{"id":22616,"date":"2017-08-31T14:37:27","date_gmt":"2017-08-31T12:37:27","guid":{"rendered":"http:\/\/www.ife.ee\/?p=22616"},"modified":"2019-04-22T08:36:24","modified_gmt":"2019-04-22T06:36:24","slug":"charles-baudelaireist-inspireeritud-kunstnike-naeitus-kumus","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/charles-baudelaireist-inspireeritud-kunstnike-naeitus-kumus\/","title":{"rendered":"Charles Baudelaire\u2019ist inspireeritud kunstnike n\u00e4itus KUMUs"},"content":{"rendered":"\n\n\n
” Rappelez-vous l’objet que nous v\u00eemes, mon \u00e2me,
\nCe beau matin d’\u00e9t\u00e9 si doux :
\nAu d\u00e9tour d’un sentier une charogne inf\u00e2me
\nSur un lit sem\u00e9 de cailloux “<\/em><\/td>\n		\u201eMu arm, kas meeles veel on sul see l\u00f5\u00f5skav suvi?
\nMu arm, kas meeles veel on sul see selge,
\ns\u00e4rav p\u00e4ev, kui paelus meie huvi \u00fcks raibe maantee k\u00e4\u00e4nakul?\u201d<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

(Ch. Baudelaire, tlk August Sang)<\/em><\/span><\/p>\n

L\u00e4bi aegade on kunstnikke ja kirjanikke k\u00f5ige kauni k\u00f5rval lummanud ka inetus ja k\u00f5lvatus. Elu pahupool paelus ka legendaarset prantsuse poeeti Charles Baudelaire\u2019i. Tema morbiidsest, ent elegantsest m\u00f5tte- ja tundemaailmast said 20. sajandi alguses inspiratsiooni ka eesti kunstnikud.<\/p>\n

N\u00e4ituse pealkiri on tuletatud\u00a0Charles Baudelaire\u2019i<\/strong>\u00a01857. aastal ilmunud kurikuulsast luulekogust \u201eLes Fleurs du mal<\/em>\u201c ehk \u201eKurja lilled\u201c, mis on \u00fcks esimesi moderniseerumiskogemuse anal\u00fc\u00fcse ja kriitikaid. Baudelaire\u2019i ja tema kaasaegseid saadab s\u00fcvenev kahtlemine moderniseerumisprotsessi v\u00e4ga kiiretes ja p\u00f6\u00f6rdelistes tulemustes. Industrialiseerimine, kapitalism, metropolide teke, kasvav usk teadusesse ja pidevasse progressi, samuti mitmed teised sotsiaalsed muutused \u00e4ratavad v\u00f5\u00f5ristust ja hirmu, manifesteerudes tugevas pessimismis, allak\u00e4igu- ja minnalaskmismeeleoludes. Teisalt pole dekadents ainult eitav v\u00f5i h\u00e4vitav \u201ej\u00f5ud\u201c, vaid genereerib uusi ning huvitavaid t\u00e4hendusi. Dekadentlik kunsti- ning kirjandusloome s\u00fcnteesib ilu ja inetust, suubub sageli m\u00fcstitsismi, k\u00fcsib avameelseid k\u00fcsimusi seksuaalsuse ja soorollide kohta ning r\u00f5hutab vastandumist kodanlusele, p\u00fchitsedes individualismi. S\u00fcndinud k\u00fcll reaktsioonina j\u00e4rskudele sotsiaalsetele ja kultuurilistele muutustele, iseloomustab dekadentlikku kunsti ka s\u00fcvenemine iseendasse ning v\u00e4ljumine p\u00e4rismaailmast, lubades ps\u00fc\u00fchika- ja tajuh\u00e4iretel kohtuda erinevate pahede ja tabudega ning luues k\u00f5hedaid, ent kaasakiskuvaid kujutisi.<\/p>\n

Eestisse j\u00f5udsid dekadentlikud meeleolud 20. sajandi alguses, kui hakati looma rahvuskultuuri ning otsiti oma kohta rahvuslikkuse ja l\u00e4\u00e4ne modernsuse skaalal. N\u00e4itus \u201eKurja lillede lapsed\u201c on esmakordne uurimus eesti dekadentlikust kunstist 20. sajandi esimesel poolel. N\u00e4itus pakub vaatamiseks mitmeid seni v\u00e4hen\u00e4htud v\u00f5i eksponeerimata teoseid sellistelt kunstnikelt nagu\u00a0Eduard Wiiralt, Ado Vabbe, Erich K\u00fcgelgen, Aleksander Promet, Erna Brinckmann, Erik Obermann<\/strong>\u00a0jt.<\/p>\n

AEG:\u00a009.09.2017\u201325.02.2018
\n<\/strong>KUMU, Eesti kunsti varamu, 3. korrus<\/strong><\/p>\n

Publiku\u00fcritused:<\/strong>
\n14.09 kell 18.00<\/strong>
\nEkskursioon n\u00e4itusel \u201eKurja lillede lapsed\u201c kuraatori Lola Annabel Kassiga<\/p>\n

16.09 kell 14.00<\/strong>
\nN\u00e4ituse \u201eKurja lillede lapsed\u201c tutvustus vene keeles<\/p>\n

19.10 kell 18.00<\/strong>
\n\u00dchisekskursioon n\u00e4itustel \u201eKurja lillede lapsed\u201c ja \u201eSaksamaa metsikud\u201c
\nEkskursiooni juhib legendaarne kunstiteadlane ja kuraator Eha Komissarov. Uuritakse surma, erootikat ja ilu ning vaadeldakse vastavate teemade k\u00e4sitlust eesti dekadentlikus kunstis ja saksa ekspressionistide loomingus.<\/p>\n

Kuraator:<\/strong> Lola Annabel Kass<\/strong>
\nN\u00e4ituse kujundaja: Liina Siib
\nGraafiline kujundaja: Angelika Schneider
\nKoordinaatorid: Karin Pastak, Liis P\u00e4hlapuu, Ragne Soosalu<\/p>\n

Kollektsioonid: Eesti Kunstimuuseum, Tartu Kunstimuuseum, Eesti Teaduste Akadeemia Underi ja Tuglase Kirjanduskeskus, Eesti Rahvusraamatukogu, Narva Muuseum, Eesti Kirjandusmuuseum, SA Haapsalu ja L\u00e4\u00e4nemaa Muuseumid, erakogud<\/p>\n

 <\/p>\n

Eduard Wiiralt. Kunstnik. 1917. Eesti Kunstimuuseum<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

” Rappelez-vous l’objet que nous v\u00eemes, mon \u00e2me, Ce beau matin d’\u00e9t\u00e9 si doux : Au d\u00e9tour d’un sentier une […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-22616","post","type-post","status-publish","format-standard","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/22616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=22616"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/22616\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=22616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=22616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=22616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}