{"id":28907,"date":"2018-05-31T13:23:08","date_gmt":"2018-05-31T11:23:08","guid":{"rendered":"http:\/\/www.ife.ee\/?p=28907"},"modified":"2019-04-22T14:07:29","modified_gmt":"2019-04-22T12:07:29","slug":"rahvusvaheline-kunstifestival-balti-triennaal-13-tallinnas","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/rahvusvaheline-kunstifestival-balti-triennaal-13-tallinnas\/","title":{"rendered":"Rahvusvaheline kunstifestival Balti triennaal 13 Tallinnas"},"content":{"rendered":"<p>Balti triennaal on 2018. aasta suurim rahvusvaheline kunstifestival Baltimaades, millest v\u00f5tavad osa tunnustatud kunstnikud \u00fcle Euroopa. 1979. aastal asutatud Balti triennaali ajaloos on see esimene kord, kui n\u00e4itust korraldavad k\u00f5ik kolm Balti riiki \u00fcheskoos. Triennaal avati Vilniuses 11. mail, Tallinna n\u00e4itus avatakse Kunstihoones 29. juunil ja Riia n\u00e4itus 21. septembril.<\/p>\n<p>Triennaali olulised m\u00e4rks\u00f5nad, mis t\u00f5usevad pinnale igas riigis erinevalt, on luule ja tants. Kuraator n\u00e4eb luulet kui sohikeelt, mis h\u00fclgab tavap\u00e4rase keele; l\u00fchivormina, mida v\u00f5ib k\u00e4sitleda korraga teatraalselt individualistliku ning s\u00fcgavalt kollektiivsena.<\/p>\n<p>\u201cN\u00e4ituse r\u00fctm, koreograafia ja kunstiteoste kooslus eeldab muusikalist m\u00f5tlemist,\u201d kirjeldab kuraator. \u201cTriennaal ei ole tempel, supermarket, massimeedia, l\u00f5bustuspark ega foorum \u2013 vaid vastus kaasajale, millest l\u00e4htudes avastame m\u00f5isteid ja identiteete. Kolmes Balti riigis toimuvad n\u00e4itused on nagu \u00fche raamatu peat\u00fckid &#8211;\u00a0kunstnike nimekiri on iga kord v\u00e4ga erinev. M\u00f5ned kunstnikud v\u00f5ivad k\u00fcll siin-seal taasilmuda \u2013 n\u00e4iteks Nina Beier on kohal k\u00f5igis kolmes peat\u00fckis, Adam Christensen astub \u00fcles k\u00f5ikides peat\u00fckkides, Pakui Hardware ilmuvad taas v\u00e4lja Tallinnas ja nii edasi. Teatav sidusus k\u00f5igi peat\u00fckkide vahel s\u00e4ilib, kuigi n\u00e4itused on v\u00e4ga erinevad ja kureeritud iga\u00fcks ise koha tarvis.&#8221;<\/p>\n<p>Triennaalil osalevad kunstnikud k\u00e4sitlevad oma teostes klassiprobleeme, sugu, rassi, puuetega inimeste probleeme, feminismi, dekoloniseerimist. Nii kasutab Honor\u00e9 triennaalil kunstisaali h\u00e4\u00e4lekandjana, et lasta k\u00f5lada erinevatel h\u00e4\u00e4ltel ning anda seejuures ruumi gruppidele, kes on endiselt tihti \u00fchiskonnas vaikima sunnitud.<\/p>\n<p>13. Balti triennaali kuraator on pikaaegne David Roberts Art Foundationi (London) direktor ja n\u00fc\u00fcdne Haywardi galerii peakuraator Vincent Honor\u00e9. Ta on varem t\u00f6\u00f6tanud kuraatorina Tate Modernis (2004 \u2013 2007) ja Pariisis Palais de Tokyos (2001 \u2013 2004).\u00a0<\/p>\n<p><a href=\"https:\/\/www.baltictriennial13.org\/artists\/\" target=\"_blank\" rel=\"noopener noreferrer\">Osalevad kunstnikud<\/a>:\u00a0Caroline Achaintre, Evgeny Antufiev, Korakrit Arunanondchai,\u00a0 Carlotta Bailly-Borg, Darja Bajagi\u0107, Olga Balema, Khairani Barokka, Nina Beier, Huma Bhabha, Hannah Black, Dora Budor, Harry Burke, Egle Budvytyt\u0117, Ben Burgis &amp; Ksenia Pedan, CAConrad, Miriam Cahn, Jayne Cortez, Adam Christensen, Ana\u00efs Duplan, Jesse Darling, Michael Dean, Melvin Edwards, Merike Estna, Gaia Fugazza, Penny Goring, Daiga Granti\u0146a, Caspar Heinemann, Max Hooper Schneider, Anna Hula\u010dov\u00e1, Pierre Huyghe, Derek Jarman, Sandra J\u00f5geva, Last Yearz Interesting Negro\/Jamila Johnson-Small, Vytautas Jurevi\u010dius, E\u2019wao Kagoshima, Sanya Kantarovsky, Agnese Krivade, Ella Kruglyanskaya, \u017dygimantas Kudirka, Tarek Lakhrissi, Lina Lapelyt\u0117, Kris Lemsalu, Klara Lid\u00e9n, Elina Lutce, Paul Maheke, Beno\u00eet Maire, marikiscrycrycry, Pierre Molinier, Maria Minerva, Moor Mother, Katja Novitskova, Precious Okoyomon, Pakui Hardware, planningtorock, Anu P\u00f5der, Laure Prouvost, Ieva Roj\u016bt\u0117, Rachel Rose, Augustas Serapinas, Michael E. Smith, \u00dclo Sooster, Christopher Soto, Achraf Touloub, Mare Tralla, Ola Vasiljeva, K\u0101rlis V\u0113rdi\u0146\u0161, Liv Wynter, Young Boy Dancing Group (YBDG), Young Girl Reading Group (Dorota Gawe\u0328da and Egle\u0307 Kulbokaite\u0307).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>N\u00e4itus Tallinna Kunstihoones avatakse pidulikult 29. juunil 2018<\/strong> performance\u2019ite \u00f5htuga. N\u00e4itusega kaasneb programm septembris Kanuti Gildi SAALis.<\/p>\n<p><span style=\"font-size: 16px;\">N\u00e4ituse Eesti poolne korraldaja on Kaasaegse Kunsti Eesti Keskus koost\u00f6\u00f6s Tallinna Kunstihoonega.<\/span><\/p>\n<p>Balti Triennaali toetavad <a href=\"https:\/\/www.institutfrancais.com\/fr\" target=\"_blank\" rel=\"noopener noreferrer\">Prantsuse Instituut<\/a> ja <a href=\"https:\/\/www.ife.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Prantsuse Instituut Eestis<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Balti triennaal on 2018. aasta suurim rahvusvaheline kunstifestival Baltimaades, millest v\u00f5tavad osa tunnustatud kunstnikud \u00fcle Euroopa. 1979. aastal asutatud Balti [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[800,666,664],"class_list":["post-28907","post","type-post","status-publish","format-standard","hentry","category-ueritused","tag-kunst","tag-naeitus","tag-prantsuse-kultuur"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/28907","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=28907"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/28907\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=28907"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=28907"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=28907"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}