Tallinna Filharmoonia hooaja avakontserdil 8. oktoobril astub publiku ette maailmakuulus klaverivirtuoos Lucas Debargue Prantsusmaalt. Kuulajateni j\u00f5uab ka T\u00f5nis Kaumanni uudisteose \u201eSurmatants\u201c maailma esiettekanne ning esimene osa Tallinna Filharmoonia uuest kontserdisarjast \u201eMozart\/Mahler\u201c. Tallinna Kammerorkestrit dirigeerib Tallinna Filharmoonia ja Tallinna Kammerorkestri kunstiline juht ja peadirigent Risto Joost.<\/p>\n
25-aastane Debargue on harukordse andega, v\u00e4ga sisukas, eriline ja spontaanne kunstnik. Debargue pianistitee algas tavap\u00e4ratult hilja, alles 11-aastaselt, kui noor ise\u00f5ppija hakkas ainult kuulmise j\u00e4rgi klaveril d\u017e\u00e4ssi m\u00e4ngima. 2015. aastal sai temast juba kuulsa T\u0161aikovski konkursi sensatsioon \u2013 IV preemia ja Moskva muusikakriitikute eripreemia laureaat, kelle kohta ilmus Inglise ajakirjas \u201eThe Spectactor\u201c artikkel pealkirjaga \u201eThe real winner\u2026\u201c.\u00a0 \u017d\u00fcriiliikmed jagunesid kaheks \u2013 kes n\u00f5udsid talle k\u00f5rgemat kohta, kes viitasid ta v\u00e4hesele haridusele ja puuduj\u00e4\u00e4kidele. Aga ta on ainus, kes p\u00e4rast seda konkurssi t\u00e4hena muusikataevasse s\u00f6\u00f6stnud. Ainus, kellest r\u00e4\u00e4gitakse.<\/p>\n
T\u00f5nis Kaumann \u201cDanse Macabre\u201d (world premiere) Tallinna Filharmoonia hooaja avakontserdil 8. oktoobril astub publiku ette maailmakuulus klaverivirtuoos Lucas Debargue Prantsusmaalt. Kuulajateni j\u00f5uab ka T\u00f5nis Kaumanni uudisteose […]<\/p>\n","protected":false},"author":1,"featured_media":14317,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-14322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/14322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=14322"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/14322\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/14317"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=14322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=14322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=14322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n <\/em>Wolfgang Amadeus Mozart Piano Concerto No. 24 in C minor, K. 491
\n <\/em>Gustav Mahler Symphony No. 1 (arrangement by Klaus Simon)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"