{"id":57555,"date":"2023-06-16T14:06:58","date_gmt":"2023-06-16T12:06:58","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=57555"},"modified":"2023-06-19T13:00:36","modified_gmt":"2023-06-19T11:00:36","slug":"godardi-retrospektiiv-ja-prantsuse-animafilmiklassika-kai-valikinos-noblessneris","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/godardi-retrospektiiv-ja-prantsuse-animafilmiklassika-kai-valikinos-noblessneris\/","title":{"rendered":"Godard’i retrospektiiv ja Prantsuse animafilmiklassika | Kai v\u00e4likino Noblessneris"},"content":{"rendered":"

Koost\u00f6\u00f6s Prantsuse Instituudi ja kino S\u00f5prusega<\/a> saab juulis nautida Prantsuse kinokunsti Kai v\u00e4likinos Noblessneris! Prantsuse rahvusp\u00fcha eel\u00f5htul, 13. juulil linastub Prantsuse animafilmiklassika “Metsik planeet”, mis t\u00e4histab t\u00e4navu 50. juubelit. 20.-24. juulil j\u00f5uab eesti publikuni aga Godard’i retrospektiiv. K\u00f5ik seansid algavad kell 22.00.<\/span><\/strong><\/p>\n

 <\/p>\n

Prantsuse animafilmiklassika<\/h3>\n

13.07 – “Metsik planeet” (La Plan\u00e8te sauvage<\/em>)<\/h4>\n

Reziss\u00f6\u00f6r: Ren\u00e9 Laloux
\nPrantsusmaa, T\u0161ehhi, 1973
\nKeel: prantsuse, t\u0161ehhi
\nSubtiitrid: inglise
\nKestus: 1h 12min<\/p>\n

Orjad ja meistrid valitsevad jutustust Ygami kaugest maailmast. Lugu keskendub Terrile, pisikesele inimkujulisele Om-orjale ja hiiglaslikule sinisele tulnukale Draagile, kes on tema peremees. P\u00f5genedes loodusesse ja kasutades Draagide intellektuaalse arengu vahendit, leiab Terr varjupaiga ja toetust teistelt Om-idelt. \u00d5ppimisvahendi abil avastab ta, et teadmine on j\u00f5ud, ning asub kasutama oma uusi teadmisi m\u00e4ssuks Draagi-meistrite vastu…<\/p>\n

PILETID<\/a><\/p>\n

\"Noblessneri<\/p>\n

 <\/p>\n

Godard’i retrospektiiv<\/h3>\n

20.07 – “Viimsel hinget\u00f5mbel” (A bout de souffle<\/em>)<\/h4>\n

Reziss\u00f6\u00f6r: Jean-Luc Godard
\nPrantsusmaa, 1960
\nOsades: Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger
\nKeel: prantsuse, inglise
\nSubtiitrid: inglise
\nKestus: 1h 30min<\/p>\n

Godardi esimene t\u00e4ispikk film \u201cViimsel hinget\u00f5mbel\u201d on prantsuse uue laine nurgakivi.<\/p>\n

M\u00f5rvas tagaotsitava sarmika Micheli (Jean-Paul Belmondo) ja ameeriklannast lehem\u00fc\u00fcja Patricia (Jean Seberg) armastusele keskenduvat v\u00f5luvat linateost on nimetatud k\u00f5igi aegade \u201ccoolimaks\u201d filmiks. Pariisi bulvaritel kulgevas loos on kasutatud k\u00f5iki hiljem uuele lainele iseloomulikuks saanud tehnikaid, alates improviseeritud dialoogist, h\u00fcppavast montaa\u017eist, k\u00e4sikaamerast ja laisast narratiivist kuni stuudiov\u00e4liste v\u00f5teteni. Nakatavast eluj\u00f5ust pulbitsev film sisaldab Godardile omaselt ka tihedalt vihjeid filmiajaloole, popkunstile ja muusikale \u2013 Picassost Renoirini ja Mozarti klarnetikontserdist prantsuse popini.<\/p>\n

Plahvatuslikku publiku- ja kassamenu, mis j\u00e4rgnes filmi esilinastusele, ei osanud mitte keegi ette n\u00e4ha.  K\u00f5ige v\u00e4hem Godard, kes oli samav\u00f5rra h\u00e4mmeldunud oma esimese filmi peadp\u00f6\u00f6ritava edu \u00fcle, m\u00e4rkides: \u201cEnda arvates tegin ma hoopis teistsugust asja, aga noh – n\u00fc\u00fcd on v\u00e4hemalt selge, kuidas see filmitegemine tegelikult k\u00e4ib!\u201d<\/p>\n

