{"id":30994,"date":"2018-10-02T10:16:49","date_gmt":"2018-10-02T08:16:49","guid":{"rendered":"http:\/\/www.ife.ee\/?p=30994"},"modified":"2019-04-24T15:49:02","modified_gmt":"2019-04-24T13:49:02","slug":"naeitus-vabad-hinged-suembolism-baltimaade-kunstis-jouab-eestisse","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/naeitus-vabad-hinged-suembolism-baltimaade-kunstis-jouab-eestisse\/","title":{"rendered":"N\u00e4itus &#8220;Vabad hinged. S\u00fcmbolism Baltimaade kunstis&#8221; KUMUs"},"content":{"rendered":"<p>12. oktoobrist 2018 &#8211; 03. veebruarini 2019 on\u00a0<a href=\"https:\/\/kumu.ekm.ee\/syndmus\/sumbolism-baltimaade-kunstis\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Kumu<\/strong> <strong>kunstimuuseumi<\/strong><\/a>\u00a0suures saalis Eesti, L\u00e4ti ja Leedu 100. s\u00fcnnip\u00e4evale p\u00fchendatud suurn\u00e4itus &#8220;Vabad hinged. S\u00fcmbolism Baltimaade kunstis&#8221;. N\u00e4itus oli 10. aprillist &#8211; 15. juulini\u00a0\u00fcleval Pariisis mainekas\u00a0\u00a0<strong><a href=\"https:\/\/www.musee-orsay.fr\/fr\/accueil.html?cHash=c578ddfcff\" target=\"_blank\" rel=\"noopener noreferrer\">Orsay Muuseumis<\/a>\u00a0<\/strong>prantsuskeelsena <a href=\"https:\/\/www.musee-orsay.fr\/fr\/evenements\/expositions\/aux-musees\/presentation-generale\/article\/ames-sauvages-46485.html?cHash=c9a41589d3\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>&#8221; \u00c2mes sauvages. Le symbolisme dans les pays baltes &#8220;<\/strong>.<\/a><\/p>\n<p>Rahvusvaheline suurn\u00e4itus on s\u00fcndinud koost\u00f6\u00f6s Baltimaa nelja muuseumiga: L\u00e4ti Rahvusliku Kunstimuuseumi, Eesti Kunstimuuseumi, Leedu Kunstimuuseumi ja M. K. \u010ciurlionise nimelise Rahvusliku Kunstimuuseumiga. N\u00e4ituse peakuraator on prantsuse v\u00e4ljapaistev s\u00fcmbolismiuurija Rodolphe Rapetti. Tema valitud 150 teost Baltimaade kunstiloo m\u00e4rgilistelt autoritelt 19. sajandi l\u00f5pust kuni 1930. aastateni tutvustavad rahvusvahelisele publikule esmakordselt Baltikumi kunsti nii olulises mahus. Pariisist on n\u00e4itus Eestisse j\u00f5udnud ning seej\u00e4rel n\u00e4eb seda l\u00e4hiaastatel ka L\u00e4tis ja Leedus.<br \/>\n&#8220;Heas s\u00fcmbolistis peab olema k\u00fcbeke hullust!&#8221;, \u00fctleb kunstiajaloolane Serge Fauchereau. Juba \u00fcsna varsti saame ka oma silmaga n\u00e4ha, kas see k\u00fcbe on Baltimaade s\u00fcmbolistides olemas!<\/p>\n<p>Baltimaade 20. sajandi alguse kunstilugu on eriline. \u00dchelt poolt asusid siinsed noored kunstnikud avastama Euroopa kaasaegseid kunstisuundi, kuid tundsid samas hingel\u00e4hedust oma rahvusliku identiteedi loomise p\u00fc\u00fcdlustega. Nende kunstis on sageli p\u00f5imunud rahvusvaheline kunstikeel ning koduse rahvakunsti ja suulise p\u00e4rimuse m\u00e4rgid. Euroopast toodi kaasa loominguvabaduse idee ja usk kunsti m\u00f5juj\u00f5usse v\u00e4ljendada inimeses peituvaid vaimseid tasandeid. N\u00e4ituse kolm p\u00f5hiteemat \u201eM\u00fc\u00fcdid ja legendid\u201c, \u201eHing\u201c ja \u201eMaastik\u201c v\u00e4ljendavad kunstnike vaimustumist romantilistest jutustustest, inimese individuaalsest sisemaailmast ja loodusm\u00fcstikast.