{"id":50701,"date":"2021-10-19T11:28:01","date_gmt":"2021-10-19T09:28:01","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=50701"},"modified":"2022-02-09T15:12:53","modified_gmt":"2022-02-09T13:12:53","slug":"andre-perlsteini-fotonaitus-prantsuse-kinolegendid-eesti-filmimuuseumis","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/andre-perlsteini-fotonaitus-prantsuse-kinolegendid-eesti-filmimuuseumis\/","title":{"rendered":"Andr\u00e9 Perlsteini foton\u00e4itus “Prantsuse kinolegendid” Eesti Filmimuuseumis"},"content":{"rendered":"

Prantsuse fotograafi Andr\u00e9 Perlsteini foton\u00e4itus 1970ndate armastatud filmin\u00e4itlejaist ja re\u017eiss\u00f6\u00f6ridest, aga ka moe- ja muusikalegendidest viib vaataja otse v\u00f5tteplatside ja moemajade kulisside taha. Prantsuse Instituudi korraldatud 29 mustvalgest portreest koosnev n\u00e4itus <\/span><\/strong>on avatud Eesti Filmimuuseumis<\/a> 26. oktoobrist 2021 kuni 13. veebruarini 2022.   <\/span><\/strong><\/p>\n

\u21d2 N\u00e4ituse avamisel on kohal fotograaf ANDR\u00c9 PERLSTEIN ise, juhatades 26. oktoobril kell 19 Filmimuuseumi Kinoteegis sisse temaatilise eriseansi “Punane ring”<\/a>, mille re\u017eiss\u00f6\u00f6ri Jean-Pierre Melville’i ning n\u00e4itlejaid Alain Deloni, Yves Montand’i, Andr\u00e9 Bourvili ja Fran\u00e7ois P\u00e9rier’d ta v\u00f5tetel portreteeris. Need fotod on n\u00e4itusel vaatamiseks ka \u00fcleval!<\/strong><\/span><\/p>\n

 <\/p>\n

Filmiikoonid l\u00e4bi Perlsteini kaamerasilma<\/h4>\n

ANDR\u00c9 PERLSTEIN on pressifotograaf, kes on alati armastanud filmimaailma \u2013 ja filmimaailm armastab teda vastu. Re\u017eiss\u00f6\u00f6rid veensid teda v\u00f5tteplatsile j\u00e4\u00e4ma \u2013 nagu <\/span>Jean-Pierre Melville<\/b> \u201ePunase ringi\u201d v\u00f5tetel \u2013, hinnates tema silma ja annet. Ta sai harukordseid kaadreid n\u00e4itlejatest – <\/span>Alain Delon<\/b>ist <\/span>Yves Montan<\/b>d\u2019ini, <\/span>Isabelle Adjani<\/b>st <\/span>Katharine Hepburn<\/b>ini \u2013, kellest ta oskab jutustada samasuguse unustamatu kaasahaaravusega, nagu olid unustamatud need kohtumised ise.<\/span><\/p>\n

Ajakirjade Le Point, L\u2019Express ja Elle piltnikuna tegi ta koost\u00f6\u00f6d oma noorusaja re\u017eiss\u00f6\u00f6ride-n\u00e4itlejate koorekihiga, aga ka moe- ja muusikamaailma suurkujudega nii Prantsusmaalt kui v\u00f5\u00f5rsilt. Ta talletas igavikku <\/span>Yves Saint Laurent<\/b>\u2019i ja <\/span>Karl Lagerfeld<\/b>i moedefileed, muusikud <\/span>Miles Davis<\/b>e ja <\/span>Johnny Hallyday,<\/b> kimonosse m\u00e4hkunud kelmika <\/span>Serge Gainsbourg<\/b>\u2019i, t\u00f6\u00f6hoos <\/span>Claude Lelouch<\/b>i, v\u00e4\u00e4rika <\/span>Charlie Chaplin<\/b>i, noorukese <\/span>Isabelle Adjan<\/b>i, filmi \u201eFranz” v\u00f5tete ajal rannal silkava <\/span>Jacques Brel<\/b>i, ilma prillideta <\/span>Jean-Pierre Melville<\/b>\u2019i, sigarit pahviva filosoofi <\/span>Roland Barthes<\/b>\u2019i, autoroolis <\/span>Jean-Louis Trintignant<\/b>\u2019i …<\/span><\/p>\n

Prantsuse Instituut Eestis p\u00fchendab n\u00e4ituse Eesti-Prantsuse diplomaatiliste suhete 100. aastap\u00e4evale (1921-2021). Iga Andr\u00e9 Perlsteini pilt on kui ootamatu ilus \u00fcllatus, juubelikingitus eesti fotograafia- ja kinos\u00f5pradele!<\/span><\/p>\n

\"Andr\u00e9<\/p>\n","protected":false},"excerpt":{"rendered":"

Prantsuse fotograafi Andr\u00e9 Perlsteini foton\u00e4itus 1970ndate armastatud filmin\u00e4itlejaist ja re\u017eiss\u00f6\u00f6ridest, aga ka moe- ja muusikalegendidest viib vaataja otse v\u00f5tteplatside ja […]<\/p>\n","protected":false},"author":170,"featured_media":50704,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[1802,2376,673,1749,2377,1803],"class_list":["post-50701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-andre-perlstein","tag-eesti-filmimuuseum","tag-fotograafia","tag-fotonaeitus","tag-kinoteek","tag-prantsuse-kinolegendid"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/50701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=50701"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/50701\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/50704"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=50701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=50701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=50701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}