallinnas ja Narvas. Kunstnikke toetas <strong>EKA <\/strong><\/span><span style=\"font-weight: 400;\"><strong>Narva kunstiresidentuur<\/strong>.<\/span><span style=\"font-weight: 400;\"> Oma j\u00e4\u00e4dvustustega dokumenteerisid nad l\u00e4bi<\/span><span style=\"font-weight: 400;\"> oma <\/span><span style=\"font-weight: 400;\">kunstilise pilgu keelelisi, <strong>kultuurilisi, sotsiaalseid ja ka f\u00fc\u00fcsilisi piire igap\u00e4evases linnaelus<\/strong>. Fotod puudutavad integratsiooni\/eksklusiooni ja n\u00e4htavat\/n\u00e4htamatut.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Eesti idapoolseimas linnas Narvas, mille elanikud on \u00fclekaalukalt venekeelsed, toimusid \u00a0Eesti taasiseseisvumise ja N\u00f5ukogude Liidu lagunemise j\u00e4rel suured muutused ning p\u00e4rast uue riigipiiri tekkimist nihkus linn Eesti piirialale. Tallinnaski on <\/span><span style=\"font-weight: 400;\">N\u00f5ukogude aja p\u00e4randi<\/span><span style=\"font-weight: 400;\"> j\u00e4lgi n\u00e4ha t\u00e4naseni. N\u00e4iteks v\u00f5ib linnapildis tuvastada veel praegugi vanu piire: m\u00f6\u00f6da rannikut kulges s\u00f5jav\u00e4e keeluala. Projektis ei k\u00e4sitleta mitte ainult f\u00fc\u00fcsilisi, vaid ka n\u00e4htamatuid piire eestlaste ja venelaste vahel.<\/span><\/p>\n<p><strong><span style=\"color: #008ac9;\">Kunstnikud:<\/span><\/strong><\/p>\n<p><b>Louisa Marie Summer<\/b><span style=\"font-weight: 400;\">, on Saksamaal s\u00fcndinud ja Rhode Island Kunstiakadeemia kaunite kunstide magistrikraadiga fotograaf, kes jutustab sotsiaalse sisuga visuaalseid lugusid. Ta elab New Yorgis ja M\u00fcnhenis ja t\u00f6\u00f6tab k\u00f5ikjal maailmas j\u00e4\u00e4dvustades sotsiaalselt t\u00f5rjutud inimeste igap\u00e4evaelu. Tema t\u00f6id on \u00a0rahvusvaheliselt tunnustatud ning ta on esinenud nii \u00fcksik- kui grupin\u00e4itustega, mh Luksembourgi Audiovisuaalses keskuses, M\u00fcnheni kirjastuse Kaamos galeriis, Ober galeriis Kentis USAs, Danziger galeriis New Yorgis, Vene muuseumis Peterburis ja Limlip kunstimuuseumis L\u00f5una-Koreas. \u00a0Summeri t\u00f6id on nii muuseumide- kui erakogudes ja avaldatud tuntud rahvusvahelistes ajakirjades nagu National Geographic, S\u00fcddeutsche Zeitung, Wall Street Journal, Rolling Stone ja Vogue. 2012. avaldati tema raamat Jenniferi perekond \u00a0kirjatuses Schilt Amsterdamis.<\/span><\/p>\n<p><b>Camille Laurelli<\/b><span style=\"font-weight: 400;\"> on hetkel Tallinnas elav ja t\u00f6\u00f6tav prantsuse kunstnik. Ta kaitses kunstiteaduste doktorikraadi Annecy K\u00f5rgemas Kunstikoolis 2014. aastal ja magistrikraadi Grenoble\u2019i K\u00f5rgemas Kunstikoolis 2005. aastal. 2011. aastast toetab tema tegevust Smirnovi &amp; Sorokin fond Moskvas. Laurelli oli 2007-2014 OUI kunstikeskuse rajaja ja kuraator Prantsusmaal. 2013. aastast on Laurelli Grenoble\u2019i Showcase galerii kuraator ja 2016. aastast kuraator Tallinnas. Lisaks \u00f5petab ta k\u00fclalis\u00f5ppej\u00f5una Eesti Kunstiakadeemias. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Septembris 2016 avatakse Tallinna Kunstihoones Camille Laurelli ja Nicolas Audureau kureeritud grupin\u00e4itus \u201cL\u00f5ppematud elud\u201d. <\/span><\/p>\n<p><strong>Esimeste t\u00f6\u00f6de esitlemine toimus\u00a0Narva kunstiresidentuuris\u00a0(Kreenholm)\u00a0<\/strong>27.\u00a0septembris<\/p>\n<p><strong>\u0422allinnas t\u00f6\u00f6de esitlemine toimus Eesti Fotokunstimessi raames<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e4itus\u00a0&#8220;Piirilk\u00f5nnid&#8221;\u00a0toimub: 19\u00a0oktoober- 11 detsember 2016 Tallinna Fotomuuseumis Raekoja 4, 10146 Tallinn Moodsas Euroopas on juba pikka aega t\u00f6\u00f6tatud piiride t\u00e4htsuse [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-13543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/13543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=13543"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/13543\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/13561"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=13543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=13543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=13543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}