{"id":39784,"date":"2019-10-08T13:19:57","date_gmt":"2019-10-08T11:19:57","guid":{"rendered":"http:\/\/www.ife.ee\/?p=39784"},"modified":"2019-11-20T12:54:59","modified_gmt":"2019-11-20T10:54:59","slug":"november-prantsuse-filmikuu-etv2","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/november-prantsuse-filmikuu-etv2\/","title":{"rendered":"November on ETV2-s Prantsuse filmikuu!"},"content":{"rendered":"

November on ETV2<\/a>-s Prantsuse filmikuu! Koost\u00f6\u00f6s Prantsuse Instituudiga kostitab ETV2 meid sel puhul igal kolmap\u00e4eval kell 21.30 \u00fche uue suurep\u00e4rase Prantsuse m\u00e4ngufilmiga. Filmid on j\u00e4relvaadatavad ka ETV2 kodulehel.<\/strong><\/span><\/p>\n

 <\/p>\n

“S\u00f5da” (En guerre<\/em>)<\/strong><\/h3>\n

6. november kell 21.30<\/strong><\/p>\n

Sotsiaalne draama nn v\u00e4ikeste inimeste v\u00f5itlusest oma koha ja elu eest kapitalistlikus s\u00fcsteemis. Kui suur, 1100 t\u00f6\u00f6tajaga Prantsuse tehas Saksa t\u00f6\u00f6stusgrupiga liitus, lubati tehase t\u00f6\u00f6tajatele, et j\u00e4rgmise viie aasta jooksul nende t\u00f6\u00f6kohad s\u00e4ilivad. Kaks aastat hiljem otsustavad juhid ettev\u00f5tte sulgeda. Protesteerivate t\u00f6\u00f6tajate k\u00f5neisikuks saab Laurent Amadeo (Vincent Lindon) ja vastasseis viib v\u00e4ltimatute kokkup\u00f5rgeteni. Kuldse Palmioksa nominatsioon Cannes’is.<\/p>\n

R: St\u00e9phane Briz\u00e9<\/p>\n

 <\/p>\n

“Hooldus\u00f5igus” (Jusqu\u2019\u00e0 la garde<\/em>)<\/b><\/h3>\n

13. november kell 21.30<\/strong><\/p>\n

Kohtuvaidlusest lahku l\u00e4inud paari laste hooldus\u00f5iguse \u00fcle saab alguse lugu, mis on eelk\u00f5ige euroopalikult realistlik, ps\u00fchholoogiliselt terane draama perev\u00e4givallast ja selle m\u00f5just, kuid mitte ainult. See on \u00fchtlasi l\u00f6\u00f6v katastroofifilm inimsuhete traagilisest kokkuvarisemisest ja haruldaselt t\u00f5hus, lausa kehaliselt raputav p\u00f5nevik, mis v\u00f5ib karastunuimalgi filmihuvilisel klombi kurku t\u00f5mmata, kuigi mingit \u0161okeerivat ultrav\u00e4givalda siin ei n\u00e4e. Selle asemel kirjeldab \u201cHooldus\u00f5igus\u201d nappide, vaoshoitud vahendite ja tugevate, vahetute n\u00e4itlejat\u00f6\u00f6de abil ahistavat \u00f5hkkonda, kus f\u00fc\u00fcsiline v\u00e4givald on k\u00f5igest j\u00e4\u00e4m\u00e4e tipp, ning kujutab veenvalt ps\u00fc\u00fchilist tausta, millest see s\u00fcnnib. Ajal, mil meil perev\u00e4givallast \u00fcha enam avalikult r\u00e4\u00e4gitakse, on \u201cHooldus\u00f5igus\u201d mitte ainult meisterlik, vaid ka aktuaalne vaatamine ning tummine panus diskussiooni. 39-aastase prantslase Xavier Legrand\u2019i esimene t\u00e4ispikk on \u00fche m\u00f6\u00f6dunud aasta parima m\u00e4ngufilmina p\u00e4lvinud kriitikute pea \u00fcksmeelse heakskiidu ja rea auhindu, sealhulgas parima re\u017eiss\u00f6\u00f6ri ja parima deb\u00fc\u00fcdi preemiad Veneetsia festivalilt.<\/span><\/p>\n

