{"id":54315,"date":"2022-08-08T15:10:30","date_gmt":"2022-08-08T13:10:30","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=54315"},"modified":"2022-08-08T15:10:30","modified_gmt":"2022-08-08T13:10:30","slug":"prantsuse-ja-eesti-muusika-ohtu-henry-david-varema-jelena-matvejevskaja","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/prantsuse-ja-eesti-muusika-ohtu-henry-david-varema-jelena-matvejevskaja\/","title":{"rendered":"Prantsuse ja eesti muusika \u00f5htu Kadrioru kunstimuuseumis | Duo Henry-David Varema (t\u0161ello) & Jelena Matvejevskaja (klaver)"},"content":{"rendered":"
P\u00fchap\u00e4eval, 14. augustil kell 18.00 k\u00f5lab Kadrioru kunstimuuseumis prantsuse ja eesti muusika! Duo Henry-David Varema (t\u0161ello) \u2013 Jelena Matvejevskaja (klaver) esituses k\u00f5lavad Claude Debussy sonaat t\u0161ellole ja klaverile, Camille Saint-Sa\u00ebnsi \u201eDanse macabre\u201c, Arvo P\u00e4rdi \u201ePeegel peeglis\u201c ning mitmed kaunid miniatuurid Mihkel L\u00fcdigi, Heino Elleri, Gabriel Faur\u00e9, Nadia ja Lili Boulanger’ loomingust. PILETID<\/a><\/strong><\/span><\/div>\n
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KAVA<\/span><\/h3>\n
\u200b<\/span>Claude Debussy<\/strong> (1862-1918)<\/span><\/div>\n
Sonaat t\u0161ellole ja klaverile d-moll (1915)<\/span><\/div>\n
I Prologue: Lent, sostenuto e molto risoluto<\/span><\/div>\n
II Serenade: Moderement anime<\/span><\/div>\n
III Finale: Anime, leger et nerveux<\/span><\/div>\n
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Mihkel L\u00fcdig<\/strong> (1880-1958)<\/span><\/div>\n
Ballaad nr 1 t\u0161ellole ja klaverile (1945)<\/span><\/div>\n
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Heino Eller<\/strong> (1887-1970)<\/span><\/div>\n
Prel\u00fc\u00fcd t\u0161ellole ja klaverile g-moll (1917\/1933)<\/span><\/div>\n
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Gabriel Faur\u00e9<\/strong> (1845-1924)<\/span><\/div>\n
Improvisatsioon cis-moll op. 84 nr 5 (1901)<\/span><\/div>\n
Eleegia t\u0161ellole ja klaverile op. 24 (1880)<\/span><\/div>\n
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Camille Saint-Sa\u00ebns<\/strong> (1835-1921)<\/span><\/div>\n
Danse macabre op. 40 g-moll (1874)<\/span><\/div>\n
seade klaverile Henri Cramer<\/span><\/div>\n
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Arvo P\u00e4rt<\/strong> (1935)<\/span><\/div>\n
Peegel peeglis t\u0161ellole ja klaverile (1978)<\/span><\/div>\n
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Mart Saar<\/strong> (1882-1963)<\/span><\/div>\n
Prel\u00fc\u00fcd nr 23 H-duur Claude Debussy m\u00e4lestuseks (1918-1927)<\/span><\/div>\n
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Els Aarne<\/strong> (1917-1995)<\/span><\/div>\n
Capriccio soolot\u0161ellole (1974)<\/span><\/div>\n
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Edgar Arro<\/strong> (1911-1978)<\/span><\/div>\n
Largo t\u0161ellole ja klaverile (1948)<\/span><\/div>\n
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Lili Boulanger<\/strong> (1893-1918)<\/span><\/div>\n
Nokturn t\u0161ellole ja klaverile (1911)<\/span><\/div>\n
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Nadia Boulanger<\/strong> (1887-1979)<\/span><\/div>\n
Kolm pala t\u0161ellole ja klaverile (1911\/1914)<\/span><\/div>\n
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I Modere <\/span><\/div>\n
II Sans vitesse et a l\u2019aise <\/span><\/div>\n
III Vite et nerveusement <\/span><\/div>\n
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 <\/div>\n
