{"id":38173,"date":"2019-06-27T14:02:56","date_gmt":"2019-06-27T12:02:56","guid":{"rendered":"http:\/\/www.ife.ee\/?p=38173"},"modified":"2019-08-13T13:26:10","modified_gmt":"2019-08-13T11:26:10","slug":"saal-biennaal-2019","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/saal-biennaal-2019\/","title":{"rendered":"SAAL Biennaal 2019"},"content":{"rendered":"<p>Seekordse <a href=\"https:\/\/www.saal.ee\/et\/festival\/5937\/about\" target=\"_blank\" rel=\"noopener noreferrer\">SAAL Biennaal<\/a>i muudavad eriliseks lisaks kolmele n\u00e4dalal\u00f5pule koondatud lavastustele veel mitmed lisategevused. Koost\u00f6\u00f6s Marseilles\u2019 tegutseva Parall\u00e8le festivaliga on toimunud osaliselt festivali programmis olevate lavastuste valik.<br \/>\n<em>\u201cSAAL Biennaal 2019 kavakeha p\u00f5hineb v\u00e4ga isiklikul kehap\u00f5hisel l\u00e4henemisel elule \u00fcldisemalt \u2013 tajudes ja suhestudes teiste inimeste ning situatsioonidega l\u00e4bi kehalise kohalolu. Sellest l\u00e4htudes kaasasin seekord kunstnikud, kes on oma t\u00f6\u00f6des teravalt teadlikud sellise kehap\u00f5hisuse v\u00f5imalikest pimenurkadest v\u00f5i h\u00e4gusaladest. Nende t\u00f6\u00f6d julgustavad olema silmitsi oma keha metsikusega v\u00f5i panevad proovile meie valmisoleku olla \u00fcdini kohal ehk kehastunud k\u00e4esolevas hetkes kogu selle ilus ja \u00f5uduses. \u00dchtlasi tajun kehalise kohalolu olulisust k\u00e4esolevas poliitilis-sotsiaalses olukorras, mis on manipuleeritavate baasemotsioonidega silmitsi seismise eelduseks.\u201d<\/em><br \/>\n<em>Annika \u00dcprus SAAL Biennaal 2019 kuraator<\/em><\/p>\n<p><strong>Prantsuse esinejad SAAL Biennaal festivalil:<\/strong><\/p>\n<p><strong>22. augustil kell 19:00 Von Krahli Teatris:<\/strong>&nbsp;&nbsp;<a href=\"https:\/\/www.saal.ee\/et\/performance\/6004\" target=\"_blank\" rel=\"noopener noreferrer\">MARION SI\u00c9FERT (Prantsusmaa) \u201cLe Grand Sommeil\u201d<\/a><br \/>\n<strong>24. augustil kell 21:00 Kanuti Gildi SAALIS:<\/strong>&nbsp;<a href=\"https:\/\/www.saal.ee\/et\/performance\/6007\" target=\"_blank\" rel=\"noopener noreferrer\">ANNE-LISE LE GAC (Prantsusmaa) \u201cLa Caresse du Coma\u201d<\/a><br \/>\n<strong><br \/>\n22. &#8211; 24. augustil iga p\u00e4ev kell 15.00-18.00 Kanuti Gildi SAALIS<\/strong>, MORE THAN THIS Parall\u00e8le festivali (Prantsusmaa) kuratoorne v\u00f5\u00f5rustamine \u201cdisplacement\u201d ja Simone Frangi (Itaalia) teoreetiliste diskussioonide paneel \u201cmoments of reflections\u201d.<\/p>\n<p><strong><a href=\"https:\/\/www.saal.ee\/et\/festival\/5937\/program\" target=\"_blank\" rel=\"noopener noreferrer\">Kogu festivali programm<\/a><\/strong><\/p>\n<p>Prantsuse esinejaid SAAL Biennaalil toetab <a href=\"https:\/\/www.ife.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Prantsuse Instituut Eestis<\/a><\/p>\n<p><div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe title=\"ANNE LISE LE GAC - La Caresse du Coma ft. PIRATE [vers le lobby]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/PEXkbEqHvxw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seekordse SAAL Biennaali muudavad eriliseks lisaks kolmele n\u00e4dalal\u00f5pule koondatud lavastustele veel mitmed lisategevused. Koost\u00f6\u00f6s Marseilles\u2019 tegutseva Parall\u00e8le festivaliga on toimunud [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38174,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[676],"class_list":["post-38173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-teater"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/38173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=38173"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/38173\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/38174"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=38173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=38173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=38173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}