{"id":46653,"date":"2021-01-28T12:54:43","date_gmt":"2021-01-28T10:54:43","guid":{"rendered":"https:\/\/www.ife.ee\/?p=46653"},"modified":"2021-05-19T10:59:09","modified_gmt":"2021-05-19T08:59:09","slug":"talvejazz-hadrien-feraud-holger-marjamaa","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/talvejazz-hadrien-feraud-holger-marjamaa\/","title":{"rendered":"Jazzkaar – Hadrien F\u00e9raud, Holger Marjamaa & Jussi Lehtonen (Prantsusmaa-Eesti-Soome)"},"content":{"rendered":"

Jazzkaar<\/a> toob kevadesse m\u00f5nusat prantsuse-eesti jazzi! Esmakordselt j\u00f5uab Eestisse prantsuse bassist Hadrien F\u00e9raud, kes on kontserte andnud ja salvestanud k\u00fcmnete maailma jazzitippudega. Tema partneriteks on meie s\u00e4rav ja rahvusvaheliselt hinnatud pianist Holger Marjamaa ning soome trummar Jussi Lehtonen. Marjamaa, F\u00e9raud ja Lehtonen esinevad nii soolodega kui ka triona 27. mail Viljandis ja 28. mail Tallinnas. Toetab Prantsuse Instituut.<\/span><\/strong><\/p>\n

 <\/p>\n

Hadrien F\u00e9raud, bass (Prantsusmaa)<\/h4>\n

Rahvusvahelise haardega prantsuse helilooja ja bassist Hadrien F\u00e9raud<\/strong> on koost\u00f6\u00f6d teinud paljude Euroopa ja Ameerika jazzitippudega. Muusikute lapsena kasvas ta perekonnas, kus kuulati erinevaid muusikastiile, nagu rokk, pop, bluus, funk, r\u2019n\u2019b <\/em>ja jazz. 8-aastaselt hakkas ta \u00f5ppima basskitarri, tema esimene \u00f5petaja oli isa. Varakult k\u00f6itis Hadrieni kinokunst ja ta ilmutas suurt huvi filmide partituuride ja heliloojate vastu, nagu John Williams, Allan Silvestri, Jerry Goldsmith, James Horner, Stravinsky, Debussy, Rahmaninov jpt.<\/p>\n

K\u00fcmneaastaselt hakkas ta m\u00e4ngima bassi kaasa Motowni, Stingi, Paul McCartney, EWFi, Eric Claptoni, Stevie Wonderi, Michael Jacksoni, Prince\u2019i, Jaco Pastoriuse, Chick Corea, John McLaughlini, Herbie Hancocki jt salvestustele. Tegelikult huvitas teda esialgu rohkem trummim\u00e4ng, kuid p\u00e4rast Jaco Pastoriuse muusika kuulamist otsustas ta p\u00fchenduda basskitarrile. Alates 18. eluaastast on ta salvestanud ja kontserte andnud silmapaistvate jazzimuusikutega, nagu John McLaughlin, Chick Corea, Bir\u00e9li Lagr\u00e8ne, Jean Luc Ponty, Lee Ritenour, Hiromi, Mike Stern, Kamasi Washington, Thundercat, Billy Cobham, Scott Kinsey, Marcus Miller, Andr\u00e9 Ceccarelli, Sylvain Luc jpt.<\/p>\n

Maineka jazziajakirja DownBeat kriitikud valisid muusiku kategoorias \u201eRising Star 2008\u201c parimaks basskitarristiks ja ajakiri Bass Player nimetas ta v\u00e4ljapaistavamaks uueks muusikuks aastal 2009. Plaadistuudiotes on ta tihedat koost\u00f6\u00f6d teinud John McLaughlini ja Chick Coreaga ning osalenud 10 stuudioalbumi salvestusel.<\/p>\n