Henry-David Varema<\/strong><\/span> on l\u00f5petanud Tallinna Konservatooriumi Peeter Paemurru juhendamisel, t\u00e4iendanud end M\u00fcncheni K\u00f5rgemas Muusikakoolis Walther Nothasi t\u0161elloklassis ja Berliini Kunstide \u00dclikoolis Wolfgang Boettcheri k\u00e4e all ning omandanud 2005. aastal doktorikraadi Eesti Muusika- ja Teatriakadeemias. Aastatel 2003\u20132009 oli ta Berliinis resideerunud rahvusvaheliselt hinnatud keelpillikvarteti Petersen Quartett liige, mille koosseisus esines ta mainekates kontserdisaalides nagu Carnegie Hall, Wigmore Hall, M\u00fcncheni Herkulessaal, Theatre de Chatelet, Z\u00fcrichi Tonhalle, Sydney Angels Place jm. Ta on olnud k\u00fclaliskontsertmeister M\u00fcncheni Kammerorkestris ja Aucklandi Filharmoonia s\u00fcmfooniaorkestris ning t\u00f6\u00f6tanud 2014. aastal \u00fche hooaja Sydney S\u00fcmfooniaorkestri t\u0161ellor\u00fchma abikontsertmeistrina. Kammermuusikuna annab ta regulaarselt kontserte koos Mihkel Polli ja Mari Polli, Sten Lassmanni, Triin Ruubeli, Johanna Vahem\u00e4rgi, Toomas Vavilovi ning paljude teistega. 2001. aastast on Henry-David Varema Eesti Muusika- ja Teatriakadeemia \u00f5ppej\u00f5ud ning praegu t\u00f6\u00f6tab akadeemia loometegevuse ja v\u00e4lissuhete prorektorina.<\/span><\/div>\n
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Jelena Matvejevskaja<\/strong><\/span> on eesti pianist, kes alustas oma muusikuteed Olga Zryanina juhendamisel. Seej\u00e4rel avanes tal v\u00f5imalus j\u00e4tkata \u00f5pinguid Tallinna Muusikakoolis Maigi Pakri ning Ivari Ilja juures. Eesti Muusika-ja Teatriakadeemias omandas ta Ivari Ilja klassis bakalaureuse- ja magistrikraadi cum laude. <\/span>Jelena on p\u00e4lvinud mitmeid auhindu konkurssidel, esinenud erinevates Eesti kontserdisaalides, sealhulgas Narva Linna S\u00fcmfooniaorkestriga ning Tallinna Muusikakeskkooli orkestriga ning osalenud Arbo Valdma, Niina Sergogina, Gabor Eckhardti, Pavel Nersesjan ning teiste nimekate \u00f5ppej\u00f5udude meistrikursustel. 2012. aastal j\u00e4tkas Jelena klaveri\u00f5pinguid Madridi Kuningilikus K\u00f5rgemas Konservatooriumis Diego Cayuelas juhendamisel. \u00d5pinguperioodil asutas ta muuhulgas kammermuusika ansambli koos Hispaania Rahvusorkestri liikmetega ning andis kontserte ka solistina. Kaks aastat hiljem asus ta elama Dubaisse, kus ta on p\u00fchendunud \u00f5petamisele ning sealse klassikalise muusikakultuuri arendamisele. Ta on osalenud maestro Rony Rogoffi poolt kureeritud Abu Dhabi Chamber Music Concert Series kontsertidel, Araabia \u00dchendemiraatide klassikatalentide kontsertide seerias, esinenud Emirates Community Symphonic Orchestraga ning astunud \u00fcles suurejoonelises Dubai ooperimajas.<\/span><\/div>\n
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\"Prantsuse<\/div>\n","protected":false},"excerpt":{"rendered":"

P\u00fchap\u00e4eval, 14. augustil kell 18.00 k\u00f5lab Kadrioru kunstimuuseumis prantsuse ja eesti muusika! Duo Henry-David Varema (t\u0161ello) \u2013 Jelena Matvejevskaja (klaver) […]<\/p>\n","protected":false},"author":170,"featured_media":54316,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[2720,2721,2719,2718],"class_list":["post-54315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-henry-david-varema","tag-jelena-matvejevskaja","tag-kadrioru-kunstimuuseum","tag-prantsuse-ja-eesti-muusika-ohtu"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/54315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=54315"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/54315\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/54316"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=54315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=54315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=54315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}