{"id":4368,"date":"2015-03-16T12:56:31","date_gmt":"2015-03-16T10:56:31","guid":{"rendered":"http:\/\/www.ife.ee\/?p=4368"},"modified":"2015-03-16T12:57:55","modified_gmt":"2015-03-16T10:57:55","slug":"maailmafilm-dokumentaalide-festival-14-21-maerts-tartu-elektriteater","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/maailmafilm-dokumentaalide-festival-14-21-maerts-tartu-elektriteater\/","title":{"rendered":"Maailmafilm dokumentaalide festival \/\/ 14.-21. m\u00e4rts \/\/ Tartu"},"content":{"rendered":"<p><strong>14.-21. m\u00e4rtsil\u00a02015\u00a0<\/strong>toimub Tartus j\u00e4rjekordne dokumentaalide festival\u00a0<strong><a href=\"https:\/\/worldfilm.ee\/et\">Maailmafilm<\/a><\/strong>. Laiahaardelisest programmist leiab ka hulganisti prantsuskeelseid dokumentaale:<\/p>\n<p><span style=\"color: #008ac9;\"><strong>Salto Mortale<\/strong><\/span>, Guillaume Kozakiewicz (\u0160veitsi, 2014) :<\/p>\n<p>Andekas k\u00f6ielk\u00f5ndija Antoine Rigot kaotas 2000. aastal osaliselt v\u00f5ime oma jalgu kasutada. Selle asemel, et laval olemisest loobuda, andis see raske \u00f5nnetus Rigot\u2019le julgust saada j\u00e4rgnevate etenduste objektiks ning ka teemaks. V\u00e4hehaaval taastub tema soov tasakaalu proovile panna. Film tagasihoidliku ning julge k\u00f6ielk\u00f5ndija kukkumisest ning taass\u00fcnnist on kantud peategelase vaimsusest.<\/p>\n<p><strong>Kolmap\u00e4eval, 18. m\u00e4rtsil kell 21.30<\/strong><\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/xoU7650qmyc\" width=\"239\" height=\"197\"><\/iframe><\/p>\n<p><span style=\"color: #008ac9;\"><strong>Ei saa muutuda selleks, kes sa juba oled<\/strong><\/span>\u00a0(<em>Le Deuxi\u00e8me i d&#8217;Emilie<\/em>), Sabine Kuentz (Prantsusmaa, 2013) :<\/p>\n<p>\u00dchel p\u00e4eval otsustas Emilie endaga \u00e4ra leppida. Ta on LGBT juht ja Emma\u00fcs\u2019i vabatahtlik, kes elab oma abikaasaga v\u00e4ga \u00f5nnelikku elu. K\u00f5ik see on nagu v\u00f5it saatuse \u00fcle. Ta alustab oma lugu algusest, ajast mil ta oli veel Emile &#8211; v\u00e4ike poiss.<\/p>\n<p><strong>Neljap\u00e4eval, 19. m\u00e4rtsil kell\u00a012.30<\/strong><\/p>\n<p><span style=\"color: #008ac9;\"><strong>Lihunikupoiss<\/strong><\/span>\u00a0(<em>Gar\u00e7on Boucher<\/em>), Florian Geyer (Prantsusmaa, 2013) :<\/p>\n<p>Miguelist (17) saab p\u00e4rast koolist v\u00e4lja kukkumist lihuniku \u00f5pipoiss. Ta on portugali immigrantide poeg, l\u00fchikest kasvu ja moodsalt riides, vastandudes t\u00e4ielikult ootusp\u00e4rasele kuvandile lihunikust. Praktika jooksul koolis ja poes tuleb Miguelil l\u00e4bi teha pea s\u00f5jav\u00e4e v\u00e4\u00e4rilisi muutusi: ta peab vormi kandma, keelekasutust ja kehahoiakut j\u00e4lgima ning t\u00f6\u00f6ks vajalikud oskused omandama. Miguelil tuleb \u00fcletada mitmeid raskusi, et teda selles ametis omaks v\u00f5etaks. Film j\u00e4lgib poisi kolme aastat lihuniku \u00f5pipoisina lihapoes. Kas ta suudab lihal\u00f5ikamise kunsti selgeks saada?<\/p>\n<p><strong>Neljap\u00e4eval, 19. m\u00e4rtsil kell\u00a014.30<\/strong><\/p>\n<p><video controls=\"controls\" width=\"300\" height=\"150\"><source src=\"https:\/\/www.dailymotion.com\/video\/x2crpxr_bande-annonce-le-docu-garcon-boucher_news\" \/><\/video><\/p>\n<p><span style=\"color: #008ac9;\"><strong>Femeni alasti s\u00f5da<\/strong><\/span>, Joseph Paris (Prantsusmaa, 2014) :<\/p>\n<p>Noor re\u017eiss\u00f6\u00f6r ja aktivist Joseph Paris puutus Femeni liikumisega kokku 2012. aasta kevadel\u00a0ning j\u00e4lgis seda Ukraina naiste feministlikku grupeeringut \u00fche aasta jooksul. Nende tegudest innustatuna ja sooviga naisi toetada, uurib filmi autor, millest nende m\u00e4ss on alguse saanud ja mida sellised s\u00fcndmused r\u00e4\u00e4givad. Oma m\u00f5tteile saab Paris toetust prantsuse kirjaniku ja luuletaja Annie Le Brauni ning filosoofi Benoit Goetzi m\u00f5tteavaldustest \u201cradikaalse pop-feminismi\u201d teemal.<\/p>\n<p><strong>Neljap\u00e4eval, 19. m\u00e4rtsil kell 18.00<em>\u00a0<\/em><\/strong><\/p>\n<p><strong>NB! Kohal on lavastaja\u00a0Joseph Paris!