 <\/p>\n

Holger Marjamaa, klaver (Eesti)<\/h4>\n

Muusikute peres s\u00fcndinud ja kasvanud Holger Marjamaa<\/strong> talent avaldus juba varases lapsep\u00f5lves, kui temas t\u00e4rkas huvi kuulmise j\u00e4rgi laulda ning m\u00e4ngida tuntud palu klassikalisest muusikast jazzistandarditeni. P\u00e4rast Muusikakeskkooli l\u00f5petamist \u00f5ppis pianist Eesti Muusika- ja Teatriakadeemias, Sibeliuse Akadeemias Soomes ning m\u00f5ned aastad tagasi viis karj\u00e4\u00e4r Holgeri New Yorki, kus ta asus \u00f5ppima maineka Manhattan School of Music konservatooriumi magistrantuuris. Sealt kogutud teadmised, tutvused ja kogemused on Holgerist teinud n\u00f5utud lavapartneri nii Euroopas kui ka kaugemal.<\/p>\n

T\u00e4naseks on Marjamaa lava jaganud teiste hulgas Chris Botti, Lee Ritenouri, Ben Wolfe, Carl Alleni, Dennis Chambersi, Lizz Wrighti, David Kikoski, Lonnie Liston Smithi, John Riley\u2019, Steve Wilsoni, Jukkis Uotila, Mark Grossi, Joey DeFrancesco, Eesti Riikliku S\u00fcmfooniaorkestri ja paljude teistega. Holger Marjamaa on v\u00f5itnud mitmeid auhindu nii jazzi- kui klassikalise muusika maailmas. 2013. aastal p\u00e4lvis ta Noore Jazzitalendi auhinna ning 2018. aastal oli Thelonius Monki konkursi poolfinalist. Pianist on esinenud nii Ameerika, Euroopa kui Aasia lavadel, muuhulgas Lincoln Centeris (Dizzy\u2019s Club), Mezzrow Jazz Clubis, Smalls Jazz Clubis, Blue Note jazziklubis Tokyos, New Yorkis, Pekingis ja Shanghais. Oma trio ja arvukate k\u00fclalismuusikutega on ta v\u00e4lja andnud heliplaadi \u201eMostly Standards\u201c (2019).<\/p>\n

 <\/p>\n

Jussi Lehtonen, trummid (Soome)<\/strong><\/h4>\n

Trummar, helilooja, b\u00e4ndijuht, \u00fcks Soome jazzi tugisambaid. Ta on salvestanud muusikat koos Dave Liebmani, Tim Hagansi, Jesse van Rulleri ja paljude Soome tippudega. Lisaks on Jussi Lehtonen kontserte andnud ka terve plejaadi Ameerika jazzitippudega, esinenud mitmel pool maailmas ning on hinnatud ansamblipartner.<\/p>\n

 <\/p>\n

Kontserdid:<\/h4>\n

Neljap\u00e4eval, 27. mail kell 19.00 Viljandi P\u00e4rimusmuusika Aidas – PILETID<\/strong><\/a>
\nReedel, 28. mail kell 19.00 Kumu auditooriumis – PILETID<\/strong><\/a><\/p>\n

 <\/p>\n

*Tegu on kontsertidega, mis pidid algselt toimuma m\u00e4rtsis Talvejazzil, ent l\u00fckkusid koroonapiirangute t\u00f5ttu edasi. T\u00e4psem info<\/a><\/em><\/p>\n

 <\/p>\n

\"Hadrien<\/p>\n

\"Hadrien<\/p>\n","protected":false},"excerpt":{"rendered":"

Jazzkaar toob kevadesse m\u00f5nusat prantsuse-eesti jazzi! Esmakordselt j\u00f5uab Eestisse prantsuse bassist Hadrien F\u00e9raud, kes on kontserte andnud ja salvestanud k\u00fcmnete […]<\/p>\n","protected":false},"author":170,"featured_media":46654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[1794,1145,1793,1789,1792],"class_list":["post-46653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-hadrien-feraud","tag-jazz-2","tag-jazzkaar-2","tag-prantsuse-jazz","tag-talvejazz"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/46653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=46653"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/46653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/46654"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=46653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=46653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=46653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}