{"id":27307,"date":"2018-03-20T14:30:49","date_gmt":"2018-03-20T12:30:49","guid":{"rendered":"http:\/\/www.ife.ee\/fr\/?p=27307"},"modified":"2019-04-22T11:04:48","modified_gmt":"2019-04-22T09:04:48","slug":"concert-baroque-du-groupe-labande-lecon-de-tenebres-a-tallinn","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/fr\/concert-baroque-du-groupe-labande-lecon-de-tenebres-a-tallinn\/","title":{"rendered":"Concert baroque du groupe LaBande : \u201cLe\u00e7on de T\u00e9n\u00e8bres\u201d"},"content":{"rendered":"<p>Les\u00a0<b>le\u00e7ons de T\u00e9n\u00e8bres<\/b>\u00a0sont un\u00a0genre musical\u00a0liturgique\u00a0cr\u00e9\u00e9 en France au XVIIe\u00a0si\u00e8cle et destin\u00e9 au premier des trois nocturnes qui accompagnent chaque\u00a0office des T\u00e9n\u00e8bres\u00a0(matines\u00a0des\u00a0jeudi,\u00a0vendredi\u00a0et\u00a0samedi saints).\u00a0C&rsquo;est dans l&rsquo;environnement de la cour royale que s&rsquo;est d\u00e9velopp\u00e9e cette nouvelle pratique. Les spectacles d&rsquo;op\u00e9ra\u00a0\u00e9tant \u00e0 l&rsquo;\u00e9poque interdits pendant le car\u00eame, les le\u00e7ons de T\u00e9n\u00e8bres \u00e9taient l&rsquo;occasion d&#8217;employer les chanteurs et musiciens des ballets royaux pour de la musique sacr\u00e9e. Les plus grands noms de la musique de cour du r\u00e8gne du\u00a0Roi Soleil\u00a0et de la\u00a0r\u00e9gence suivante\u00a0s&rsquo;illustr\u00e8rent dans ce genre\u00a0:\u00a0Michel Lambert,\u00a0Marc-Antoine Charpentier,\u00a0Fran\u00e7ois Couperin, et bien d&rsquo;autres.\u00a0<\/p>\n<p><span style=\"font-weight: 400;\">L&rsquo;oeuvre centrale du concert est intitul\u00e9e<strong>\u00a0\u201cLe\u00e7on de mercredi\u201d par\u00a0M. Delalande<\/strong>, dont le texte raconte l&rsquo;histoire de J\u00e9r\u00e9mie face au pillage de J\u00e9rusalem. D&rsquo;autres compositions connues du 17\u00e8 si\u00e8cle seront pr\u00e9sent\u00e9es, comme les oeuvres vocales et instrumentales de\u00a0<\/span><span style=\"font-weight: 400;\">\u00a0A. Campra, M. Marais, J. F. Rebeli et d&rsquo;autres. Ces oeuvres illustrent la ville pill\u00e9e et le th\u00e8me du chaos dans la lamentation de J\u00e9r\u00e9mie.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Le groupe baroque LaBande<\/strong>\u00a0se compose de\u00a0<\/span><b>Helis Naeris<\/b><span style=\"font-weight: 400;\"> (mezzo-soprano), <\/span><b>Melissa J\u00f5esaar<\/b><span style=\"font-weight: 400;\"> (violon baroque), <\/span><b>Kaari Uus<\/b><span style=\"font-weight: 400;\"> (<\/span><span style=\"font-weight: 400;\">viole de gambe<\/span><span style=\"font-weight: 400;\">), <\/span><b>Robert Staak<\/b><span style=\"font-weight: 400;\"> (luth) et\u00a0<\/span><b>Kristiina Are<\/b><span style=\"font-weight: 400;\"> (clavecin).<\/span><\/p>\n<p>A l\u2019\u00e9glise de Rootsi-Mihkli.<br \/>\n<span style=\"font-size: 16px;\">Le 27 mars 2018 \u00e0 18H00.<br \/>\n<\/span><b style=\"font-size: 16px;\">Les billets sont en vente chez <a href=\"https:\/\/shop.piletilevi.ee\/public\/?concert=244898&amp;design=piletilevi&amp;lang=est&amp;center=7#view=ticketsselect\" target=\"_blank\" rel=\"noopener noreferrer\">Piletilevi\u00a0<\/a>et sur place<\/b><span style=\"font-size: 16px;\">:<\/span><b style=\"font-size: 16px;\"> 12\u20ac\/8\u20ac<\/b><span style=\"font-size: 16px;\"> (retrait\u00e9s, \u00e9coliers\/\u00e9tudiants).<\/span><\/p>\n<p>Le concert est soutenu par :<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-26981 size-medium\" style=\"font-size: 16px;\" src=\"https:\/\/www.ife.ee\/wp-content\/uploads\/2018\/03\/98939757-300x140.jpeg\" alt=\"\" width=\"300\" height=\"140\" srcset=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2018\/03\/98939757-300x140.jpeg 300w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2018\/03\/98939757-768x358.jpeg 768w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2018\/03\/98939757-600x280.jpeg 600w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2018\/03\/98939757.jpeg 1217w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-26980\" style=\"font-size: 16px;\" src=\"https:\/\/www.ife.ee\/wp-content\/uploads\/2018\/03\/87475621.png\" alt=\"\" width=\"280\" height=\"180\" \/><img decoding=\"async\" class=\"alignnone size-full wp-image-26979\" style=\"font-size: 16px;\" src=\"https:\/\/www.ife.ee\/wp-content\/uploads\/2018\/03\/59028168.png\" alt=\"\" width=\"103\" height=\"103\" \/><span style=\"font-size: 16px;\">\u00a0\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les\u00a0le\u00e7ons de T\u00e9n\u00e8bres\u00a0sont un\u00a0genre musical\u00a0liturgique\u00a0cr\u00e9\u00e9 en France au XVIIe\u00a0si\u00e8cle et destin\u00e9 au premier des trois nocturnes qui accompagnent chaque\u00a0office des [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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