{"id":27431,"date":"2018-03-26T11:46:51","date_gmt":"2018-03-26T09:46:51","guid":{"rendered":"http:\/\/www.ife.ee\/fr\/?p=27431"},"modified":"2019-04-22T11:26:17","modified_gmt":"2019-04-22T09:26:17","slug":"leveil-du-printemps-par-armel-roussel-a-vaba-laval-du-10-avril","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/fr\/leveil-du-printemps-par-armel-roussel-a-vaba-laval-du-10-avril\/","title":{"rendered":"\u00ab\u00a0L\u2019\u00e9veil du Printemps\u00a0\u00bb par Armel Roussel \u00e0 Vaba Lava"},"content":{"rendered":"

L\u2019\u00e9veil du Printemps\u00a0<\/em>est une adaptation\u00a0par Armel Roussel<\/span><\/b> de la pi\u00e8ce du m\u00eame titre, \u00e9crite par le tr\u00e8s controvers\u00e9 dramaturge allemand Frank Wedekind. Celui-ci reste encore aujourd\u2019hui l\u2019un des esprits les plus audacieux du th\u00e9\u00e2tre allemand et s\u2019\u00e9tait mis en qu\u00eate de nouvelles v\u00e9rit\u00e9s. Dans\u00a0L\u2019\u00e9veil du Printemps<\/em>, sa premi\u00e8re pi\u00e8ce majeure, Frank Wedekind met \u00e0 nu les failles de la moralit\u00e9 au regard de la sexualit\u00e9, et s\u2019en prend plus particuli\u00e8rement \u00e0 l\u2019ignorance qui entoure la vie sexuelle des jeunes. Il a nomm\u00e9 sa pi\u00e8ce \u201cla trag\u00e9die enfantine\u201d, d\u00e9diant son travail aux parents et aux enseignants. M\u00eame si\u00a0L\u2019\u00e9veil du Printemps<\/em>\u00a0a \u00e9t\u00e9 \u00e9crit il y a plus de 100 ans, le metteur en sc\u00e8ne Armel Roussel consid\u00e8re que la question de la sexualit\u00e9 des adolescents est toujours autant d\u2019actualit\u00e9 qu\u2019elle ne l\u2019\u00e9tait au d\u00e9but du si\u00e8cle dernier. Il s\u2019agit de la quatri\u00e8me fois dans sa carri\u00e8re que Armel Roussel se penche sur l\u2019oeuvre de Wedekind. La pi\u00e8ce est mont\u00e9e avec onze acteurs venus de France, de Belgique, de Suisse et du Japon. L\u2019\u00e9quipe artistique se compose quant \u00e0 elle de personnes originaires de Belgique et d\u2019Estonie.<\/p>\n

L\u2019\u00e9veil du Printemps
\n<\/strong>L’histoire est la m\u00eame que celle de la pi\u00e8ce du m\u00eame nom montr\u00e9e en Allemagne en 1891 par Frank Wedekind. La pi\u00e8ce, qui se d\u00e9roule \u00e0 la fin du XIX si\u00e8cle en Allemagne, raconte l’histoire de jeunes adolescents qui partent \u00e0 la d\u00e9couverte d’eux-m\u00eames et de leur sexualit\u00e9. La pi\u00e8ce originale a \u00e9t\u00e9 interdite en Allemagne pendant presque un si\u00e8cle, car elle abordait des sujets tabous, de l’avortement au suicide. C’est une oeuvre qui aborde les questions de morale et de sexualit\u00e9 – le tout d’une fa\u00e7on plut\u00f4t rock\u2019n\u2019roll.\u00a0<\/span><\/p>\n

En Estonie, L\u2019\u00e9veil du Printemps <\/em>a \u00e9t\u00e9 jou\u00e9 comme show musical au th\u00e9\u00e2tre de NUKU en 2012.<\/p>\n

Armel Roussel
\n<\/strong><\/p>\n

Armel Roussel (n\u00e9 en 1971)\u00a0est un metteur en sc\u00e8ne fran\u00e7ais, auteur, sc\u00e9nographe et performer install\u00e9 en Belgique. Il est directeur artistique de la compagnie {e}utopia3 et enseigne \u00e0 l\u2019Institut National Sup\u00e9rieur des Arts du Spectacle (INSAS). Il a dirig\u00e9 plusieurs stages, conf\u00e9rences et ateliers dans de nombreux pays tels que la Belgique, la France, la Suisse, le S\u00e9n\u00e9gal, la Roumanie et le Togo.<\/p>\n

Entre le d\u00e9but des ann\u00e9es 1990s et aujourd\u2019hui, Roussel a dirig\u00e9 24 productions dans divers th\u00e9\u00e2tres de Belgique, des Pays-Bas, de France, d\u2019Espagne, du Portugal, de Suisse et du Canada. Il a re\u00e7u de nombreux prix pour son travail.<\/p>\n

La premi\u00e8re est pr\u00e9sent\u00e9e dans le cadre du\u00a0programme des curateurs fran\u00e7ais<\/a>\u00a0de Vaba Lava le 10 avril 2018 \u00e0 19h00, dans la grande salle du\u00a0Vaba Lava.<\/strong><\/p>\n

En fran\u00e7ais, sous-titr\u00e9 estonien.<\/strong><\/p>\n

Mise en sc\u00e8ne :\u00a0Armel Roussel
\nAssistant du metteur en sc\u00e8ne :\u00a0Julien Jaillot
\n<\/span>Conception des \u00e9clairages :\u00a0Am\u00e9lie G\u00e9hin
\n<\/span>Artiste sonore :\u00a0Pierre-Alexandre Lampert
\n<\/span>Design des costumes :\u00a0Coline Wauters
\n<\/span>Coop\u00e9ration des domaines :\u00a0Nathalie Borl\u00e9e
\n<\/span>Chef technique :\u00a0R\u00e9my Brans
\n<\/span>Producteur :\u00a0Gabrielle Dailly
\n<\/span>Sc\u00e9nographie et costumes :\u00a0Ateliers du Th\u00e9\u00e2tre National Wallonie-Bruxelles
\n<\/span>Sur sc\u00e8ne :\u00a0Nad\u00e8ge Cathelineau, Romain Cinter, Thomas Dubot, Julien Frege, Amandine Laval, Nicolas Lu\u00e7on, Florence Minder, Julie Rens, Sophie S\u00e9n\u00e9caut, Lode Thiery, Sacha Vovk, Uiko Watanabe, Judith Williquet.
\n<\/span>Co-producteurs :\u00a0<\/strong>The National Theater of Belgium,\u00a0the Haute-Normandie Center for Dramatic Art ja Vaba Lava.<\/span><\/p>\n

TICKETS DISPONIBLES CHEZ PILETILEVI<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u2019\u00e9veil du Printemps\u00a0est une adaptation\u00a0par Armel Roussel de la pi\u00e8ce du m\u00eame titre, \u00e9crite par le tr\u00e8s controvers\u00e9 dramaturge allemand […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[85],"tags":[],"class_list":["post-27431","post","type-post","status-publish","format-standard","hentry","category-evenements"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/27431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/comments?post=27431"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/27431\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media?parent=27431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/categories?post=27431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/tags?post=27431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}