Prantsuse “uue laine\u201d liikumise \u00fcks esiisasid Claude Chabrol sai tuntuks kui vaba, h\u00e4bematu, poliitiline ja paljus\u00f5naline lavastaja. Tema 1968.a. valminud \u201cLes Biches\u201d lennutab meid silmapilgselt \u00fcdini stiilsesse Pariisi ja v\u00f5rgutab pahaaimamatu kinok\u00fclastaja lootusetult \u00e4ra. T\u00e4pselt nagu filmi kangelanna teeb oma \u201cohvriga\u201d.<\/p>\n
Pariisi seltskonnaelu liblikas, rikas Fr\u00e9d\u00e9rique (St\u00e9phane Audran) korjab suurest igavusest \u00fcles vaese t\u00e4navakunstniku Why (Jacqueline Sassard), toob ta koju, pakub vanni ja kohvi ning seej\u00e4rel v\u00f5rgutab neiu. \u201cM\u00f5ned v\u00f5idavad, m\u00f5ned kaotavad, selline see elu on\u201d \u00fctleb Fr\u00e9d\u00e9rique.<\/p>\n \u201cLes Biches\u201d on geniaalse Claude Chabroli \u00fclimalt peen ja stiilne meditatsioon armastuse ja vihkamise \u00f5hk\u00f5rnast piirist nig selle \u00fcletamisest. Kinos S\u00f5prus <\/p>\n <\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Prantsuse “uue laine\u201d liikumise \u00fcks esiisasid Claude Chabrol sai tuntuks kui vaba, h\u00e4bematu, poliitiline ja paljus\u00f5naline lavastaja. Tema 1968.a. valminud […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-21177","post","type-post","status-publish","format-standard","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/21177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=21177"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/21177\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=21177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=21177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=21177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nArmastuse leidnud noored sensuaalsed naised suunduvad peagi koos eksootilise L\u00f5una-Prantsusmaa villasse kus lisaks teineteise kehade nautimisele kujuneb nende peamiseks hobiks tegevusetutele rikkuritele metsikute pidude korraldamine. \u00dchel sellisel prallel kohtub Why sarmika Pauliga (Jean-Louis Trintignant) ja armub noormehesse k\u00f5rvuni.
\nArmukadeduses vaevlev Fr\u00e9d\u00e9rique otsustab mehe enda embusesse meelitada\u2026<\/p>\n
\nFilm linastub prantsuse keeles, eestikeelsete subtiitritega.<\/strong><\/span><\/p>\n
\nLes Biches, 1968 Prantsusmaa
\nRe\u017eiss\u00f6\u00f6r: Claude Chabrol
\nOsades: St\u00e9phane Audran, Jacqueline Sassard, Jean-Louis Trintignant jt
\nFilmi pikkus 1h 40 minutit
\n<\/span><\/p>\n
\nVana-Posti 8, Tallinn
\n<\/span>6. juunil kell 21.00<\/span><\/strong><\/p>\n