{"id":42361,"date":"2020-03-04T15:28:24","date_gmt":"2020-03-04T13:28:24","guid":{"rendered":"http:\/\/www.ife.ee\/?p=42361"},"modified":"2020-03-05T10:49:07","modified_gmt":"2020-03-05T08:49:07","slug":"naistepaev-filmiga-naine","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/naistepaev-filmiga-naine\/","title":{"rendered":"Naistep\u00e4ev filmiga &#8220;Naine&#8221;"},"content":{"rendered":"<p><span style=\"font-size: 18px;\"><strong>Head naistep\u00e4eva, kallid naised! Kinos\u00f5pradel on hea v\u00f5imalus t\u00e4histada seda laiahaardelise, ent samas intiimse Prantsuse dokumentaalfilmiga &#8220;Naine&#8221;, mille autoriteks on Yann Arthus-Bertrand ja Anastasia Mikova.<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>NAINE on \u00fclemaailmne filmiprojekt, mis annab s\u00f5na 2000 naisele 50st erinevast riigist. Hoolimata laiaulatuslikust skaalast pakub film v\u00e4ga intiimse pildi nendest, kes moodustavad pool inimkonda. See on \u00fchtlasi v\u00f5imalus heita pilk \u00fclekohtule, mille all naised kannatavad k\u00f5ikjal maailmas, kuid film tahab toonitada pigem naiste sisemist j\u00f5udu ja nende v\u00f5imet maailma muuta. Seda hoolimata k\u00f5ikidest raskustest, millega nad silmitsi seisavad. Sel uuel ajastul annavad naiste h\u00e4\u00e4led tooni \u00fcha rohkem ja rohkem ning filmi eesm\u00e4rgiks pole keskenduda probleemidele v\u00f5i \u00fcleskutsetele naiste \u00f5iguste parandamiseks, vaid leida lahendusi ja \u00fcritada sugusid lepitada.<\/p>\n<p>Film puudutab teemasid nagu emadus, haridus, abielu ja varanduslik iseseisvus, kuid ka menstruatsiooni ja seksuaalsust. L\u00e4bi filmi avastate naiste h\u00e4\u00e4li k\u00f5lamas nagu ei kunagi varem. Isiklikel kohtumistel p\u00f5hinev linateos seab kokku sajad lood v\u00e4ga erinevatelt&nbsp; naistelt, kelle seas on n\u00e4iteks riigijuhte, iluduskuningannasid, bussijuhte v\u00f5i farmereid v\u00e4ga k\u00f5rvalistest piirkondadest, mis edastab p\u00f5hjalikuma pildi sellest, mida t\u00e4hendab t\u00e4nap\u00e4eval naine olla. \u00dctluste vahepeal laiendavad naiste lugusid kaadrid, n\u00e4idates neid isikup\u00e4raselt tavaelus v\u00f5i suurtel koosviibimistel, kus on koos tuhandeid naisi.<\/p>\n<p>Film re\u017eiss\u00f6\u00f6rid tegid \u00fchtlasi koost\u00f6\u00f6d kunstnikega, nagu n\u00e4iteks fotograaf Peter Lindbergh, et uurida naiste suhteid nende enda kehaga. V\u00f5i tantsijad kollektiivist Bandaloop, kes edastavad metafoorilise tantsu kaudu naiste j\u00f5udu ja v\u00f5imeid t\u00f5usta taevasse.<\/p>\n<p>&nbsp;<\/p>\n<h4>&#8220;Naine&#8221; \/ <em>Woman<\/em><\/h4>\n<p>Prantsusmaa, 2019<br \/>\nRe\u017eiss\u00f6\u00f6rid : Anastasia Mikova, Yann Arthus-Bertrand<br \/>\n<span class=\"views-label views-label-field-genre\">\u017danr: d<\/span>okumentaalfilm<br \/>\n105 min<br \/>\nKeel: erinevad<br \/>\nSubtiitrid: eesti, vene<\/p>\n<div>\n<div>&nbsp;<\/div>\n<\/div>\n<p>Kinodes S\u00f5prus, Artis, Coca-Cola Plaza, Cinamon.<\/p>\n<p>8. m\u00e4rtsil S\u00f5pruses toimuva erilinastuse j\u00e4rel on ka naiste vestlusring, kus osalevad tantsija, koreograaf, loodusterapeut ja \u00f6koaktivist Kristina Pa\u0161kevicius, minaolenginaine.ee looja ja sisuline juht Katri Ristal, ajakirjanik&nbsp; Dagmar Lamp ja Aet Kuusik Feministeeriumist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Head naistep\u00e4eva, kallid naised! Kinos\u00f5pradel on hea v\u00f5imalus t\u00e4histada seda laiahaardelise, ent samas intiimse Prantsuse dokumentaalfilmiga &#8220;Naine&#8221;, mille autoriteks on [&hellip;]<\/p>\n","protected":false},"author":170,"featured_media":42362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[791,668,662,1335],"class_list":["post-42361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-dokumentaalfilm","tag-film-2","tag-kino","tag-naistepaeev"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/42361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=42361"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/42361\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/42362"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=42361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=42361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=42361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}