{"id":51895,"date":"2022-01-17T17:19:39","date_gmt":"2022-01-17T15:19:39","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=51895"},"modified":"2022-01-22T00:10:39","modified_gmt":"2022-01-21T22:10:39","slug":"xviii-tallinna-graafikatriennaal-soe-temperatuurikontroll-kolmes-vaatuses","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/xviii-tallinna-graafikatriennaal-soe-temperatuurikontroll-kolmes-vaatuses\/","title":{"rendered":"XVIII Tallinna Graafikatriennaal \u201eSoe. Temperatuurikontroll kolmes vaatuses\u201c"},"content":{"rendered":"

XVIII Tallinna Graafikatriennaa<\/a>l pealkirjaga \u201eSoe. Temperatuurikontroll kolmes vaatuses\u201c toimub 22. jaanuarist 27. m\u00e4rtsini 2022. R\u00f3na Kopeczky kureeritud osalevad ka Pariisi kunstikooslus Soci\u00e9t\u00e9 R\u00e9aliste ja kunstnik Ferenc Gr\u00f3f, kes on \u00f5ppej\u00f5ud ENSA’s (\u00c9cole Nationale Sup\u00e9rieur d’Art). Toetab Prantsuse Instituut.<\/strong><\/span><\/p>\n

 <\/p>\n

Ungari kuraatori R\u00f3na Kopeczky kureeritud n\u00e4itus keskendub Kesk- ja Ida-Euroopat m\u00f5jutanud radikaalsetele poliitilistele, kultuuripoliitilistele ja \u00fchiskondlikele p\u00f6\u00f6retele, l\u00e4henedes nendele muutustele globaalsest vaatepunktist universaalse absurdi v\u00f5tme kaudu. N\u00e4itusel astuvad \u00fcles Kesk- ja Ida-Euroopas tegutsevad v\u00f5i sealt p\u00e4rinevad n\u00fc\u00fcdiskunstnikud, kes m\u00f5tlevad julgelt ja kriitiliselt sellistele p\u00f5letavatele t\u00e4nap\u00e4evastele k\u00fcsimustele, nagu parem\u00e4\u00e4rmusliku vaenuliku poliitika esilet\u00f5us, nihestunud \u00fcleilmsed eesm\u00e4rgid, demokraatia lagunemine, vabaduste v\u00e4henemine \u2013 nii elus kui ka kunstis \u2013 ning \u00fcldvalitsev hirmu ja vaenu \u00f5hkkond.<\/p>\n

N\u00e4ituse teemap\u00fcstitusega soovitakse l\u00e4hemalt vaadelda mehhanisme, mille tulemusel on positiivsed m\u00f5isted omandanud meie jaoks negatiivse t\u00e4henduse \u2013 neid on hakatud seostama uuest kasutuskontekstist ja -olukorrast tingitud teistsuguse v\u00f5i vastuolulise sisuga. Uuritakse t\u00e4psemalt seda, kuidas s\u00f5na \u201esoe\u201c positiivsest algt\u00e4hendusest \u2013 meeldiv tunne, suhteliselt v\u00f5i m\u00f5nusalt k\u00f5rge temperatuur, samuti k\u00e4itumine, millega v\u00e4ljendatakse vaimustust, kiindumust v\u00f5i heatahtlikkust \u2013 on saanud poliitilise segaduse, \u00fchiskondliku rahulolematuse, kliimamuutuse ja \u00fclemaailmse pandeemia s\u00fcmptomite hoiatav m\u00e4rk ning \u00fchtlasi signaal globaalsest looduslikust ja sotsiaalsest ebastabiilsusest. Seda eksitavat t\u00e4hendusnihet arvestades k\u00e4sitletakse n\u00e4itusel \u201eSoe\u201c  kaasaegsest vaatepunktist l\u00e4htuvalt olemuslikult absurdset \u00fcleilmset olukorda ja inimseisundi ebak\u00f5lasid.<\/p>\n

