Lugu j\u00e4lgib professionaalse peokorraldaja Maxi meeskonna ettevalmistusi uhkeks pulmapeoks XVII sajandi lossis. Max, kes on 30-aastase s\u00e4rava karj\u00e4\u00e4ri jooksul korraldanud sadu pidusid, ihkab n\u00fc\u00fcd puhata. Maxil on k\u00f5ik hoolega l\u00e4bi m\u00f5eldud nagu ikka: palgatud kelnerid, pagarid, n\u00f5udepesijad, tellitud fotograaf, muusikud ja lillekaunistused \u2013 k\u00f5ik, mida musterpeoks tarvis.\u00a0
\nParaku tekivad \u00fcksteise j\u00e4rel probleemid, mis v\u00f5ivad rikkuda kauneimad peohetked ja muuta ideaalse loomingu kaoseks ja katastroofiks.<\/p>\n
Seda Prantsuse kom\u00f6\u00f6diat vaadates saate teada k\u00f5ik pulmabanketi korraldamise saladused: mida peab tegema, mida ei tohi teha ja millele p\u00f6\u00f6rata erilist t\u00e4helepanu, et pidu teeks r\u00f5\u00f5mu ega kujuneks \u00e4parduste rajaks. Kulissidetagune ettevalmistust\u00f6\u00f6 on nagu elu ise: t\u00e4is t\u00f5use ja m\u00f5\u00f5nu, naeru ja pisaraid, nalja ja solvumist. Emotsioonid on kordumatud nagu Ameerika m\u00e4gedel.<\/p>\n
K\u00f5igi aegade \u00fche parema Prantsuse n\u00e4itleja Jean-Pierre Bacri suurep\u00e4rane m\u00e4ng pakub vaatamisr\u00f5\u00f5mu!<\/p>\n
<\/p>\n
Lavastajad<\/strong>: Eric Toledano & Olivier Nakache Kinodes \u00fcle Eesti alates 28. oktoobrist!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Lugu j\u00e4lgib professionaalse peokorraldaja Maxi meeskonna ettevalmistusi uhkeks pulmapeoks XVII sajandi lossis. Max, kes on 30-aastase s\u00e4rava karj\u00e4\u00e4ri jooksul korraldanud […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[668,662,730,664],"class_list":["post-23428","post","type-post","status-publish","format-standard","hentry","category-ueritused","tag-film-2","tag-kino","tag-prantsuse-keel","tag-prantsuse-kultuur"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/23428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=23428"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/23428\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=23428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=23428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=23428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nOsades<\/strong>: Jean-Pierre Bacri, Gilles Lellouche, Suzanne Cl\u00e9ment, Jean-Paul Rouve
\n1h55min, 2017, Prantsusmaa<\/p>\n