{"id":46633,"date":"2021-01-28T12:21:25","date_gmt":"2021-01-28T10:21:25","guid":{"rendered":"https:\/\/www.ife.ee\/?p=46633"},"modified":"2021-03-01T11:07:44","modified_gmt":"2021-03-01T09:07:44","slug":"talvejazz-david-chevallier-trio-anett-tamm","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/talvejazz-david-chevallier-trio-anett-tamm\/","title":{"rendered":"Talvejazz – David Chevallier Trio feat. Anett Tamm (Prantsusmaa-Eesti)"},"content":{"rendered":"

Jazzkaare Talvejazzi<\/a> fookuses on 2021. aastal eesti ja prantsuse artistide koost\u00f6\u00f6d! David Chevallier triot ja Anett Tamme saab veebruari l\u00f5pus Tallinnas, Viljandis, M\u00f5nistes, P\u00f5lvas ja Abja-Paluojal. Toetab Prantsuse Instituut.<\/span><\/strong><\/p>\n

 <\/p>\n

Multitalent, kitarrist ja helilooja David Chevallier<\/strong> koos bassist S\u00e9bastien Boisseau <\/strong>ja trummar Christophe Lavergne<\/strong>\u2018iga moodustavad s\u00e4rava loomingulise trio, mis v\u00f5lub oma v\u00e4rske v\u00e4ljendusrikkuse ja uute ideedega. Prantsuse trio ja noor eesti laulja Anett Tamm<\/strong> esitavad Eesti turneel David Chevallier’ ts\u00fckli \u201eThe Ophelia Songbook\u201c, mille s\u00f5nade autor on Kanada laulja Kyrie Kristmanson<\/strong>.<\/p>\n

David Chevallier on Prantsuse kaasaegse jazzi silmapaistvamaid muusikuid. Chevallier\u2019 triokooseis alustas 2013. aastal jazzistandardite interpreteerimisega, nende deb\u00fc\u00fctalbum \u201eStandards & Avatars\u201c p\u00e4lvis rohkelt kiitust v\u00e4rskete seadete eest. 2016. aastal andis trio v\u00e4lja v\u00e4lja teise albumi \u201cSecond Life\u201d originaalmuusikaga. Saavutamaks ainulaadset jazz-folgiheli, vahetas David Chevallier siin elektrikitarri 6- ja 12-keelsete akustiliste kitarride ning band\u017eo vastu. Chevallier on rohkesti kasutanud ka arvuti laialdasi v\u00f5imalusi p\u00f5nevamate ja mitmekihilisemate helimaastike loomiseks.<\/p>\n

Muusikute peres \u00fcles kasvanud David Chevallier \u00f5ppis klassikalist kitarri, vaimustudes ka heliloomingust ja improvisatsioonist. Instrumentalistina andis ta kontserte koos muusikutega nagu Laurent Dehors, Patrice Caratini ja John Taylor. S\u00fcgavamalt uuris ta erinevate ajastute muusikamaailmade \u00fchisosa ja sildade loomise v\u00f5imalust nende vahel. Eriti huvitus ta barokkmuusika ja kaasaegse jazzi s\u00fcmbioosist. Oma heliloomingus v\u00f5ttis ta kasutusele theorbo ja barokk-kitarri, mida ta kasutas ka nt Bj\u00f6rki lugude interpreteerimisel. Siiski v\u00f5ite kindlad olla, et David Chevallier pole unustanud elektrikitarri ega jazzi!<\/p>\n

Laulja Anett Tamm<\/strong> on noor jazzmuusik, kes askeldab heliloomingu, interpretatsiooni ja arran\u017eeerimise kiirteel. Anetti p\u00f5nevaimad katsetused ja m\u00f5ttev\u00e4lgatused avalduvad 2017. aastal loodud ansambli Alfa Collective\u2019i loomingus, kellega 2018. aastal anti v\u00e4lja deb\u00fc\u00fctalbum \u201eCanvas\u201c. Alates 2019. aastast tegutseb Anett lauljana ka ansamblis The Nonconceptual Art Club ning duos TamTam. Anett on l\u00f5petanud Heino Elleri nimelise Tartu Muusikakooli laulu erialal ning hetkel \u00f5pib ta Eesti Muusika- ja Teatriakadeemias jazzlaulu Kadri Voorandi k\u00e4e all.<\/p>\n

