{"id":55540,"date":"2022-11-23T13:03:43","date_gmt":"2022-11-23T11:03:43","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=55540"},"modified":"2022-11-23T13:09:29","modified_gmt":"2022-11-23T11:09:29","slug":"prantsuse-uus-laine-kinos-soprus","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/prantsuse-uus-laine-kinos-soprus\/","title":{"rendered":"Prantsuse uus laine kinos S\u00f5prus"},"content":{"rendered":"

Prantsuse Instituut ja Kino S\u00f5prus <\/a>l\u00f5petavad Euroopa filmikuu pidulikult Prantsuse uue lainega! 5.-10. detsembril 2022 j\u00f5uavad ekraanile Truffaut’, Varda, Demy, Melville’i, Rivette’i ja Godard’i valitud filmid. Filmid linastuvad prantsuse keeles ingliskeelsete subtiitritega.<\/span><\/strong><\/p>\n

 <\/p>\n

05.12 kell 19 “Jules ja Jim” \/ Jules et Jim<\/em><\/h4>\n

Jules ja Jim on kaks s\u00f5pra ning kunstnikku, austerlane ja prantslane, kelle armastus \u00fche ning sama naise vastu kestab \u00fcle kahek\u00fcmne aasta, Esimese maailmas\u00f5ja eel, ajal ja j\u00e4rel. Poeetiline filmikeel ning dokumentaalsete ja m\u00e4nguliste kaadrite esitamine l\u00e4bisegi on kriitikutele andnud p\u00f5hjust seda nimetada kubismiks filmikunstis. Film on Prantsuse filmikunsti uue laine silmapaistvamaid teoseid, selle teooria rajaja re\u017eiss\u00f6\u00f6r Fran\u00e7ois Truffaut oli filmikriitik ja -teoreetik, lavastaja, stsenarist, n\u00e4itleja. Suur osa tema loomingust kuulub maailma filmikunsti paremikku. Naispeaosas legendaarne Prantsuse n\u00e4itlejatar Jeanne Moreau.<\/p>\n

Prantsusmaa, 1962
\nRe\u017eiss\u00f6\u00f6r: <\/span>Fran\u00e7ois Truffaut
\nKeel: p<\/span>rantsuse
\nSubtiitrid: i<\/span>nglise<\/p>\n

PILETID<\/a><\/p>\n

\"Prantsuse<\/p>\n

 <\/p>\n

06.12 kell 19 “Cl\u00e9o 5-st 7-ni” \/ Cl\u00e9o de 5 \u00e0 7<\/em><\/h4>\n

Kaunis lauljanna Cl\u00e9o ootab arstilt anal\u00fc\u00fcside tulemusi. Umbusk ja hirm, Rivoli t\u00e4nav ja Caf\u00e9 de D\u00f4me, koketerii ja \u00e4ng, kodu ja Montsouris\u2019 park \u2013 n\u00f5nda m\u00f6\u00f6duvad Cl\u00e9o elust \u00fcheksak\u00fcmmend eriskummalist minutit, mille vaataja koos temaga kaasa teeb. Naise silmad \u00fcmbritsevale maailmale aitavad avada tema armuke, muusik, s\u00f5bratar ning s\u00f5dur.<\/p>\n

1962. aastal valminud ja Cannes\u2019i filmifestivalil suurt menu nautinud \u201cCl\u00e9o 5-st 7-ni\u201d on Prantsuse uue laine \u00fcks ikoonilisemaid filme. Agn\u00e8s Varda tundlik re\u017eiss\u00f6\u00f6ripilk tuletab selle v\u00f5rratu teosega meile meelde elu ilu, v\u00f5lu ja haprust, pannes hellusega vaatama inimestele meie \u00fcmber. Osades teevad kaasa Corinne Marchand, Michel Legrand, Antoine Bourseillet jt. Filmimuusika autor on Michel Legrand.<\/p>\n

Prantsusmaa, 1962
\nRe\u017eiss\u00f6\u00f6r: <\/span>Agn\u00e8s Varda
\nKeel: p<\/span>rantsuse
\nSubtiitrid: i<\/span>nglise<\/p>\n

PILETID<\/a><\/p>\n

\"Prantsuse<\/p>\n

 <\/p>\n

07.12 kell 19 “Cherbourg’i vihmavarjud” \/ Les parapluies de Cherbourg<\/em><\/h4>\n

Prantsuse uue laine helgeima autori Jacques Demy film \u201cCherbourg’i vihmavarjud\u201d on \u00fcks k\u00f5igi aegade kaunimaid armastusfilme – t\u00f5eline monument rikutud \u00f5nnele ja kaotatud lootusele. L\u00e4bi muusika, v\u00e4rvide ja lummava fotograafia on Demy loonud t\u00f5elise muinasjutumaailma kus armastus ja kahetsus on sama reaalsed kui p\u00e4ikesepaiste ja vihmapiisad. Lesestunud vihmavarjum\u00fc\u00fcja 17-aastane t\u00fctar Genevi\u00e8ve (Catherine Deneuve) armub lootusetult automehaanikust Guysse (Nino Castelnuovo), kes peab p\u00e4rast koosveedetud \u00f6\u00f6d kohe Al\u017eeeriasse s\u00f5tta minema. Teateid mehest saabub \u00fcha harvem, Genevi\u00e8ve aga avastab, et ootab last. Kui neiu p\u00e4rast s\u00f5da Guyga kohtub, on nende m\u00f5lema elus palju muutunud.<\/p>\n

