{"id":29492,"date":"2018-07-03T10:18:22","date_gmt":"2018-07-03T08:18:22","guid":{"rendered":"http:\/\/www.ife.ee\/fr\/?p=29492"},"modified":"2019-04-22T13:57:06","modified_gmt":"2019-04-22T11:57:06","slug":"sitcom-cinema-soprus","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/fr\/sitcom-cinema-soprus\/","title":{"rendered":"\u00ab\u00a0Sitcom\u00a0\u00bb de Fran\u00e7ois Ozon au cin\u00e9ma S\u00f5prus"},"content":{"rendered":"<p><strong>Synopsis<\/strong><\/p>\n<p>\u00ab\u00a0Sitcom\u00a0\u00bb de Fran\u00e7ois Ozon parle d&rsquo;une famille tr\u00e8s classique\u00a0: un p\u00e8re ing\u00e9nieur, une m\u00e8re partageant son temps entre ses cours de gym et ses s\u00e9ances de psychoth\u00e9rapie, un fils s\u00e9rieux, \u00e9tudiant en droit, une fille artiste et une femme de m\u00e9nage espagnole un peu fofolle. Toute cette harmonie apparente va \u00e9clater en morceaux avec l\u2019arriv\u00e9e d\u2019un personnage inattendu. Un rat.<\/p>\n<p>Le premier long-m\u00e9trage d\u2019Ozon est une com\u00e9die d\u00e9cal\u00e9e et joliment perverse qui explore d\u00e9j\u00e0 tous les th\u00e8mes chers au cin\u00e9aste.<\/p>\n<p><strong>Avis de Jean-Patrick G\u00e9raud, critique de cin\u00e9ma : <\/strong><\/p>\n<p>Avec ce premier long-m\u00e9trage, trois ans avant le succ\u00e8s critique et la reconnaissance que lui apporteront <em>Sous le Sable<\/em>, Fran\u00e7ois Ozon signait (d\u00e9j\u00e0) le portrait d\u2019une famille en proie \u00e0 l\u2019\u00e9clatement. La premi\u00e8re s\u00e9quence donne le ton : un p\u00e8re mod\u00e8le &#8211; du moins en apparence &#8211; p\u00e9n\u00e8tre dans un pavillon bourgeois o\u00f9 il massacre, en hors champ et sur fond de \u00ab\u00a0Joyeux anniversaire\u00a0\u00bb, femme, enfants et amis. D\u00e9but et fin de l\u2019intrigue ? On pourrait le croire si on ne connaissait le go\u00fbt du cin\u00e9aste pour briser les formes elliptiques et d\u00e9jouer l\u2019attente de ses spectateurs (on se rappelle les derni\u00e8res s\u00e9quences de <em>8 femmes<\/em>). En l\u2019occurrence la fin de <em>Sitcom<\/em>, exp\u00e9rimentale et surprenante, ouvre la voie \u00e0 un conte cauchemardesque qui emprunte, dans sa description de l\u2019horreur absurde, \u00e0 l\u2019univers de Kafka. <br \/>\nMais c\u2019est ici sur un mode singuli\u00e8rement parodique que la cellule familiale est mise \u00e0 mal. L\u2019absence du p\u00e8re, le coming-out du fils, la tentative de suicide avort\u00e9e de la fille lugubre (brillante Marina de Van) sont autant d\u2019\u00e9pisodes m\u00e9caniques dans ce feuilleton qui s\u2019acharne \u00e0 d\u00e9construire avec cruaut\u00e9 les petites apparences bourgeoises. Et pourtant, comme dans <em>8 femmes<\/em>, il semble que le film ne prenne jamais compl\u00e8tement au s\u00e9rieux cette d\u00e9construction, instaurant une distance ironique par rapport \u00e0 ses propres codes. De fait, rien, dans <em>Sitcom<\/em>, n\u2019\u00e9chappe \u00e0 la d\u00e9rision f\u00e9roce d\u2019Ozon, pas m\u00eame son titre parodique (\u00e9vocation du huis-clos, autre motif cher \u00e0 l\u2019auteur), pas m\u00eame l\u2019attitude de la