Teaduslikust k\u00fcljest on \u201eHelimaastikud\u201c uurimus k\u00f5lav\u00e4rvidest, \u00fclemhelidest ja nende kasutamisest, tunnetuslikust k\u00fcljest aga sensuaalne ja m\u00fcstiline kogemus. Kuueosalise teose t\u00e4mbrid, k\u00f5lav\u00e4rvid ja -efektid loovad lummavaid helimaastikke.<\/p>\n
Ansambel U:<\/strong>\u00a0on eksperimenteeriva uue muusika esitamise absoluutne liider Eestis, kelle projektid on j\u00f5udnud ka Euroopa juhtivatele festivalidele. Reeglina kuulubki \u201eLes espaces acoustiques\u201c uue muusika ansamblite p\u00e4rusmaale, ning on t\u00e4iesti erakordne, et Tallinnas on see teos klassikalise s\u00fcmfooniaorkestri hooajakavas.<\/p>\n Koosseis:\u00a0Tarmo Johannes (fl\u00f6\u00f6t), Helena Tuuling (klarnet), Merje Roomere (viiul), Levi-Danel M\u00e4gila (t\u0161ello), Vambola Krigul (l\u00f6\u00f6kpillid), Taavi Kerikm\u00e4e (klaver).<\/p>\n Prantsuse dirigent Pierre-Andr\u00e9 Valade\u00a0<\/strong>on silma paistnud eelk\u00f5ige 20. ja 21. sajandi muusika suurep\u00e4rase interpreteerijana. Tema arvukatest salvestistest on just Grisey \u201eLes espaces acoustiques\u201c p\u00e4lvinud erilise heakskiidu ning saanud nii ajakirja Diapason aastaauhinna kui Charles Cros\u2019 akadeemia grand prix\u2019.<\/p>\n Prantsuse helilooja G\u00e9rard Grisey<\/strong> (17.06.1946 – 11.11.1998) esindas koos n\u00fc\u00fcdishelilooja Micha\u00ebl Levinas’ega spektraalmuusika koolkonda, mis kerkis esile 1970. aastatel Pariisis vastureaktsioonina serialismile. Koolkonna \u00fcks rajajaid, Tristan Murail, on \u00f6elnud, et nende jaoks oli muusika aluseks heli, ent ka viis, kuidas helisid tajutakse. Samuti huvitas neid aeg, see, kuidas aeg sekkub v\u00f5i m\u00f5jub koos heli ja muusikaliste struktuuridega. Erinevalt serialistlikust muusikast, milles k\u00e4sitletakse t\u00e4mbrit vaid parameetritena, on see spektralistide jaoks muusika olemus: t\u00e4mber on k\u00f5ikide muusikaliste parameetrite summa, h\u00f5lmates aega, kestust, helik\u00f5rgust ja amplituudi. Spektralistid toetuvad eelk\u00f5ige heli s\u00fcvaanal\u00fc\u00fcsile ning neid iseloomustab tundlikkus k\u00f5lav\u00e4rvi ja selle varjundite suhtes.\u00a0<\/p>\n “Helimaastikud”<\/strong> Kell 18.30 vestlusring dirigent Pierre-Andr\u00e9 Valadega, vestlust modereerib Taavi Kerikm\u00e4e.<\/strong><\/p>\n Korraldajad: Eesti Kontsert, Eesti Riiklik S\u00fcmfooniaorkester ja Eesti Muusika- ja Teatriakadeemia<\/p>\n","protected":false},"excerpt":{"rendered":" Teaduslikust k\u00fcljest on \u201eHelimaastikud\u201c uurimus k\u00f5lav\u00e4rvidest, \u00fclemhelidest ja nende kasutamisest, tunnetuslikust k\u00fcljest aga sensuaalne ja m\u00fcstiline kogemus. Kuueosalise teose t\u00e4mbrid, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[],"class_list":["post-23219","post","type-post","status-publish","format-standard","hentry","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/23219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=23219"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/23219\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=23219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=23219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=23219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nReede 24.11.2017 kell 19.00\u00a0<\/strong>Estonia kontserdisaalis
\nKavas:\u00a0G\u00e9rard Grisey spektraalse suurteose \u201eLes espaces acoustiques\u201c esiettekanne Eestis\u00a0
\nAnsambel U:, EMTA Uue Muusika Ansambel, Garth Knox (vioola), Eesti Riiklik S\u00fcmfooniaorkester, dirigent Pierre-Andr\u00e9 Valade (Prantsusmaa)<\/p>\n