N\u00e4itus \u201eSoe\u201c, kuhu on olemasolevate ja uute teostega kutsutud osalema siinse piirkonna kaasaegse kunsti v\u00e4ljal tegutsevad kunstnikud, koosneb kolmest omavahel l\u00e4bip\u00f5imunud ts\u00fcklist, mille pealkirjadega \u2013 \u201eRahvas armastab seda\u201c, \u201eHapukurgipoliitika\u201c ja \u201eVabaduse teadus\u201c \u2013 tsiteeritakse n\u00e4itusele kaasatud kunstnikke ja nende teoseid. Need kolm peat\u00fckki tegelevad absurdi vaatem\u00e4nguga ning nende eesm\u00e4rk on seda n\u00e4htust lahata ja omastada. \u00dchtlasi proovitakse pakkuda sellele huumori, pilke ja naeru kaudu m\u00e4ngulist vastum\u00fcrki v\u00f5i kujuteldavat alternatiivi, mis p\u00f5hineb vision\u00e4\u00e4rsel vastuhakul ja luulelisel eskapismil.<\/p>\n

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R\u00f3na Kopeczky <\/strong>(1983) on Budapestis tegutsev kuraator ja kunstiajaloolane. Ta t\u00f6\u00f6tas 2006\u20132015 Ludwigi Muuseumis Budapestis rahvusvahelise kunsti kuraatorina, keskendudes peamiselt Kesk- ja Ida-Euroopa noorte ja karj\u00e4\u00e4ri keskpaigas olevate kunstnike koha- ja olustikup\u00f5hisele loomingule. 2015. aasta veebruaris liitus ta kunstilise juhina acb galeriiga Budapestis. Ta osales 2015. aasta alguses toimunud esimese OFF-Biennale Budapesti korraldamisel ning oli 2017. aastal selle teisel toimumiskorral kuraatoritiimi liige. R\u00f3na Kopeczky on Budapestis tegutseva Kesk- ja Ida-Euroopa kaasaegsele kunstile p\u00fchendatud platvormi ja keskuse Easttopics kaasrajaja. Ta on kaitsnud Pariisi-Sorbonne\u2019i \u00dclikoolis doktorikraadi kunstiajaloos.<\/p>\n

 <\/p>\n

Kunstnikud:<\/strong> ArtLeaks | Jasmina Cibic | Hubert Czerepok | Agnes Denes | Igor E\u0161kinja | Oxana Gourinovitch | Ferenc Gr\u00f3f | Flo Kasearu | Eva Ko\u0165\u00e1tkov\u00e1 | Volodymyr Kuznetsov | Irena Lagator | Olson Lamaj | Marko M\u00e4etamm | Alexander Manuiloff | D\u00f3ra Maurer | Raul Meel | Katja Novitskova | Dan Perjovschi | G\u00e9za Perneczky | Nada Prlja | Kaisa Puustak | Driton Selmani | Slavs and Tatars | Soci\u00e9t\u00e9 R\u00e9aliste | Bojan Stoj\u010di\u0107 | Endre T\u00f3t<\/p>\n

Kuraator:<\/strong> R\u00f3na Kopeczky<\/p>\n

Toimumisaeg:<\/strong> 22. jaanuar \u2013 27. m\u00e4rts 2022<\/p>\n

Toimumiskohad:<\/strong> Kai kunstikeskus<\/a> | Temnikova & Kasela galerii<\/a> | P\u00f5hjala Tap Room<\/a> | EKA galerii<\/a> | Flo Kasearu majamuuseum<\/a> | Liszti Instituut Tallinn<\/a> | Kanuti Gildi SAAL<\/a><\/p>\n

\"Tallinna<\/p>\n","protected":false},"excerpt":{"rendered":"

XVIII Tallinna Graafikatriennaal pealkirjaga \u201eSoe. Temperatuurikontroll kolmes vaatuses\u201c toimub 22. jaanuarist 27. m\u00e4rtsini 2022. R\u00f3na Kopeczky kureeritud osalevad ka Pariisi […]<\/p>\n","protected":false},"author":170,"featured_media":51899,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[2475],"class_list":["post-51895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-tallinna-graafikatriennaal"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/51895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=51895"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/51895\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/51899"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=51895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=51895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=51895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}