<\/p>\n<p>Eesti kunstnikest on n\u00e4itusel teiste seas esindatud Kristjan Raud, Konrad M\u00e4gi, Nikolai Triik, Oskar Kallis, L\u00e4ti kunstnikest kuulsad s\u00fcmbolistid Janis Rozent\u0101ls, Vilhelms Purv\u012btis ning Leedust loomulikult Mikalojus Konstantinas \u010ciurlionis.<\/p>\n<p>N\u00e4itusega kaasneb mahukas kataloog.\u00a0<\/p>\n<p>N\u00e4ituse peakuraator: Rodolphe Rapetti<br \/>\nN\u00e4ituse abikuraator: B\u00e9atrice Avanzi <br \/>\nN\u00e4ituse \u00fcldkoordinaator: Ginta Gerharde-Upeniece, L\u00e4ti Rahvusgalerii<br \/>\nN\u00e4ituse kontaktisikud Eesti Kunstimuuseumis:<br \/>\nInga Jaagus (projektijuht) inga.jaagus@ekm.ee<br \/>\nLiis P\u00e4hlapuu (Kumu n\u00e4ituse kaaskuraator) liis.pahlapuu@ekm.ee<\/p>\n<p>______________________________________________________________________________________________________________________________________________________<\/p>\n<div class=\"cat_desc\">\u00a0<\/div>\n<div class=\"cat_desc\">\n<p>Kolme Balti riiki \u00fchendava n\u00e4ituse saamisloost on Prantsuse Instituudid <a href=\"https:\/\/www.institutfrancais-lituanie.com\/?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Leedus<\/a>, <a href=\"https:\/\/www.institut-francais.lv\/\" target=\"_blank\" rel=\"noopener noreferrer\">L\u00e4tis<\/a> ja <a href=\"https:\/\/www.ife.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Eestis<\/a> kokku pannud veebidokumentaali, mis avab vaatajale n\u00e4ituse telgitaguseid ja r\u00e4ndab Baltikumis ringi, et aidata m\u00f5ista siiani v\u00e4lismaal kaugeks j\u00e4\u00e4nud Euroopa \u00e4\u00e4realade s\u00fcmbolistlikku kunsti ja ajaloolist konteksti.<\/p>\n<p>Dokumentaali on teinud kolm Prantsuse Instituuti koost\u00f6\u00f6s Orsay ja kolme riigi kunstimuuseumiga.<\/p>\n<p><strong>Vaadake dokumentaali eestikeelsete subtiitritega\u00a0<\/strong><strong><a href=\"https:\/\/www.ife.ee\/BaltiSumbolism\/\">ife.ee\/BaltiSumbolism<\/a>\u00a0<\/strong><\/p>\n<p>M\u00f5te ja teostus: Lo\u00efc Salfati<br \/>\nProduktsioon: Prantsuse Instituut Leedus<br \/>\nKaasproduktsioon: Prantsuse Instituut L\u00e4tis,\u00a0<a href=\"https:\/\/www.ife.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Prantsuse Instituut Eestis<\/a><br \/>\nMuusika: Pierre Thilloy<br \/>\nT\u00f5lked: Ren\u00e9 Weber ja Marje Kidron (eesti keelde), Veronika Vasiljeva, Giedre Bernotaite-Salfati<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>12. oktoobrist 2018 &#8211; 03. veebruarini 2019 on\u00a0Kumu kunstimuuseumi\u00a0suures saalis Eesti, L\u00e4ti ja Leedu 100. s\u00fcnnip\u00e4evale p\u00fchendatud suurn\u00e4itus &#8220;Vabad hinged. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":36824,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[800],"class_list":["post-30994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-kunst"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/30994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=30994"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/30994\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/36824"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=30994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=30994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=30994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}