{"id":59009,"date":"2024-02-21T16:02:08","date_gmt":"2024-02-21T14:02:08","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=59009"},"modified":"2024-02-21T16:02:08","modified_gmt":"2024-02-21T14:02:08","slug":"yann-tierseni-kontsert-tallinnas-18-martsil","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/yann-tierseni-kontsert-tallinnas-18-martsil\/","title":{"rendered":"Yann Tierseni kontsert Tallinnas 18. m\u00e4rtsil"},"content":{"rendered":"
E, 18. m\u00e4rtsil 2024 esineb Prantsuse multi-instrumentalist ja helilooja Yann Tiersen Nobeli saalis Noblessneris. Artist j\u00f5uab \u201cKerber Complete Tour: Solo Piano + Electronics\u201d nimelise tuuriga Tallinnasse peale \u00fcheksa aasta pikkust pausi ning kontserdik\u00fclalised saavad nautida kaks \u00fches programmi – esimeses osas saab kuulda Tierseni tuntumaid palu klaveril, teine osa saab olema elektroonilise muusika etteaste. Toetab Prantsuse Instituut Eestis.<\/span><\/strong><\/div>\n
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PILETID<\/strong><\/a><\/p>\n<\/div>\n
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2024. aastal suundub Tiersen \u201cKerber Complete Tour: Solo Piano + Electronics\u201d nimelisele tuurile. Ta s\u00f5idab \u00fcksi matkabussiga l\u00e4bi Euroopa, keskendudes uutele ja isiklikele kontaktidele ja kogemustele. Tiersenil ei ole kaasas oma meeskonda, ta ei saada artistidele tavap\u00e4rast riderit, vaid plaanib s\u00f5ita l\u00e4bi v\u00e4ikelinnade ja k\u00fclade, peatuda uute v\u00f5i vanade s\u00f5prade juures. Tuur saab alguse Prantsusmaal Orl\u00e9ansis ning l\u00f5ppeb Britannias.<\/p>\n<\/div>\n
Yann Tierseni nimi seostub esimesena ilmselt uneleva ja melanhoolse muusikaga romantilise kom\u00f6\u00f6dia \u201cAm\u00e9lie\u201d (peaosas Audrey Tautou) v\u00f5i saksa tragikom\u00f6\u00f6dia \u201cGood Bye, Lenin!\u201d soundtrack\u2019idega. Tegelikult ulatub Tierseni haare kinomaailmast palju kaugemale. Kriitikud on tema t\u00f6\u00f6d v\u00f5rrelnud nii Philip Glassi kui Michael Nymani loominguga ja pole kahtlustki, et Tiersen on \u00fcks parimaid ja oman\u00e4olisemaid heliloojaid meie sajandil, kuid tema muusikat ei ole lihtne klassifitseerida. Tema stiil on lihtsasti \u00e4ratuntav, kuid raskesti defineeritav ning see varieerub iga albumi puhul ning ajas \u00fcsna palju. Tierseni melanhoolne muusika ja komponeerimistehnika segunevad klassikalise ja folkmuusikaga ning popi ja roki elementidega.<\/div>\n
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Yann Tiersen loob muusikat, kasutades v\u00e4ga palju erinevaid instrumente, osa neist ei saa isegi muusikainstrumentideks nimetada. Klassikalisest suurest tiibklaverist m\u00e4nguklaverini, erinevatest kitarridest buzuki ja saksofonini, kellam\u00e4ngust vibrafonini, tr\u00fckimasinatest k\u00fcpsetuspottide ja jalgratta ratasteni – k\u00f5ik leiavad tema loomingus kasutust. Imelisel kombel m\u00e4ngib Tiersen k\u00f5iki neid instrumente ise nii stuudios kui ka kontsertidel.<\/p>\n<\/div>\n
Kuigi Yann Tiersen on intervjuudes r\u00f5hutanud, et ta ei pea end heliloojaks ja tal pole klassikalise muusika tausta, siis on see \u00f6eldud ikkagi pigem naljatledes. Nelja aasta vanuselt \u00f5ppis ta klaverit m\u00e4ngima ning kuueselt alustas viiuli\u00f5pingutega. Hiljem omandas ta klassikalise muusikahariduse mitmes muusikaakadeemias \u00f5ppides, sealhulgas Rennes\u2019is, kus ta n\u00e4gi esinemas b\u00e4nde nagu n\u00e4iteks Nirvana, Einst\u00fcrzende Neubaten, Nick Cave and The Bad Seeds, The Cramps, Television, Suicide jt. V\u00f5ib-olla m\u00f5jutas just see teda teismelisena, sest 13aastaselt l\u00f5hkus ta oma viiuli, ostis kitarri ning l\u00f5i rokkb\u00e4ndi. Kuid see oli l\u00fchiajaline, peagi oli ta taas \u00fcksi.<\/p>\n<\/div>\n