R: Xavier Legrand<\/p>\n

 <\/p>\n

“Jumalale t\u00e4nu” (Gr\u00e2ce \u00e0 Dieu<\/em>)<\/strong><\/h3>\n

20. november kell 21.30<\/strong><\/p>\n

Alexandre elab Lyonis oma naise ja viie lapsega. \u00dchel p\u00e4eval avastab ta, et preester, kes teda lapsep\u00f5lves seksuaalselt ahistas, t\u00f6\u00f6tab endiselt lastega. Mees p\u00f6\u00f6rdub katoliku kiriku poole, et olukorrale selgust saada, ja avastab, et peapiiskop ei kavatse ahistajapreestriga midagi ette v\u00f5tta. Alexandre alustab v\u00f5itlust, millega liituvad peagi sama preestri teised ohvrid Fran\u00e7ois ja Emmanuel, kellega \u00fchiselt luuakse assotsiatsioon “Vabastatud s\u00f5na”. Selgub, et skaudijuhina t\u00f6\u00f6tanud preestri ohvrid on aastaid vaikinud ja ps\u00fchholoogiliste probleemide k\u00fc\u00fcsis vaevelnud, suutmata \u00fcle saada valeh\u00e4bist ja avalikustada oma lapsep\u00f5lves kogetud v\u00e4givald. Meeste eesm\u00e4rgiks on tuua preester kohtu ette ning sundida kirikut v\u00f5tma vastutus suutmatuse eest lapsi kaitsta.<\/p>\n

Fran\u00e7ois Ozoni film esilinastus 2019. aasta Berliini filmifestivali v\u00f5istlusprogrammis, kus see p\u00e4lvis H\u00f5bekaru – \u017e\u00fcrii Grand Prix. T\u00f5estis\u00fcndinud lool p\u00f5hinev draama v\u00e4ndati saladuskatte all, sest mitmed s\u00fc\u00fcdistused Lyoni piiskopkonna ja lapsi ahistanud preestri vastu on siiani kohtulahendit ootamas.<\/p>\n

R: Fran\u00e7ois Ozon<\/p>\n

 <\/p>\n

“Lubadus koidikul” (La Promesse de l’aube<\/em>)<\/strong><\/h3>\n

27. novembril kell 21.30<\/strong><\/p>\n

Prantsuse armastatud kirjanikul Romain Gary\u2019l oli v\u00e4gagi kirev elu – keeruline lapsep\u00f5lv Poolas, p\u00e4ikeseline teismeiga Nizzas, lenduriamet Teise maailmas\u00f5ja p\u00e4evil Aafrika kohal ja muidugi kirjandus. Kuid tema tuhande elu, kirjanikukuulsuse ja diplomaatilise karj\u00e4\u00e4ri taga on ema Nina. Ekstsentrilise oleku ja raugematu armastusega juhtis Nina poja kuulsuse ja au poole. Kuid piiritu emaarmastusega kaasneb ka oma koorem kanda…
\nFilmi on lavastanud Eric Barbier, peaosades m\u00e4ngivad v\u00f5luvad Pierre Niney (\u201eFrantz\u201d, \u201cYves Saint Laurent\u201d) ja Charlotte Gainsbourg (\u201eN\u00fcmfomaan\u201c I ja II, \u201eMelanhoolia\u201c).
\nFilm \u201eLubadus koidikul\u201c p\u00f5hineb Romain Gary samanimelisel teosel. Tegemist on kirjanikuga, kes on kirjutanud erinevate pseudon\u00fc\u00fcmide all ning v\u00f5itnud ainsana maineka Concourt\u2019i kirjandusauhinna kahel korral.
\nKirjanikul on side Baltimaadega \u2013 nimelt s\u00fcndis ja elas ta lapseeas Vilniuses, kus asub ka talle p\u00fchendatud m\u00e4lestussammas.<\/p>\n

R: Eric Barbier<\/p>\n

 <\/p>\n

\"Prantsuse<\/p>\n","protected":false},"excerpt":{"rendered":"

November on ETV2-s Prantsuse filmikuu! Koost\u00f6\u00f6s Prantsuse Instituudiga kostitab ETV2 meid sel puhul igal kolmap\u00e4eval kell 21.30 \u00fche uue suurep\u00e4rase […]<\/p>\n","protected":false},"author":1,"featured_media":40059,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[1263,1264,1265],"class_list":["post-39784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-etv2","tag-prantsuse-filmid","tag-prantsuse-filmikuu"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/39784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=39784"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/39784\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/40059"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=39784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=39784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=39784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}