{"id":27392,"date":"2018-03-21T16:18:41","date_gmt":"2018-03-21T14:18:41","guid":{"rendered":"http:\/\/www.ife.ee\/?p=27392"},"modified":"2019-04-22T11:41:57","modified_gmt":"2019-04-22T09:41:57","slug":"nadja-lesaulnier-tallinna-klavessiinifestivalil","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/nadja-lesaulnier-tallinna-klavessiinifestivalil\/","title":{"rendered":"Nadja Lesaulnier\u00a0Tallinna klavessiinifestivalil"},"content":{"rendered":"<div class=\"entry-content\">\n<p>Kevadine klavessiinifestival pakub rikkalikku programmi Euroopa parimate muusikute seltsis. Kui igatsete argielust hetkeks k\u00f5rvale astuda ja (taas)avastada selle majesteetliku pilli unustamatuid helisid, siis olete oodatud osa saama erilise h\u00f5nguga s\u00fcndmusest, mis \u00fchendab barokiaja meistrite loomingu t\u00e4nap\u00e4eva muusikute n\u00e4gemusega.<\/p>\n<p>Prantsusmaal on barokk- ja vanamuusika siiani au sees ja klavessiini\u00f5pingutega alustavad paljud noored. Kuid loomulikult ei j\u00f5ua k\u00f5ik v\u00f5rdselt tippu ning k\u00f5ik ei leia ka rahvusvahelist tunnustust. Tallinna klavessiinifestivalil on v\u00f5imalik kuulata suurep\u00e4rast noorema p\u00f5lvkonna prantsuse muusikut Nadja Lesaulnier&#8217;d, kes oma t\u00f6\u00f6 ja kirega on j\u00f5udnud kaugele ning nakatab teidki armastusega klavessiini vastu.<\/p>\n<p><strong>Aeg:<\/strong> laup\u00e4ev, 21. aprill kl 18<br \/>\n<span style=\"font-size: 16px;\"><strong>Koht:<\/strong> Ungern-Sternberg maja (Teaduste Akadeemia), Kohtu 6<br \/>\n<\/span><span style=\"font-size: 16px;\"><strong>Kavas:<\/strong><br \/>\n<\/span>Scarlatti. Sonaadid K477, K470, K208, K209<br \/>\nC.P.E.Bach. Sonaat B-duur kogumikust \u201ePreisimaa sonaadid\u201c op 48<br \/>\nScarlatti. Sonaadid K 490, K491, K492<br \/>\nC.P.E.Bach. Sonaat c- moll kogumikust \u201ePreisimaa sonaadid\u201c op 48<br \/>\nScarlatti. Sonaadid K481, K482, K483<br \/>\nC.P.E.Bach. Sonaat a-moll kogumikust \u201eW\u00fcrttembergi sonaadid\u201c op. 49<\/p>\n<p><strong><a href=\"https:\/\/www.piletimaailm.com\/performances\/77005\/buy?lang=et_EE\" target=\"_blank\" rel=\"noopener noreferrer\">PILETID<\/a><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Nadja Lesaulnier <\/b>on hinnatud nii oma soolokavade interpretatsiooni, kammermuusikatunnetuse kui ka loomingulise\u00a0<i>basso<\/i>\u00a0<i>continuo<\/i>\u00a0poolest. Juba 2009. aastal kirjutas ajakiri Diapason tema kohta j\u00e4rgmist: &#8220;(\u2026) Kuidas panna klavessiin laulma, nutma, oigama? Kuidas? Peene maitse, taktitunde, helitunnetuse ja puudutuste v\u00f5luv\u00e4el muidugi (..)&#8221;<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">S\u00fcndinud Aix-en-Provence\u2019is L\u00f5una-Prantsusmaal, \u00f5ppis Nadja Lesaulnier <strong>Pierre Hanta\u00ef<\/strong> ja Elisabeth Joy\u00e9 k\u00e4e all Pariisis, misj\u00e4rel kolis Barcelonasse, et \u00f5ppida B\u00e9atrice Martin\u2019i k\u00e4e all Kataloonia muusikakolled\u017eis.\u00a0<\/span><span class=\"s1\">2003. aastal j\u00e4tkas Lesaulnier \u00f5pinguid ja sai klavessiinierialal solistidiplomi ning\u00a0<i>basso continuo\u00a0<\/i>erialal magistrikraadi.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Solistina on Nadja Lesaulnier esinenud \u00fcle maailma.\u00a0<\/span><span class=\"s1\">Klavessinistina on ta ansambli Les Ombres ning klavessiiniduo Le Petit Concert Baroque asutajaliige.\u00a0<\/span><span class=\"s1\">Ta on salvestanud seeriatele ORF Alte Musik Edition ja Ambronay Edition. Le Petit Concert Baroque\u2019i esimene album Al Piacere del Signore G. F. Haendel p\u00e4lvis 2009. aasta mais ajakirja Diapason preemia Diapason d\u2019Or D\u00e9couverte ning duo teine album Der Ewigkeit saphirnes Haus 2013. aasta juulis preemia Diapason d\u2019Or. Samuti on ansambli Les Ombres mitmed salvestised p\u00e4lvinud auhindu ajakirjadelt Classica, Cobuz, Gramophone jne.<\/span><\/p>\n<p><span class=\"s1\">Lesaulnier on leidnud \u00e4ram\u00e4rkimist erinevatel rahvusvahelistel konkurssidel. Ta on p\u00e4lvinud esimese preemia rahvusvahelisel Johann Heinrich Schmeltzeri konkursil Austrias Melkis (2008), kahel korral teise preemia Paolo Bernardi nimelisel rahvusvahelisel klavessiinikonkursil Itaalias Bolognas (2007 ja 2009), teise koha rahvusvahelisel Mae ja Irving Jurow klavessiinikonkursil USAs Cincinnatis (2012) ning kolmanda koha rahvusvahelisel Bachi konkursil Saksamaal Leipzigis (2010). 2015. aastal sai Lesaulnier eriauhinna rahvusvahelisel konkursil Musica Antiqua Br\u00fcgges \u2013 kontserdi Tallinna Klavessiinifestivalil.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Lisaks klavessinistikarj\u00e4\u00e4rile m\u00e4ngib Nadja Lesaulnier barokkviiulit, barokkt\u0161ellot ja barokkkontrabassi. Keelpillim\u00e4ngijana on ta ansambli I Pizzicanti asutajaliige. Samuti m\u00e4ngib Lesaulnier klaverit ja fortepianot, olles seda \u00f5ppinud 2010. aastal Baseli Muusikak\u00f5rgkoolis Jean-Jacques D\u00fcnki k\u00e4e all.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe title=\"H\u00e4ndel Suite HWV 427 in F. Adagio - Nadja Lesaulnier\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/sku7F102Szc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Kevadine klavessiinifestival pakub rikkalikku programmi Euroopa parimate muusikute seltsis. Kui igatsete argielust hetkeks k\u00f5rvale astuda ja (taas)avastada selle majesteetliku pilli [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[782,672,664],"class_list":["post-27392","post","type-post","status-publish","format-standard","hentry","category-ueritused","tag-kontsert","tag-muusika","tag-prantsuse-kultuur"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/27392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=27392"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/27392\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=27392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=27392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=27392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}