{"id":43672,"date":"2020-06-01T14:48:12","date_gmt":"2020-06-01T12:48:12","guid":{"rendered":"https:\/\/www.ife.ee\/?p=43672"},"modified":"2020-06-01T15:54:13","modified_gmt":"2020-06-01T13:54:13","slug":"prantsuse-filmid-artis-soprus-2020","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/prantsuse-filmid-artis-soprus-2020\/","title":{"rendered":"Artis ja S\u00f5prus pakuvad juunis laia valikut Prantsuse filme"},"content":{"rendered":"

Juunist alates saab taas kinno! Artise ja S\u00f5pruse ekraanidele j\u00f5uab juunikuu jooksul lausa mitu Prantsuse linateost: “Meie kaks”, “Jean-Paul Gaultier: \u0161ikk friik”, “Parimad aastad me elus”, “Suvet\u00fcdruk”, “Kadunud prints” ja “#olensiin”. H\u00e4id kinoelamusi!<\/strong><\/span><\/p>\n

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“Meie kaks” \/ “Deux”<\/h3>\n

Kinodes S\u00f5prus<\/a> ja Artis<\/a><\/strong><\/p>\n

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K\u00f5ikide teiste arvates on pension\u00e4rid Nina ja Madeleine lihtsalt head naabrid ja ei midagi enamat, tegelikult aga on nende kahe salajane armastuslugu kestnud juba aastak\u00fcmneid. Kui \u00fcks ootamatu \u00f5nnetus nad teineteisest eemale t\u00f5ukab, katkeb nende igap\u00e4evane side hoobilt ja \u00fcht\u00e4kki ei saa nad enam oma elu armastusega koos \u00fches ruumiski viibida. Filippo Meneghetti lavastajat\u00f6\u00f6 on heade n\u00e4itlejat\u00f6\u00f6dega paeluv ja liigutav draama tingimusteta armastusest, mis poeb hinge ning avardab meelt ja s\u00fcdant. Kas Nina ja Madeleine leiavad tee tagasi teineteise juurde?<\/p>\n

“\u00dcldjuhul kohtab LGBT filmilugude hulgas \u00fcle keskea paare harva, see siin on \u00fcks hea ja s\u00fcdantsoojendav erand.” Liisi Rohum\u00e4e<\/em><\/p>\n<\/div>\n

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Re\u017eiss\u00f6\u00f6r: Filippo Meneghetti<\/div>\n
Osades: Barbara Sukowa, Martine Chevallier, L\u00e9a Drucker<\/div>\n<\/div>\n
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“Jean-Paul Gaultier: \u0161ikk friik” \/ “Jean-Paul Gaultier: Freak and Chic”<\/h3>\n
Kinodes S\u00f5prus<\/a> ja Artis<\/a><\/strong><\/div>\n
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Jean-Paul Gaultier, keda juba poisikesep\u00f5lves v\u00f5lus legendaarne Pariisi kabareeteater Folies Bergere, on terve elu ihanud seal oma \u0161\u00f5ud lavastada. \u201eAga mis lugu see peaks r\u00e4\u00e4kima?\u201c m\u00f5tiskleb ta ise, meenutades kuus kuud kestnud ettevalmistusi, mis \u0161\u00f5u kavandamiseks kulusid. \u201eEks ikka minu enda lugu.\u201c<\/p>\n