<\/strong><\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/EjsvT0-Aiu4\" width=\"252\" height=\"207\"><\/iframe><\/p>\n<p><span style=\"color: #008ac9;\"><b>Hulluse j\u00e4ljed<\/b><\/span> (<em>Ce qu&#8217;il reste de la folie<\/em>), Joris Lachaise (Prantsusmaa, 2014) :<\/p>\n<p>Siin on Khady &#8211; naine, keda tema kirjutised ja filmitud \u00fclesv\u00f5tted ei suuda kannatustest p\u00e4\u00e4sta. Teda, kes ta nii v\u00e4ga tahaks teada, kuidas nimetada seda kurjust, mis ta m\u00f5tetes p\u00f6\u00f6rleb. Ja siis k\u00f5ik need teised hullud, kelle puhul deliirium ja selgusemomendid k\u00e4ivad niiv\u00f5rd l\u00e4hedalt k\u00e4sik\u00e4es, et paneb imestama, mis seletamatu side nende kahe seisundi vahel on. On \u00fcks haigla. Thiaroye, pisut Dakarist v\u00e4ljas. See on koht, kus Aafrika ps\u00fchhiaatria on k\u00f5rvale kaldunud teest, mille rajas Prantsuse kolonisatsioon. Sealne hullus k\u00f5netab meid, me kuulame t\u00e4helepanelikult, see liigutab meid s\u00fcgavalt, mitte kaastundest, vaid sellep\u00e4rast, et see kannab minema k\u00f5ik meie varasemad veendumused. \u201cHaavatud hingede\u201c monoloogid, kus ei vaevuta midagi tagasi hoidma, k\u00f5netavad meie hinges\u00fcgavusi. S\u00fcgavusi, kus sisemine tasakaalutus ei ole mitte oht, vaid peidetud t\u00f5de \u2013 valmis v\u00e4lja purskuma.<\/p>\n<p><strong>Reedel, 20. m\u00e4rtsil kell\u00a015.30<\/strong><\/p>\n<p><video controls=\"controls\" width=\"300\" height=\"150\"><source src=\"&lt;iframe frameborder=&quot;0&quot; width=&quot;1088&quot; height=&quot;600&quot; src=&quot;https:\/\/vod.infomaniak.com\/iframe.php?url=https:\/\/vod.infomaniak.com\/redirect\/bande-annonce_vod\/folder-18268\/mp4-11\/161428_1_ce-qu-il-reste-de-la-folie_13499.mp4&amp;duration=&amp;player=2561&amp;vod=64&amp;preloadImage=https:\/\/vod.infomaniak.com\/redirect\/bande-annonce_vod\/folder-18268\/mp4-11\/161428_1_ce-qu-il-reste-de-la-folie_13499.jpg?1425565455641&amp;lg=fr&amp;wmode=direct&quot;&gt;&lt;\/iframe&gt;\" type=\"video\/mp4\" \/><\/video><\/p>\n<p><span style=\"color: #008ac9;\"><strong>Le Pays<\/strong><\/span>, Pierre Schlesser (Belgia, 2014) :<\/p>\n<p>Uitamised ja lepitav p\u00f6\u00f6rdumine koju tagasi. Taasavastades maastikke, kohti ning inimesi, kes endiselt samas paigas elavad, meenuvad lapsep\u00f5lvem\u00e4lestused ning see, mis on n\u00fc\u00fcdseks juba kadunud.<\/p>\n<p><strong>Laup\u00e4eval, 21. m\u00e4rtsil kell 12.30<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008ac9;\"><strong>V\u00f5ib-olla pimedus<\/strong><\/span>\u00a0(<em>Peut-\u00eatre le Noir<\/em>), Juliette Joff\u00e9 (Belgia, 2013) :<\/p>\n<p>\u00dcks vana Vahemere-\u00e4\u00e4rne maja on seisnud muutumatul kujul 150 aastat, justkui aeg ei olekski edasi liikunud. Eri p\u00f5lvkonnad tulevad igal suvel sinna puhkama ning aastad m\u00f6\u00f6duvad. Film uurib erinevate ajamaastike h\u00e4gustumist korteris, p\u00f5imides omavahel surnud esivanemate vaimude ja elavate pereliikmete p\u00f5gusa kohaloleku. \u201cV\u00f5ib-olla pimedus\u201c seab kahtluse alla nii inimeste seosed perekonna mineviku ja identiteediga kui ka vastandlikud emotsioonid, mille s\u00fcdamel\u00e4hedased kohad esile kutsuvad.<\/p>\n<p><strong>Laup\u00e4eval, 21. m\u00e4rtsil kell 12.30, j\u00e4rgneb filmile\u00a0<em>Le Pays<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>T\u00e4ismahus programm aadressil <a href=\"https:\/\/worldfilm.ee\/et\">www.worldfilm.ee<\/a><\/p>\n<p>P\u00f5nevaid filmielamusi!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>14.-21. m\u00e4rtsil\u00a02015\u00a0toimub Tartus j\u00e4rjekordne dokumentaalide festival\u00a0Maailmafilm. Laiahaardelisest programmist leiab ka hulganisti prantsuskeelseid dokumentaale: Salto Mortale, Guillaume Kozakiewicz (\u0160veitsi, 2014) : [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4287,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[109,111],"tags":[],"class_list":["post-4368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tallinn-antenne-2","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/4368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=4368"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/4368\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/4287"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=4368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=4368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=4368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}