Uute b\u00e4ndiliikmete otsingu asemel ostis ta odava helipuldi ning kassettmaki salvestamiseks. S\u00fcntesaatorite, s\u00e4mplerite ja trummimasinaga eksperimenteerides j\u00f5udiski ta oma muusika salvestamiseni. Oma ettekujutustes v\u00e4lja m\u00f5eldud \u201cperfektse k\u00f5la\u201d otsinguil kuulas ta palju erinevat muusikat, kuid ei leidnud, mida otsis, ning j\u00f5udis j\u00e4reldusele, et \u201ctuleb ikka v\u00f5tta see paganama viiul ja luua see k\u00f5la ise\u201d.<\/p>\n<\/div>\n
1993. aasta suvel kirjutas Yann Tiersen kitarri, viiuli ja klaverakordioni abil ligi 40 muusikapala, millest s\u00fcndisid tema kaks esimest albumit. Autor ise kutsub seda \u201cmuusikaliselt anarhiliseks visiooniks\u201d, sest ta ei j\u00e4rginud klassikalisi reegleid, vaid pigem oma intuitsiooni ja n\u00e4gemust.<\/p>\n<\/div>\n
Aastatel 1995 ja 1996, vaid kuue kuu pikkuse vahega, ilmusid Yann Tierseni esimesed albumid \u201cLa Valse Des Monstres\u201d and \u201cRue Des Cascades\u201d. Viis aastat hiljem said mitmed palad tuntust juurde t\u00e4nu Jean-Pierre Jeunet filmile \u201cAm\u00e9lie\u201d. Filmi soundtrackile j\u00f5udsid nii uued kui ka varem kirjutatud lood ning Tiersen v\u00f5itis t\u00e4nu sellele Prantsuse filmiauhinna C\u00e9sar Award parima filmimuusika kategoorias ja auhinna ka World Soundtrack Academy poolt. Filmimuusika album j\u00f5udis mitmetes riikides edetabelitesse ning Prantsusmaal ka esikohale.<\/p>\n<\/div>\n
\u00dchtlasi p\u00e4lvis Tiersen heliloojana j\u00e4rjest rohkem t\u00e4helepanu ning 1998. aasta album \u201cLe Phare\u201d sai kriitikutelt k\u00f5vasti kiita – teda kutsuti \u00fcheks uue sajandi originaalseimaks tippheliloojaks – ning album oli igati edukas.<\/p>\n<\/div>\n
J\u00e4rgnevatel albumitel tegi Tiersen koost\u00f6\u00f6d mitmete tuntud muusikutega: Ensemble Orchestral Synaxis, Lisa Germano, Neil Hannon (Divine Comedy), Jane Birkin, Elizabeth Fraser (Cocteau Twins), Stuart A. Staples (Tindersticks) jt. Yann Tierseni v\u00e4rskeim album ilmus aastal 2022 ja kannab nime \u201c11 5 18 2 5 18\u201d.<\/p>\n<\/div>\n
Vaata ja kuula:
\nKerber (Live on Ushant) – https:\/\/youtu.be\/P2HOjXhL6uo?si=qxxYW4CM8mtaeFdd<\/a><\/div>\n
Live in Passengers: https:\/\/youtu.be\/3VwrcdDykdE?si=rXdptDl1ncBnSt43<\/a><\/div>\n
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\"Yann<\/div>\n","protected":false},"excerpt":{"rendered":"

E, 18. m\u00e4rtsil 2024 esineb Prantsuse multi-instrumentalist ja helilooja Yann Tiersen Nobeli saalis Noblessneris. Artist j\u00f5uab \u201cKerber Complete Tour: Solo […]<\/p>\n","protected":false},"author":170,"featured_media":59010,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[111],"tags":[1014,1117,1989],"class_list":["post-59009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ueritused","tag-frankofoonia","tag-frankofooniakuu","tag-yann-tiersen"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/59009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=59009"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/59009\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/59010"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=59009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=59009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=59009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}