{"id":18332,"date":"2017-03-13T12:24:15","date_gmt":"2017-03-13T10:24:15","guid":{"rendered":"http:\/\/www.ife.ee\/?p=18332"},"modified":"2017-03-13T12:54:50","modified_gmt":"2017-03-13T10:54:50","slug":"floridante","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/floridante\/","title":{"rendered":"Floridante – Prantsuse barokk Eesti moodi"},"content":{"rendered":"

\"Kutsume teid oma teisele doktorikontserdile Niguliste kiriku Antoniuse kabelis. \u00dcksteise k\u00f5rval k\u00f5lavad teosed kolmest, ehk neljastki inimp\u00f5lvest, prantslaste \u00c8lisabeth Jacquet de la Guerre\u2019i triosonaadid (1695) ning Jacques Champion de Chambonni\u00e8res\u2019i soolopalad klavessiinile (1670), nende k\u00f5rval risti-r\u00e4sti baroki suurmeistri Johann Sebastian Bachi klavessiini- ja kammermuusika 18. sajandi esimesest poolest.<\/p>\n

Kui Chambonni\u00e8res\u2019i tuleb pidada \u00fcldse \u00fcheks esimeseks teadaolevaks Prantsuse heliloojaks ja de la Guerre\u2019i \u00fcheks esimeseks triosonaadi \u201emaaletoojaks\u201c Prantsusmaal, siis Bachi looming kujutab endast seda osa barokkmuusikast, milles k\u00f5ik varasemalt kirjutatu nii stilistiliselt kui \u017eanriliselt kokku v\u00f5etud ja l\u00f5petatud saab. Sellest ka idee vaadata nn. puhtale prantsuse stiilile ja vormidele l\u00e4bi bachiliku prisma. Saale Fischer<\/p>\n

Kaastegev ansambel Floridante:<\/strong>
\n Mari-Liis Viherm\u00e4e – traversfl\u00f6\u00f6t
\n Meelis Orgse – barokkviiul
\n Kristo K\u00e4o – teorb
\n Anna-Liisa Eller – kannel<\/p>\n

Tasuta!<\/strong><\/span><\/span><\/p>\n

\n

Eesti uue p\u00f5lvkonna barokkansambel Floridante <\/strong>alustas kontserttegevusega 2014. aasta jaanuaris. Selle initsiaatoriteks on end Euroopa muusikak\u00f5rgkoolides ajaloolise interpretatsiooni alal t\u00e4iendanud muusikud Meelis Orgse (barokkviiul) ja Saale Fischer (klavessiin). Floridante tuumikusse kuuluvad t\u00e4nase seisuga veel Kristo K\u00e4o (teorb ja barokk-kitarr), T\u00f5nu J\u00f5esaar (barokkt\u0161ello ja viola da gamba), Mari-Liis Viherm\u00e4e (traversfl\u00f6\u00f6t) ja Ele Raik (barokkoboe). Lisaks on ansambel on teinud koost\u00f6\u00f6d Eesti vokalistidega nagu Ivo Posti (kontratenor), Maria Valdmaa (sopran), Marta Paklar (sopran), Kai Kallastu (sopran).<\/p>\n

Ajaloolistel pillidel m\u00e4ngivas ansamblis puudub kunstiline juht \u2013 solisti, saatja, kuulaja ning kaasam\u00f5tleja roll k\u00e4ib k\u00e4est k\u00e4tte ning tekkivast s\u00fcnergiast s\u00fcnnivad nii teoste interpretatsioonid, uued kontsertkavad kui ka kaugemasse tulevikku suunatud ideed ja plaanid. Siht regulaarse koosm\u00e4ngu kaudu \u00fcha avaramale repertuaarile ning k\u00f5rgemale esituskvaliteedile on olnud silme ees esimesest \u00fclesastumisest peale.<\/p>\n

Kuigi ansambli \u201eristiisaks\u201c on G. F. H\u00e4ndel, t\u00e4psemalt \u00fcks tema ooperikarakteritest, on ansambel saksa k\u00f5rgbaroki k\u00f5rval esitanud palju just itaalia muusikat 17. sajandist. Suure t\u00f5en\u00e4osusega j\u00f5uavad nii m\u00f5nedki C. Monteverdi, F. Caccini, B. Strozzi, B. Ferrari, D. Castello, B. Castaldi, G. B. Cima, G. Frescobaldi jt heliloojate teosed Floridante esituses Eesti kuulajani p\u00e4ris esimest korda. T\u00e4pselt kuu aja p\u00e4rast toob Floridante koos sopran Maria Valdmaaga kuulajateni uue kava \u201eLe nuove musiche\u201c, milles k\u00f5lavad 1600. aasta Itaalias ilmavalgust n\u00e4inud S. d\u2019India, G. Caccini, J. Peri, L. Luzzaschi laulud ning F. Rognoni, G. Bassano viiulipalad.<\/p>\n

www.facebook.com\/Floridante<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Kutsume teid oma teisele doktorikontserdile Niguliste kiriku Antoniuse kabelis. \u00dcksteise k\u00f5rval k\u00f5lavad teosed kolmest, ehk neljastki inimp\u00f5lvest, prantslaste \u00c8lisabeth Jacquet […]<\/p>\n","protected":false},"author":1,"featured_media":18333,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-18332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/18332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=18332"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/18332\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/18333"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=18332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=18332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=18332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}