\u201eKava \u201cThe Ophelia Songbook\u201d lood on minu jaoks tohutult v\u00e4rvik\u00fcllased ja kontrastiderohked. David Chevallier\u2019 jazz-folgilikud kompositsioonid, trio meisterlikud improvisatsioonid ning Kyrie Kristmansoni kirjutatud ekspressiivsed tekstid loovad ajatu muinasjutumaailma ja \u00fchendavad Shakespeare\u2019i kujutletud olustiku t\u00e4nap\u00e4evaga<\/em>,\u201c lisab Anett.<\/em><\/p>\n

Koos David Chevallier\u2019 Trioga esitab Anett lugusid jazzi ja folki \u00fchendavast spirituaalse alatooniga ts\u00fcklist \u201eThe Ophelia Songbook\u201c<\/strong>. Muusika elustab Shakespeare\u2019i \u201eHamleti\u201c traagilise saatusega naistegelase Ophelia, keda on peetud oma aja naiseliku seksuaalsuse ja hulluse s\u00fcmboliks. Kuigi Shakespeare\u2019i trag\u00f6\u00f6dias k\u00e4sitletakse Opheliat p\u00f5gusa lisandina, on tegelaskuju kirjanduses ja kunstis s\u00fcmbolina ohtralt figureerinud. \u201eThe Ophelia Songbook\u201c annab fantaasiarikaste laulude abil Opheliale v\u00f5imaluse end kuuldavaks teha, talle omistatud s\u00fcmbolistlikke t\u00f5lgendusi k\u00f5igutada ning jutustada naiseks olemise v\u00f5ludest ja valudest l\u00e4bi ajaloo.<\/p>\n

 <\/p>\n

Koosseis:<\/h4>\n
\n

David Chevallier – kitarr
\nS\u00e9bastien Boisseau – kontrabass
\n<\/span>Christophe Lavergne- trummid
\n<\/span>Anett Tamm – laul<\/span><\/p>\n<\/div>\n

 <\/p>\n

Kuup\u00e4evad:<\/h4>\n

Reede, 19.02.2021 P\u00e4rismusmuusika Ait, Viljandi – PILETID<\/strong><\/a>
\nLaup\u00e4ev, 20.02.2021 M\u00f5niste Rahvamaja
\nP\u00fchap\u00e4ev 21.02.2021 P\u00f5lva kultuurikeskus – PILETID<\/strong><\/a>
\nEsmasp\u00e4ev, 22.02.2021 Abja-Paluoja kultuurimaja
\nTALVEJAZZ<\/strong><\/a> Neljap\u00e4ev, 25.02.2021 Philly Joes’ Jazziklubis Tallinnas – PILETID<\/strong><\/a>
\nTallinna kontserti Philly Joe’s saab vaadata ka otse\u00fclekandena<\/strong>! PILETID<\/a><\/strong><\/p>\n

 <\/p>\n

Korraldavad ja toetavad Jazzkaar, agentuur Vaapat \u00e4\u00e4net, Philly Joe\u2019s jazziklubi, Prantsuse Instituut, Uus Kontsert, Lune des Trois, Centre National de La Musique, Institut Fran\u00e7ais \u2013 Ville de Nantes, Association Jazz\u00e9 Crois\u00e9, Kumu drums.<\/p>\n

\"David<\/p>\n

\"David<\/p>\n","protected":false},"excerpt":{"rendered":"

Jazzkaare Talvejazzi fookuses on 2021. aastal eesti ja prantsuse artistide koost\u00f6\u00f6d! David Chevallier triot ja Anett Tamme saab veebruari l\u00f5pus […]<\/p>\n","protected":false},"author":170,"featured_media":46634,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[1790,1791,1145,1793,1789,1792,1654],"class_list":["post-46633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-anett-tamm","tag-david-chevallier-trio","tag-jazz-2","tag-jazzkaar-2","tag-prantsuse-jazz","tag-talvejazz","tag-vapaat-aeaenet"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/46633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=46633"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/46633\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/46634"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=46633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=46633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=46633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}