{"id":21096,"date":"2017-05-26T10:41:25","date_gmt":"2017-05-26T08:41:25","guid":{"rendered":"http:\/\/www.ife.ee\/?p=21096"},"modified":"2019-04-18T12:54:39","modified_gmt":"2019-04-18T10:54:39","slug":"tasuta-prantsuse-barokkmuusika-kontsert-kadrioru-lossis","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/tasuta-prantsuse-barokkmuusika-kontsert-kadrioru-lossis\/","title":{"rendered":"Tasuta Prantsuse barokkmuusika kontsert Kadrioru lossis"},"content":{"rendered":"

Kontsert on p\u00fchendatud <\/span>Fran\u00e7ois Couperini (1668\u20131733)<\/b> loomingu hilisele rokokoo perioodile, milles kajastuv pastoraalsuse teema pakub heliloojale rohkelt v\u00f5imalusi poeetiliste kujundite loomiseks muusikas. Couperin on tunnistanud, et armastab rohkem seda, mis teda liigutab kui seda, mis teda \u00fcllatab. Kontserdil tulevad ettekandele Couperini klavessiiniteosed XVI s\u00fcit (III \u201cKlavessiiniraamat\u201d) ja <\/span>Passacaille<\/span><\/i> ning ansambliteosed IV \u201cKuninglik kontsert\u201d ja \u201cCorelli apoteoos\u201d. Ansamblit, milles osalevad <\/span>Reet Sukk<\/b> barokkfl\u00f6\u00f6dil, <\/span>Melissa J\u00f5esaar<\/b> viiulil, <\/span>Kaari Uus<\/b> viola da gambal<\/span><\/i>, <\/span>Maarja Perens<\/b> lautol ja <\/span>Kristiina Are<\/b> klavessiinil, iseloomustavad prantsuse barokile omased k\u00f5lav\u00e4rvid. \u201cCorelli apoteoosis\u201d lisandub veel \u00fcks prantslaslik v\u00e4rviaktsent, koreograafia, mille on loonud ja esitab koreograafia- ja kultuuriantropoloogia haridusega tantsija <\/span>Madli Teller<\/b>. \u00a0<\/span><\/p>\n

Kontserdi pastoraalne maastik, Kadrioru lossi barokne saal oma rikkaliku dekooriga, moodustab koos muusika, koreograafia ja instrumentidega \u00fche esteetilise terviku prantsuse baroki v\u00f5tmes.<\/span><\/p>\n

Kontserti toetavad <\/span>Euroopa Regionaalarengu Fond<\/b> (Eesti Muusika- ja Teatriakadeemia ASTRA projekt EMTASTRA), <\/span>Eesti Kunstimuuseum<\/b>, <\/span>Eesti Muusika- ja Teatriakadeemia<\/b>.<\/span><\/p>\n

SISSEP\u00c4\u00c4S TASUTA<\/span><\/p>\n


\n<\/span>www.ema.edu.ee<\/span><\/a><\/p>\n

Kristiina Are <\/b>alustas klavessiini\u00f5pinguid Tallinna Riiklikus Konservatooriumis prof Imbi Tarumi juhendamisel 1991. aastal. 1994\u20131998 \u00f5ppis Pariisi Erik Satie konservatooriumis Elisabeth Joy\u00e9 \u00a0klavessiiniklassis, mille l\u00f5petas \u00a0k\u00f5rgeima tunnustusega <\/span>1er<\/span><\/i> prix avec la f\u00e9licitation du jury.<\/span><\/i> Aastal 2015 omandas magistrikraadi Eesti Muusika- ja Teatriakadeemias. 2015. aasta s\u00fcgisest j\u00e4tkab \u00f5pinguid EMTA doktorantuuris. Tema doktorit\u00f6\u00f6 uurimisteemaks on \u201cD\u00fcnaamika kujundamise v\u00f5imalused <\/span>basso continuo<\/span><\/i> realisatsioonis\u201d.<\/span><\/p>\n

Kristiina Are muusikuks kujunemist on peale tema otseste juhendajate m\u00f5jutanud oluliselt mitmed rahvusvaheliselt tunnustatud interpreedid ja muusikateadlased: Pierre Hantai, Edoardo Bellotti, Joel Speerstra jt.<\/span><\/p>\n

2005\u20132015 tegeles aktiivselt pedagoogit\u00f6\u00f6ga Tallinna Muusikakeskkoolis ja Rakvere muusika- ja kunstikoolis KAUR. Ta on \u00f5petanud klavessiini ja <\/span>basso continuot<\/span><\/i> Ajalooliste klahvpillide- ja orkestrilaagris alates aastast 2000. Hetkel tegutseb vabakutselise interpreedina.<\/span><\/p>\n

Kristiina Are on Eesti Klavessiinis\u00f5prade Tsunfti juhatuse ja Eesti Interpreetide Liidu liige.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Kontsert on p\u00fchendatud Fran\u00e7ois Couperini (1668\u20131733) loomingu hilisele rokokoo perioodile, milles kajastuv pastoraalsuse teema pakub heliloojale rohkelt v\u00f5imalusi poeetiliste kujundite […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[672],"class_list":["post-21096","post","type-post","status-publish","format-standard","hentry","category-ueritused","tag-muusika"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/21096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=21096"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/21096\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=21096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=21096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=21096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}