m\u00e8re, incarn\u00e9e avec beaucoup de finesse par Evelyne Dandry, et qui annonce d\u00e9j\u00e0 le talent du cin\u00e9aste pour le casting et la direction d\u2019actrices. <br \/>\nIl est vrai que l\u2019ironie f\u00e9roce de l\u2019ensemble casse parfois l\u2019\u00e9motion, que <em>Sous le Sable<\/em> r\u00e9habilitera avec talent. La construction de l\u2019intrigue demeure, par moments, assez fragile. Mais il faut reconna\u00eetre \u00e0 <em>Sitcom<\/em> une atmosph\u00e8re tr\u00e8s personnelle que confirmera la filmographie du cin\u00e9aste. C\u2019est l\u00e0, sans doute, une qualit\u00e9 singuli\u00e8re : le d\u00e9bordement de r\u00e9f\u00e9rences qui traverse le cin\u00e9ma de Fran\u00e7ois Ozon ne contredit jamais son originalit\u00e9. On reverra en tout cas avec beaucoup de plaisir ce premier film dr\u00f4le et f\u00e9roce.<\/p>\n<div>\n<div><strong>Sitcom<\/strong><\/div>\n<\/div>\n<div>Ann\u00e9e :\u00a0<span style=\"font-size: 16px;\">1998<\/span><\/div>\n<div>Pays :\u00a0<span style=\"font-size: 16px;\">France<\/span><\/div>\n<div>De\u00a0 :\u00a0<span style=\"font-size: 16px;\">Fran\u00e7ois Ozon<\/span><\/div>\n<div>Avec :\u00a0<span style=\"font-size: 16px;\">\u00c9velyne Dandry, Fran\u00e7ois Marthouret, Marina de Van<\/span><\/div>\n<div class=\"views-field views-field-field-genre\"><span class=\"views-label views-label-field-genre\">Genre : com\u00e9die<\/span><\/p>\n<div class=\"field-content\">Dur\u00e9e :\u00a0<span style=\"font-size: 16px;\">85 min<\/span><\/div>\n<\/div>\n<div>Langue : fran\u00e7ais<\/div>\n<div>Sous-titres : estonien<\/div>\n<p><strong>Au cin\u00e9ma S\u00f5prus, Vana-Posti 8<\/strong><br \/>\n<strong><span style=\"font-size: 16px;\">Le 7\u00a0<\/span><span style=\"background-color: #ffffff;\">ao\u00fbt<br \/>\n<\/span><span style=\"font-size: 16px;\">A 21H00<br \/>\n<\/span><\/strong><\/p>\n<p>Billets pour tous : 6.50\u20ac<\/p>\n<p><strong><a href=\"https:\/\/www.piletilevi.ee\/est\/piletid\/film\/kino-soprus\/autorikino-2018-piiririkkujad-8-situatsioonikomoodia-257002\/?design=&amp;shop_provider=\" target=\"_blank\" rel=\"noopener noreferrer\">Acheter le billet<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Synopsis \u00ab\u00a0Sitcom\u00a0\u00bb de Fran\u00e7ois Ozon parle d&rsquo;une famille tr\u00e8s classique\u00a0: un p\u00e8re ing\u00e9nieur, une m\u00e8re partageant son temps entre ses [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[85],"tags":[514,777,882,548,681],"class_list":["post-29492","post","type-post","status-publish","format-standard","hentry","category-evenements","tag-cinema","tag-cinema-francais","tag-cinema-francophone","tag-film","tag-film-francais"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/29492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/comments?post=29492"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/29492\/revisions"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media?parent=29492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/categories?post=29492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/tags?post=29492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}