Re\u017eiss\u00f6\u00f6r-stsenarist Jacques Demyst tegi film iidoli ning noorest Catherine Deneuve’ist staari. “Cherbourg\u2019i vihmavarjud” tekitas valmimisaastal oma novaatorlusega Cannes\u2019is furoori ja muutus \u00fclipopulaarseks k\u00f5ikjal maailmas. Film v\u00f5itis 1964. aastal Cannes\u2019i filmifestivalil Kuldse Palmioksa ning kandideeris Oscarile kokku viies kategoorias.<\/p>\n

Prantsusmaa, 1964
\nRe\u017eiss\u00f6\u00f6r: <\/span>Jacques Demy
\nKeel: p<\/span>rantsuse, inglise
\nSubtiitrid: i<\/span>nglise<\/p>\n

PILETID<\/a><\/p>\n

\"Prantsuse<\/p>\n

 <\/p>\n

08.12 kell 19 “Nuhk” \/ Le Doulos<\/em><\/h4>\n

P\u00e4rast vanglast vabanemist \u00f5iendab Maurice Faugel m\u00f5ned vanad arved ja hakkab oma s\u00f5bra Silieniga uut murdvargust ette valmistama. Ta ei tea, et Silienil on k\u00fcljes nuhi reputatsioon\u2026<\/p>\n

Prantsusmaa, 1962
\nRe\u017eiss\u00f6\u00f6r: <\/span>Jean-Pierre Melville
\nKeel: p<\/span>rantsuse
\nSubtiitrid: i<\/span>nglise<\/p>\n

PILETID<\/a><\/p>\n

\"Prantsuse<\/p>\n

 <\/p>\n

09.12 kell 19 “Pariis kuulub meile” \/ Paris nous appartient<\/em><\/h4>\n

Anne Goupil on kirjandustudeng 1957. aasta Pariisis. Vanem vend Pierre v\u00f5tab ta kaasa peole, mille k\u00fclaliste seas on kodumaalt Ameerikast makartismi eest pagenud Philip Kaufman ja teatridirektor Gerard Lenz, kes saabub peole koos salap\u00e4rase naise Terryga. Peamiseks vestlusteemaks kujuneb nende Hispaania aktivistist s\u00f5bra Juani arvatav enesetapp. Hiljuti oli Juan lahku l\u00e4inud Terryst. Philip hoiatab Anne’i, et samad j\u00f5ud, mis tapsid Juani, teevad seda varsti ka Gerard’iga. Gerard \u00fcritab lavale tuua Shakespeare’i “Periklest”, kuigi tal pole selleks rahalist toetust. Anne otsustab Gerard’i lavastuses osaleda, et meest aidata ja \u00fchtlasi v\u00e4lja uurida Juani surma p\u00f5hjus.<\/p>\n

Prantsusmaa, 1961
\nRe\u017eiss\u00f6\u00f6r: <\/span>Jacques Rivette
\nKeel: p<\/span>rantsuse
\nSubtiitrid: i<\/span>nglise<\/p>\n

PILETID<\/a><\/p>\n

\"Prantsuse<\/p>\n

 <\/p>\n

10.12 kell 19 “Hull Pierrot” \/ Pierrot le Fou<\/em><\/h4>\n

Ferdinand Griffon on \u00f5nnetus abielus ja just hiljuti teleettev\u00f5ttest kinga saanud. P\u00e4rast \u00fcht Pariisi-suareed ja pealiskaudseid vestlusi tunneb ta, et peab p\u00f5genema, ning otsustab seda teha \u00fches lapsehoidja ja endise t\u00fcdruks\u00f5bra Marianne Renoiriga, j\u00e4ttes maha oma naise, lapsed ning kodanliku eluviisi. Marianne\u2019i korterisse j\u00f5udes leiavad nad eest laiba ning Ferdinand avastab peagi, et Marianne\u2019i j\u00e4litavad Al\u017eeeria gangsterid, kelle eest nad vaevu p\u00e4\u00e4sevad.<\/p>\n

Prantsusmaa, 1965
\nRe\u017eiss\u00f6\u00f6r: <\/span>Jean-Luc Godard
\nKeel: p<\/span>rantsuse, inglise, itaalia
\nSubtiitrid: i<\/span>nglise<\/p>\n

PILETID<\/a><\/p>\n

\"Prantsuse<\/p>\n","protected":false},"excerpt":{"rendered":"

Prantsuse Instituut ja Kino S\u00f5prus l\u00f5petavad Euroopa filmikuu pidulikult Prantsuse uue lainega! 5.-10. detsembril 2022 j\u00f5uavad ekraanile Truffaut’, Varda, Demy, […]<\/p>\n","protected":false},"author":170,"featured_media":55553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[668,662,1334,2831],"class_list":["post-55540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-film-2","tag-kino","tag-kino-soprus","tag-prantsuse-uus-laine"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/55540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=55540"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/55540\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/55553"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=55540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=55540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=55540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}