PILETID<\/a><\/p>\n

\"Noblessneri<\/h4>\n

 <\/h4>\n

21.07 – “P\u00f5lgus” (Le m\u00e9pris<\/em>)<\/h4>\n

Reziss\u00f6\u00f6r: Jean-Luc Godard
\nPrantsusmaa, 1963
\nOsades: Brigitte Bardot, Jack Palance, Michel Piccoli
\nKeel: prantsuse
\nSubtiitrid: inglise
\nKestus: 1h 42min<\/p>\n

\u201cP\u00f5lgus\u201d on Godardi \u00e4kkr\u00fcnnak kommertskinole – staaridest tulvil kinematograafiline seiklus, film filmitegemisest, kompromissist ja konfliktist kunstiliste p\u00fc\u00fcdluste ning kaubanduslikkuse vahel.<\/p>\n

Selles \u00fche filmistsenaariumi valulises loomisloos kehastab prantsuse kinot\u00e4ht Michel Piccoli stsenaristi, keda r\u00fcndab \u00fchelt poolt uhke Euroopa re\u017eiss\u00f6\u00f6r (Fritz Lang) ja teisalt arrogantne Ameerika produtsent (Jack Palance). Niigi keerulisele olukorrale keerab vindi peale stsenaristi puhtalt arusaamatusel p\u00f5hinev lahkuminek illusioonide k\u00fctkeis piinlevast abikaasast (Brigitte Bardot). Stsenaarium, mille \u00fcle filmis vaidlus k\u00e4ib, on loomulikult \u201cOd\u00fcsseia\u201d.<\/p>\n

PILETID<\/a><\/p>\n

\"Noblessneri<\/p>\n

 <\/p>\n

23.07 “Alphaville”<\/h4>\n

Reziss\u00f6\u00f6r: Jean-Luc Godard
\nPrantsusmaa, 1965
\nOsades: Eddie Constantine, Anna Karina, Akim Tamiroff
\nKeel: prantsuse
\nSubtiitrid: inglise
\nKestus: 1h 39min<\/p>\n

Lemmy Caution, Ameerika erasekret\u00e4r, saabub Alphaville’i, tulevikulinnakusse teisel planeedil. Tema v\u00e4ga ameerikalik iseloom on vastuolus linna valitsejaga, kurja teadlasega nimega Von Braun, kes on keelanud armastuse ja enesev\u00e4ljenduse.<\/p>\n

PILETID<\/a><\/p>\n

\"Noblessneri<\/p>\n

 <\/p>\n

24.07 “Hiinlane” (La Chinoise<\/em>)<\/h4>\n

Reziss\u00f6\u00f6r: Jean-Luc Godard
\nPrantsusmaa, 1967
\nOsades: Anne Wiazemsky, Jean-Pierre L\u00e9aud, Juliet Berto
\nKeel: prantsuse
\nSubtiitrid: inglise
\nKestus: 1h 36min<\/p>\n

V\u00e4ike grupp prantsuse \u00f5pilasi \u00f5pib Mao’d, p\u00fc\u00fcdes v\u00e4lja selgitada oma positsiooni maailmas ja seda, kuidas terrorismi abil maailma maoistlikuks \u00fchiskonnaks muuta.<\/p>\n

PILETID<\/a><\/p>\n

\"Noblessneri<\/p>\n","protected":false},"excerpt":{"rendered":"

Koost\u00f6\u00f6s Prantsuse Instituudi ja kino S\u00f5prusega saab juulis nautida Prantsuse kinokunsti Kai v\u00e4likinos Noblessneris! Prantsuse rahvusp\u00fcha eel\u00f5htul, 13. juulil linastub […]<\/p>\n","protected":false},"author":170,"featured_media":57579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[3070,3069,1334,3068,1200,726,773,3071],"class_list":["post-57555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-godard","tag-kai-vaelikino","tag-kino-soprus","tag-noblessneri-vaelikino","tag-prantsuse-film","tag-prantsuse-instituut","tag-prantsuse-kino","tag-rene-laloux"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/57555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=57555"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/57555\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/57579"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=57555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=57555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=57555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}