{"id":64668,"date":"2025-11-05T11:09:57","date_gmt":"2025-11-05T09:09:57","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=64668"},"modified":"2025-11-05T11:20:22","modified_gmt":"2025-11-05T09:20:22","slug":"vokaalansambel-theleme","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/et\/vokaalansambel-theleme\/","title":{"rendered":"Vokaalansambel Th\u00e9l\u00e8me"},"content":{"rendered":"<div>\n<div><b><i>Unquiet thoughts<\/i><\/b><\/div>\n<div>John Dowlandi muusika<\/div>\n<div>Teekond l\u00e4bi John Dowlandi nelja laulukogu (Ayres)<\/div>\n<div>&nbsp;<\/div>\n<div><span style=\"text-decoration: underline;\"><b>vokaalansambel th\u00e9l\u00e8me<\/b><\/span><\/div>\n<div><b>Charlotte Nachtsheim&nbsp;<\/b>&#8211; Cantus<\/div>\n<div><b>Julien Freymuth<\/b>&nbsp;\u2013 Altus<\/div>\n<div><b>Lo\u00efc Paulin&nbsp;<\/b>\u2013 Tenor<\/div>\n<div><b>Jean-Christophe Groffe&nbsp;<\/b>\u2013 Bassus<\/div>\n<div><b>Ziv Braha<\/b>&nbsp;\u2013 lauto<\/div>\n<div>&nbsp;<\/div>\n<div>Selle kontserdi keskmes on John Dowlandi (1563\u20131626) laulud ja lautomuusika. \u201eRahutud m\u00f5tted\u201c t\u00e4histab kahtluse ja loomevabaduse j\u00f5udu: kui miski ei ole kindel, on k\u00f5ik v\u00f5imalik. Dowland oli virtuoosne lautom\u00e4ngija ja helilooja, kelle meloodiad ja s\u00fcgavad tekstid on t\u00e4naseni liigutavad.<\/div>\n<div>Kontserdil k\u00f5lavad valitud laulud tema lauluraamatutest aastatest 1597\u20131612, sealhulgas kuulsatest teostest nagu &#8220;Lachrimae or Seven Tears&#8221;. Dowlandi lauludes on meloodia alati sopranis, v\u00f5imaldades vaheldust ja improvisatsiooni instrumentaalsete saatjatega \u2013 samm 17. sajandi monoodia ja ooperi suunas.<\/div>\n<div>Th\u00e9l\u00e8me toob kuulajateni Dowlandi meisterlikud meloodiad ja kontrapunktid, luues intiimse ja ajatult kaasaelatava kogemuse.<\/div>\n<div>&nbsp;<\/div>\n<div>2013. aastal asutatud ansambel th\u00e9l\u00e8me koondab muusikuid, kes pakuvad varajasele muusikale avatud ja originaalset t\u00f5lgendust. Tuumiku, lauljate ja lautom\u00e4ngija k\u00f5rval kaasab ansambel erinevate ajastute instrumente \u2013 viola da gamba, saksofon, ondes Martenot, modulaars\u00fcntesaator \u2013 ning teeb koost\u00f6\u00f6d kirjanike, n\u00e4itlejate, tantsijate, koreograafide ja teiste loovate m\u00f5tlejatega. N\u00f5nda uurib th\u00e9l\u00e8me pidevalt muutuvat muusikalist ala, p\u00fc\u00fceldes sidusa keele poole ning pakkudes uut kuulamisperspektiivi.<\/div>\n<div>Renessansspol\u00fcfooniale p\u00fchendunud ansamblit paelub eriti 16. sajandi ilmalik muusika, mille kujunemist m\u00f5jutas tr\u00fckitehnika areng. Th\u00e9l\u00e8me\u2019i v\u00f5lub loodud ja esitatud teoste kontekst ning nende kasutusviisid. Ilmalik muusika oli algselt privaatne meelelahutusvorm, mille esmaseks eesm\u00e4rgiks oli esitajate r\u00f5\u00f5mustamine. Selline praktika kujunes viljakaks pinnaseks uutele, murrangulistele vormidele, mida iseloomustas nauding. Th\u00e9l\u00e8me\u2019i eesm\u00e4rk ei ole \u00fcksnes nende avangardsete ilmalike teoste taasloomine, mis t\u00f5id renessansis esile kontraste elegantsi ja huumori, peenuse ja roppuse vahel, pigem p\u00fc\u00fcab ansambel \u017eanre p\u00f5imides ja julget l\u00e4henemist kasutades seda muusika t\u00e4nap\u00e4eva tuua ning siduda seda kaasaegse k\u00f5lamaailmaga. Th\u00e9l\u00e8me v\u00e4\u00e4rtustab minevikku, pidades varaste teostega pidevat dialoogi ning kultiveerides viljakat anakronismi.<\/div>\n<\/div>\n<div>&nbsp;<\/div>\n<div><strong>Piletid <a href=\"https:\/\/fienta.com\/et\/o\/cantores-vagantes\">Fientas<\/a><\/strong>.<\/div>\n<div>&nbsp;<\/div>\n<div><strong>Kontserti toetab Prantsuse Instituut Eestis.<\/strong><\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-large wp-image-64673\" src=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-1440x754.jpg\" alt=\"\" width=\"1440\" height=\"754\" srcset=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-1440x754.jpg 1440w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-300x157.jpg 300w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-768x402.jpg 768w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-1536x804.jpg 1536w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-2048x1072.jpg 2048w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2025\/11\/piletilevi_theleme-1320x691.jpg 1320w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Unquiet thoughts John Dowlandi muusika Teekond l\u00e4bi John Dowlandi nelja laulukogu (Ayres) &nbsp; vokaalansambel th\u00e9l\u00e8me Charlotte Nachtsheim&nbsp;&#8211; Cantus Julien Freymuth&nbsp;\u2013 [&hellip;]<\/p>\n","protected":false},"author":170,"featured_media":64669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[109,111],"tags":[],"class_list":["post-64668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tallinn-antenne-2","category-ueritused"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/64668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/comments?post=64668"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/posts\/64668\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media\/64669"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/media?parent=64668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/categories?post=64668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/et\/wp-json\/wp\/v2\/tags?post=64668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}