Rev\u00fc\u00fc \u00fchendabki endas moe, filmi, tantsu, teatri ja h\u00e4bitu liialdustesse kaldumise, tuues vaatajani retrospektiivi 40 aasta pikkusest karj\u00e4\u00e4rist ja moeloojast, kellest r\u00e4\u00e4kides ei saa \u00fcle ega \u00fcmber v\u00e4ljendist enfant terrible. Filmis\u00f5prade seas tuntud kui kost\u00fc\u00fcmilooja filmidele \u201eViies element\u201c ja \u201eKokk, varas, tema naine ja temakese armuke\u201c, popmuusika f\u00e4nnide hulgas kuulus t\u00e4nu Madonnale disainitud koonusekujulisele rinnahoidjale, on ta n\u00e4iteks kombineerinud oma loomingus kujunduselementidena ka m\u00e4ngukarusid ja sadomaso-atribuutikat. Tema \u0161\u00f5u on \u00fchtaegu nii fantastiline ja skandaalne kui ka \u00fcleannetult vaimukas (sket\u0161 Vogue\u2019i raudsest leedist Anna Wintourist) ja liigutav (tribuut Gaultier\u2019 partnerile Francis Menuge\u2019ile, kes suri 1990. aastal).<\/p>\n<\/div>\n

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Re\u017eiss\u00f6\u00f6r: Yann L’H\u00e9noret<\/div>\n<\/div>\n<\/div>\n
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“Parimad aastad me elus” \/ “Les plus belles ann\u00e9es d’une vie”<\/h3>\n

Kinos Artis<\/a><\/strong><\/p>\n

See on lugu eakast paarist, kes kohtub \u00fcle mitmete mitmete aastate ja meenutab oma m\u00f6\u00f6dunud armastust ning minevikku. Peaosades m\u00e4ngivad prantsuse kino armastatud n\u00e4itlejad Jean-Louis Trintignant ja Anouk Aim\u00e9e. Samad n\u00e4itlejad m\u00e4ngisid koos ka Claude Lelouchi triloogia eelmistes filmides \u201cMees ja naine\u201d (1966) ning \u201eMees ja naine 20 aastat hiljem\u201c (1986). 2019. aasta versioonis n\u00e4idatakse minevikum\u00e4lestustena ka kaadreid vanematest filmidest ning ka uues versioonis k\u00f5lab Francis Lai aegumatu muusika. See on t\u00f5eline nostalgiar\u00e4nnak, t\u00f5eline Prantsuse film suure P-t\u00e4hega. Soovituslik k\u00f5igile, kes on kunagi nautinud filmi \u201eMees ja naine\u201c.<\/p>\n

