{"id":21103,"date":"2017-05-26T13:38:01","date_gmt":"2017-05-26T11:38:01","guid":{"rendered":"http:\/\/www.ife.ee\/fr\/?p=21103"},"modified":"2017-06-06T10:08:51","modified_gmt":"2017-06-06T08:08:51","slug":"concert-gratuit-de-musique-baroque-francaise-au-chateau-de-kadriorg","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/fr\/concert-gratuit-de-musique-baroque-francaise-au-chateau-de-kadriorg\/","title":{"rendered":"Concert gratuit de musique baroque fran\u00e7aise au ch\u00e2teau de Kadriorg"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Ce concert est d\u00e9di\u00e9 \u00e0\u00a0<b>Fran\u00e7ois Couperin<\/b>\u00a0(1668-1733) de la p\u00e9riode rococo. Les th\u00e8mes pastoraux de cette p\u00e9riode permettent au compositeur de cr\u00e9er\u00a0une multitude de m\u00e9taphores po\u00e9tiques musicales. Il\u00a0a toujours pr\u00e9f\u00e9r\u00e9 une approche fine et \u00e9mouvante \u00e0 des passages brusques et surprenant. <br \/>\n Au programme du concert, une interpr\u00e9tation de la<strong> XIVe suite pour clavecin<\/strong> (Pi\u00e8ces\u00a0de\u00a0clavecin, IIIe livre) et du morceau <strong>Passacaille<\/strong> (IIe\u00a0livre), mais \u00e9galement des pi\u00e8ces pour ensemble musical comme le<strong> Concert royal No. 4<\/strong> et l&rsquo;<strong>Apoth\u00e9ose de Corelli<\/strong>. Ce dernier sera accompagn\u00e9 par une repr\u00e9sentation chor\u00e9graphique par <strong>Madli Teller<\/strong>, chor\u00e9graphe, danseuse et anthropologue. L&rsquo;ensemble musical comprend des musiciens estoniens jouant\u00a0des\u00a0instruments typiques de musique baroque fran\u00e7aise, avec\u00a0<strong>Reet Sukk <\/strong>(traverso), <strong>Melissa j\u00f5esaar<\/strong>\u00a0(violon), <b>Kaari Uus<\/b> (viola da gamba), <b>Maarja Perens<\/b> (archiluth) et\u00a0<b>Kristiina Are<\/b> (clavecin).<br \/>\n Le paysage de musique pastoral du concert, la salle de style baroque du ch\u00e2teau de Kadriorg, ainsi que la chor\u00e9graphie forment un int\u00e9gral esth\u00e9tique de\u00a0style fran\u00e7ais.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le concert est organis\u00e9 avec l&rsquo;aide du\u00a0<\/span><strong><span lang=\"fr\">Fonds europ\u00e9en de d\u00e9veloppement r\u00e9gional\u00a0<\/span><\/strong><span lang=\"fr\">(FEDER), le <strong>Mus\u00e9e d&rsquo;art d&rsquo;Estonie<\/strong> et l&rsquo;<strong>Acad\u00e9mie de musique et th\u00e9\u00e2tre\u00a0d&rsquo;Estonie.<\/strong><\/span><\/p>\n<p><span lang=\"fr\">ENTREE GRATUITE<\/span><\/p>\n<p><span lang=\"fr\"><a href=\"https:\/\/www.ema.edu.ee\"><b>www.ema.edu.ee<\/b><\/a><\/span><\/p>\n<p><strong>Kristiina Are<\/strong> a commenc\u00e9 ses \u00e9tudes de clavecin au <strong>Conservatoire de Tallinn<\/strong> sous la direction du professeur <strong>Imbi Tarum<\/strong> en 1991. Entre 1994 et 1998 elle a continu\u00e9 ses \u00e9tudes au <strong>Conservatoire municipal Erik Satie<\/strong> \u00e0 Paris avec la supervision de la c\u00e9l\u00e8bre claveciniste fran\u00e7aise <strong>Elisabeth Joy\u00e9.<\/strong>\u00a0Kristiina a \u00e9t\u00e9 diplom\u00e9e en 1998 et a remport\u00e9 la plus haute nomination du\u00a0\u00ab\u00a01er prix avec c\u00e9l\u00e9bration du jury<em>\u00ab\u00a0.\u00a0<\/em>Depuis 2016, elle se d\u00e9voue \u00e0 ses recherches doctorales artistiques \u00ab\u00a0<em>Possibilities to create dynamics in basso continuo realization<\/em>\u201d \u00e0 l&rsquo;<strong>Acad\u00e9mie de musique et th\u00e9\u00e2tre\u00a0d&rsquo;Estonie.<\/strong><\/p>\n<p>Plusieurs grands musiciens ont \u00e9t\u00e9 pour elle une grande influence artistique, tels que\u00a0<strong>Pierre Hantai<\/strong>, <strong>Edoardo Bellotti<\/strong>, <strong>Joel Speersta<\/strong> etc.\u00a0<\/p>\n<p><span style=\"font-weight: 400;\">Kristiina Are partage sa carri\u00e8re professionnelle entre l&rsquo;interpr\u00e9tation musicale et l&rsquo;enseignement du clavecin. Entre 1999 et 2009 elle jouait en duo de clavecinistes avec <strong>Ene Nael<\/strong>. Depuis 2014, elle joue dans l&rsquo;ensemble musicale\u00a0<strong>LaBande<\/strong>,<strong>\u00a0<\/strong>avec <strong>Helis Naeris<\/strong> (mezzosoprano),\u00a0<strong>Melissa j\u00f5esaar<\/strong>\u00a0(violon), <strong>Reet Sukk <\/strong>(traverso),\u00a0<b>Kaari Uus<\/b> (viola da gamba)\u00a0et\u00a0<strong>Anna-Liisa Eller<\/strong> (cithare estonienne).\u00a0<\/span><\/p>\n<p>Elle instruit le clavecin \u00e0 la <strong>Colonie de musique de clavier historique d&rsquo;Estonie<\/strong> depuis sa\u00a0cr\u00e9ation en l&rsquo;an 2000. Elle a instaur\u00e9 des classes de clavecins dans le <strong>Lyc\u00e9e de musique de Tallinn<\/strong> et l&rsquo;<strong>Ecole d&rsquo;art et de musique KAUR<\/strong>\u00a0\u00e0<strong>\u00a0<\/strong>Rakvere.<\/p>\n<p> <em>Kristiina Are est membre de conseil\u00a0de l&rsquo;<strong>Association des amis du clavecin en Estonie<\/strong><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ce concert est d\u00e9di\u00e9 \u00e0\u00a0Fran\u00e7ois Couperin\u00a0(1668-1733) de la p\u00e9riode rococo. Les th\u00e8mes pastoraux de cette p\u00e9riode permettent au compositeur de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[85],"tags":[],"class_list":["post-21103","post","type-post","status-publish","format-standard","hentry","category-evenements"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/21103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/comments?post=21103"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/21103\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media?parent=21103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/categories?post=21103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/tags?post=21103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}