{"id":46189,"date":"2020-12-18T10:33:14","date_gmt":"2020-12-18T08:33:14","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=46189"},"modified":"2021-01-18T15:43:46","modified_gmt":"2021-01-18T13:43:46","slug":"tagasivaade-pariis-peeter-langovits","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/tagasivaade-pariis-peeter-langovits\/","title":{"rendered":"“Tagasivaade – Pariis 1991, 1992” – Peeter Langovitsi foton\u00e4itus"},"content":{"rendered":"

Peeter Langovitsi foton\u00e4itus “Tagasivaade – Pariis 1991, 1992” on koost\u00f6\u00f6s Prantsuse Instituudiga p\u00fchendatud Prantsuse-Eesti diplomaatilistele suhete 100. aastap\u00e4evale, mida t\u00e4histame 26. jaanuaril 2021. Eksponeeritud fotod kujutavad Pariisi eestlaste jaoks m\u00e4rgilisel perioodil, vahetult iseseisvuse taastamisele j\u00e4rgnenud ajal, kui piirid avanesid. N\u00e4itus on \u00fcleval Viimsi raamatukogus kuni 28. veebruarini 2021.<\/span><\/strong><\/p>\n

 <\/p>\n

Peeter Langovits avab oma n\u00e4itust n\u00f5nda:<\/p>\n

“Olen hingelt t\u00e4navafotograaf, eluj\u00e4\u00e4dvustaja, kes <\/span>\u2013<\/span> p\u00fc\u00fcdes osaleda m\u00e4rkamatult vaatlejana kirevas ja kordumatus t\u00e4navateatris <\/span>\u2013<\/span> otsib hetki, mis v\u00e4ljendaks minu suhet \u00fcmbritsevaga.<\/span> Ammune unistus oli k\u00fclastada Pariisi, suurlinna, millest olin n\u00e4inud palju suurep\u00e4raseid j\u00e4\u00e4dvustusi fotokunstiklassikutelt. Hinges oli soov tunnetada metropoli argir\u00fctmi, nautida hetkekski seal valitsevat atmosf\u00e4\u00e4ri. P\u00e4rast Eesti taasiseseisvumist sattusin Pariisi kahel j\u00e4rjestikusel aastal detsembrikuistel t\u00f6\u00f6reisidel ning t\u00f6\u00f6v\u00e4lisel ajal tutvusin linnaga seal sihitult ringi uidates, j\u00e4\u00e4dvustades k\u00f5ike, mis meeli erutas. Nii arhitektuuri kui inimesi t\u00e4naval, argisituatsioone ja k\u00f5ige tavalisemaid asju. Kuigi olen ka hiljem Pariisis viibinud, m\u00f5jub toona j\u00e4\u00e4dvustatu erilisena <\/span>\u2013<\/span> need olid esmaemotsioonid, see oli s\u00f5\u00f5m vabadusest, mulle v\u00f5\u00f5rast ja l\u00f5putuna tunduvast keskkonnast.<\/span><\/p>\n

Osa pildistatust leidis kasutust 1994. aastal P\u00e4rnus, mil Prantsuse saatkonna toetusel sai Chaplini keskuses teoks kolme autori \u00fchisn\u00e4itus <\/span>\u201e<\/span>P\u00e4rnu \u2013 Pariis\u201d.  Koos Mark Soosaare ja Henn Soodlaga pakkusime omi visioone kahest nii  erinevast linnast.<\/span><\/p>\n

Lugedes hiljuti T\u00f5nu \u00d5nnepalu raamatut <\/span>\u201e<\/span>Pariis\u201d, kus autor kirjeldab muutusi, mis selles linnas 25 aasta jooksul on toimunud, meenusid mulle kaadrid, mida seal umbes samal ajal j\u00e4\u00e4dvustasin. Tundsin, et fotod olid j\u00e4\u00e4nud teenimatult karpidesse riiulile tolmuma. Toona vaid ainueksemplaridena kopeeritud ligi 400 fotot on praeguseks osake l\u00e4hiajaloost. Idee koostada n\u00fc\u00fcd, 2020. aastal retrospektiiv Pariisist sobis h\u00e4sti t\u00e4iendama n\u00e4itusesarja <\/span>\u201e<\/span>Tagasivaade\u201d, mida olen viimastel aastatel korraldanud. Enda r\u00f5\u00f5muks avastasin n\u00e4ituse komplekteerimisel, et pildipakis praktiliselt puudusid lavastatud \u00fclesv\u00f5tted! Neist anon\u00fc\u00fcmsetest argistest kildudest sai kokku kirju fragmentaarium Pariisi paikadest, kuhu l\u00fchikese aja jooksul j\u00f5udsin. Ma ei tee siin suuri \u00fcldistusi ei Pariisist ega prantslastest, pigem pakun n\u00e4itusega \u00e4ratundmisr\u00f5\u00f5mu ja v\u00f5imalusi m\u00e4rgata aastatega toimunud muutusi, aga ka sedagi, et turistimagnetite k\u00f5rval v\u00f5ib leida palju p\u00f5nevat.”<\/span><\/p>\n

 <\/p>\n

N\u00e4itus sai teoks t\u00e4nu Prantsuse Instituudile Eestis, Juhan Kuusi Dokfoto Keskusele ning Digifoto O\u00dc-le.<\/span><\/p>\n

Tagasivaaten\u00e4itus Pariisist on p\u00fchendatud Eesti-Prantsuse diplomaatiliste suhete 100. aastap\u00e4evale. 26. jaanuaril 1921 otsustasid Pariisis <\/span>Entente<\/span><\/i>\u00b4i K\u00f5rgema N\u00f5ukogu liikmed Prantsusmaa, Itaalia, Suurbritannia, Jaapan ja Belgia tunnustada Eesti ja L\u00e4ti Vabariiki <\/span>de jure<\/span><\/i>. <\/span><\/p>\n

V\u00e4ljapanekule pakub lisa Peeter Langovitsi t\u00fctre Greesi Desiree Langovitsi samal ajal Viimsi Raamatukogus eksponeeritav foton\u00e4itus \u201chipstaROME\u201d.<\/span><\/p>\n

 <\/p>\n

Viimsi raamatukogu<\/a> on avatud E-R 10-20, L-P 10-16. Iga kuu viimasel reedel on raamatukogu korrastusp\u00e4evaks suletud.<\/p>\n

\n\"Tagasivaade-<\/p>\n

\"Tagasivaade-<\/p>\n

\"Tagasivaade-<\/p>\n

\"Eesti-Prantsuse<\/p>\n","protected":false},"excerpt":{"rendered":"

Peeter Langovitsi foton\u00e4itus “Tagasivaade – Pariis 1991, 1992” on koost\u00f6\u00f6s Prantsuse Instituudiga p\u00fchendatud Prantsuse-Eesti diplomaatilistele suhete 100. aastap\u00e4evale, mida t\u00e4histame […]<\/p>\n","protected":false},"author":170,"featured_media":46190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[673,1749,780,1747,1748,1746],"class_list":["post-46189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-fotograafia","tag-fotonaeitus","tag-pariis","tag-peeter-langovits","tag-prantsuse-eesti-diplomaatilised-suhted-100","tag-tagasivaade-pariis-1991-1992"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/46189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=46189"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/46189\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/46190"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=46189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=46189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=46189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}