Re\u017eiss\u00f6\u00f6r: Claude Lelouch<\/div>\n
Osades: Anouk Aim\u00e9e, Monica Bellucci, Jean-Louis Trintignant<\/div>\n
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“Suvet\u00fcdruk” \/ “Une fille facile”<\/h3>\n
Kinos Artis<\/a><\/strong><\/div>\n
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Naima elab emaga L\u00f5una-Prantsusmaal Cannes\u2019is ja on saanud just 16-aastaseks. See on vanus, kus tuleb otsustada, mida eluga edasi teha. Suvevaheajal saabub Naimale k\u00fclla temast vanem ja kogenum n\u00f5bu Sofia. Sofial on k\u00e4evangus Chaneli kott, millest ka Naima salamisi unistanud on. Neiud naudivad koos p\u00e4ikesevanne, kohtutakse s\u00f5pradega, elu on muretu. \u00dchel sumedal \u00f5htul satuvad nad Sofia eestvedamisel luksuslikule jahile, kus on peremeesteks keskealised Philippe ja Andr\u00e8s. Tekib neljane seltskond, kes veedavad koos m\u00f5ned p\u00e4evad ja \u00f6\u00f6d… P\u00e4rast k\u00f5iki neid seiklusi j\u00f5uab Naima otsusele, millise tee ta tulevikuks valib!<\/div>\n
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Film linastus 2019. aastal Cannes\u2019i filmifestivalil Director\u2019s Fortnight programmis ja p\u00e4lvis seal prantsuskeelsete filmide hulgas Stsenaristide Gildi peaauhinna.<\/div>\n
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Re\u017eiss\u00f6\u00f6r: Rebecca Zlotowski<\/div>\n
Osades: Mina Farid, Benoit Magimel, Zahia Dehar, Nuno Lopes<\/div>\n<\/div>\n
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“Kadunud prints” \/ “Le prince oubli\u00e9”<\/h3>\n
Kinos Artis<\/a> alates 12. juunist<\/strong><\/div>\n
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Djibi elu keerleb ta armastatud 7-aastase t\u00fctre Sofia \u00fcmber. P\u00fchendunud \u00fcksikisal on saanud kombeks enne magama j\u00e4\u00e4mist lapsele lugusid jutustada. Kui Sofia uinub, viib isa ta igal \u00f6\u00f6l Muinasjutumaale, v\u00e4ljam\u00f5eldud filmistuudiosse, kus nende erakordsed seiklused \u00e4rkavad ellu ning Djibi m\u00e4ngib neis kangelaslikku v\u00f5luvat printsi. Viie aasta m\u00f6\u00f6dudes on Sofiast teismeline saamas ja isa lood ei paku talle enam huvi. Ta m\u00f5tleb v\u00e4lja omaenda lugusid, kus Djibi ei kehasta kangelast. Djibi roll p\u00e4riselus ja Muinasjutumaal hakkab muutuma ning ta peab leidma viisi, kuidas igaveseks t\u00fctre elus, kujutluses ja lugudes kangelaseks j\u00e4\u00e4da.<\/div>\n
 <\/div>\n
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Re\u017eiss\u00f6\u00f6r: Michel Hazanavicius<\/div>\n
Osades: Omar Sy, Berenice Bejo, Fran\u00e7ois Damiens<\/div>\n<\/div>\n
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“#OlenSiin” \/ #JeSuisL\u00e0<\/h3>\n
Kinos Artis<\/a> alates 19. juunist<\/strong><\/div>\n
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Mainekas meisterkokk St\u00e9phane (Alain Chabat) elab rahuliiku elu, jagades oma t\u00e4helepanu kahe t\u00e4iskasvanud poja, eksabikaasa ning oma t\u00f6\u00f6 vahel. Ainsaks p\u00f5nevuse allikaks on erinevad sotsiaalv\u00f5rgustikud ning k\u00fctkestav korealanna Soo (Doona Bae), kellesse St\u00e9phane on Instagrami vahendusel \u00e4ra armunud. Kuni \u00fchel heal p\u00e4eval otsustab mees teha midagi ootamatut ning lennata Koreasse, et salap\u00e4rane kaunitar seal \u00fcles otsida. Niipea, kui romantikust r\u00e4ndur Seouli lennujaama saabub, avaneb tema jaoks t\u00e4iesti uus maailm ning algab seiklus t\u00e4is \u00fcllatavaid avastusi.<\/p>\n

“#olensiin” on s\u00fcdamlik kom\u00f6\u00f6dia julgetest sammudest ja uutest algustest. Osades Alain Chabat (“P\u00e4evade vaht”), Doona Bae (“Pilveatlas”), Blanche Gardin (“Problemos”), Ilian Bergala (“La famille B\u00e9lier”) ja Camille Rutherford (“La vie d’Ad\u00e8le”). Filmi lavastas Eric Lartigau.<\/p>\n<\/div>\n

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Re\u017eiss\u00f6\u00f6r: Eric Lartigau<\/div>\n
Osades: Alain Chabat, Doona Bae, Blanche Gardin<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Juunist alates saab taas kinno! Artise ja S\u00f5pruse ekraanidele j\u00f5uab juunikuu jooksul lausa mitu Prantsuse linateost: “Meie kaks”, “Jean-Paul Gaultier: […]<\/p>\n","protected":false},"author":170,"featured_media":43673,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[1470,1334,1264,773],"class_list":["post-43672","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-kino-artis","tag-kino-soprus","tag-prantsuse-filmid","tag-prantsuse-kino"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/43672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=43672"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/43672\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/43673"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=43672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=43672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=43672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}