Cette exposition, con\u00e7ue par les fran\u00e7ais Nicolas Audureau et Camille Laurelli, rassemble des artistes \u00e9clectiques, de divers pays :<\/b><\/p>\n
Brody Condon<\/span><\/a> (US),<\/span> Cl\u00f4de Coulpier<\/span><\/a> (FR), Fabrice Croux (FR), Nadia Granados (CO),<\/span> Ivars Gravlejs<\/span><\/a> (LV),<\/span>Marco Laimre<\/span> (ET), Camille Laurelli (FR), Aleksandra Galkina (RU), David Ter-Oganyan (RU), Olga Zhitlina (RU).<\/span><\/p>\n Les id\u00e9es fondatrices…<\/b><\/p>\n L\u2019esprit humain, flexible\u00a0et extensible, dispose d\u2019une extraordinaire capacit\u00e9 \u00e0 assimiler et \u00e0 s\u2019adapter aux changements les plus improbables de son environnement. <\/span><\/p>\n Les dystopies (utopie qui vire au cauchemar \/ contre-utopie) de science fiction du XX\u00e8me si\u00e8cle, de Asimov \u00e0 Zamyatin, font\u00a0maintenant partie\u00a0notre quotidien. Nous sommes d\u00e9sormais capables de passer d\u2019une r\u00e9alit\u00e9 \u00e0 une autre avec une \u00e9tonnante facilit\u00e9. On ne parle m\u00eame plus de virtuel, ni m\u00eame de mondes virtuels; nous parlons \u00ab\u00a0d\u2019environnements\u201d, ou de r\u00e9alit\u00e9 augment\u00e9e, ce qui suppose que notre monde tangible et p\u00e9rissable n\u2019a comme espoir de s\u2019am\u00e9liorer qu\u2019\u00e0 travers la machine.<\/span><\/p>\n Les activit\u00e9s les plus innocentes, comme le jeu ou la cr\u00e9ativit\u00e9, sont devenus les sujets d\u2019une \u00e9conomie sp\u00e9cifique\u00a0et voyeuriste. \u00a0Nos corps ont chang\u00e9 de statut, de consommateurs mobiles \u00e0 \u00e9l\u00e9ments consomm\u00e9s qui n\u2019ont en fait plus besoin d\u2019\u00eatre pr\u00e9sents physiquement. Tout ceci\u00a0impliquerait que nous avons d\u00e9j\u00e0 d\u00e9pass\u00e9 un certain satde\u00a0de passivit\u00e9 dans la singularit\u00e9 technologique. Nous serions donc r\u00e9duits \u00e0 l\u2019\u00e9tat de synapses – de simples \u00e9l\u00e9ments qui redistribuent l\u2019\u00e9nergie d\u2019un syst\u00e8me sup\u00e9rieur, et qui n\u2019attend de nous aucun mouvement superflus. Nous sommes devenus les corps consomm\u00e9s d\u2019un capitalisme affam\u00e9 et insatiable. <\/span><\/p>\n Mais qu\u2019en est-il du corps exactement ? Peut-il se satisfaire de n\u2019\u00eatre que le leurre d\u2019un environnement artificiel ? Est-ce que le ph\u00e9nom\u00e8ne de perception d\u2019une r\u00e9alit\u00e9 augment\u00e9e conduit \u00e0 la crise du r\u00e9el ou \u00e0 la crise de sa copie ? Si nous parvenions m\u00eame \u00e0 distinguer le vrai du faux, alors lequel des deux serait\u00a0le plus frustrant ?<\/span><\/p>\n L\u2019exposition \u201cInfinite lives\u201d produit un \u00e9tat de stress extr\u00eame qui conduit au r\u00e9veil du corps et de l\u2019esprit. Les propositions joyeuses et r\u00e9versibles formul\u00e9es par les artistes interrogent l\u2019inconsistance de l\u2019honn\u00eatet\u00e9 et de l\u2019exp\u00e9rience \u00e0 travers les images, et enfin examinent l\u2019inconsistance du m\u00eame du mat\u00e9rialisme dans l\u2019art. De sp\u00e9culation en d\u00e9cevante r\u00e9alit\u00e9, les oeuvres insistent sur la perspicacit\u00e9, l\u2019astuce et le caract\u00e8re pratique dont peut faire preuve tout observateur vif.<\/span><\/p>\n Cette exposition a re\u00e7u le soutien <\/b>du Fonds Estonien pour la Culture, du Minist\u00e8re de la Culture, du service culturel de la ville de Tallinn et des entreprises Veinis\u00f5ber et K\u00e4nnukas<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Cette exposition, con\u00e7ue par les fran\u00e7ais Nicolas Audureau et Camille Laurelli, rassemble des artistes \u00e9clectiques, de divers pays : Brody […]<\/p>\n","protected":false},"author":1,"featured_media":13679,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[85],"tags":[556],"class_list":["post-13723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","tag-exposition"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/13723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/comments?post=13723"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/13723\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media\/13679"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media?parent=13723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/categories?post=13723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/tags?post=13723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}