{"id":36091,"date":"2019-04-15T11:31:50","date_gmt":"2019-04-15T09:31:50","guid":{"rendered":"http:\/\/www.ife.ee\/?p=36091"},"modified":"2019-07-11T14:05:14","modified_gmt":"2019-07-11T12:05:14","slug":"robert-doisneau-au-centre-de-la-photographie-documentaire","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/fr\/robert-doisneau-au-centre-de-la-photographie-documentaire\/","title":{"rendered":"Histoires parisiennes par Robert Doisneau au Centre de la Photographie Documentaire"},"content":{"rendered":"<p style=\"text-align: right;\"><em>\u00ab Oui, j&rsquo;ai d\u00e9rob\u00e9 un tr\u00e9sor, mais au fond, je ne l&rsquo;ai qu&#8217;emprunt\u00e9. Je vais rendre ce tr\u00e9sor que les gens transportaient avec eux sans en \u00eatre conscients \u00bb.<br \/>\n<\/em>Robert Doisneau<\/p>\n<p>Robert Doisneau est l\u2019un des photographes fran\u00e7ais les plus c\u00e9l\u00e8bres du 20\u00e8me si\u00e8cle. Il a captur\u00e9 les \u00e9motions et la vie quotidienne de pr\u00e8s d\u2019un si\u00e8cle, en France et ailleurs. <br \/>\nL\u2019Institut fran\u00e7ais d\u2019Estonie et le Centre de la Photographie Documentaire (Dokfoto Keskus) proposent au public une rencontre en direct avec l&rsquo;oeuvre de Robert Doisneau, \u00e0 travers 80 photos mythiques.<\/p>\n<p>Avec la s\u00e9lection d&rsquo;images intitul\u00e9e <em>A l\u2019imparfait de l\u2019objectif, <\/em>Robert Doisneau raconte la v\u00e9ritable histoire de Paris, celle de ses banlieues, de ses personnages les plus humbles et les plus vrais, et de baisers vol\u00e9s ou extorqu\u00e9s avec douceur. Dans ses photographies, le lieu n\u2019est pas un simple d\u00e9cor, mais un dialogue permanent avec les personnages, m\u00eame non focalis\u00e9 : la ville se d\u00e9voile dans toute sa splendeur m\u00eame lorsqu\u2019elle assume la coh\u00e9rence \u00e0 travers le contraste entre ombre et lumi\u00e8re. Tout semble \u00eatre dynamique et lent, pass\u00e9 et pr\u00e9sent, triste et ironique, \u00e9vocateur et \u00e9mouvant, m\u00e9morial et pr\u00e9monitoire, lumineux et flou, parfait dans son imperfection.&nbsp;<\/p>\n<p>Pour saisir la bonne image, le photographe aimait utiliser le verbe \u00ab\u00a0attraper\u00a0\u00bb au lieu de \u00ab\u00a0chasser\u00a0\u00bb car il estimait que la patience \u00e9tait une vertu fondamentale. Il bouge avec la conscience que l&rsquo;atypique peut \u00eatre n&rsquo;importe o\u00f9, que l&rsquo;imparfait peut se cacher m\u00eame derri\u00e8re une vieille porte. L&rsquo;essentiel est de le percevoir, de le pr\u00e9voir et de l&rsquo;attendre. <br \/>\nLes personnes \u00e2g\u00e9es deviennent un non-lieu pour enqu\u00eater, une m\u00e9moire pour enregistrer, un contexte &#8211; comme le bistrot ou les quais de Seine &#8211; qui peut \u00e0 tout moment offrir le fortuit atypique, nous catapultant dans une dimension \u00e9trangement famili\u00e8re et commune : des gens normaux, merveilleusement imparfaits. <br \/>\nIl existe des personnages et des lieux urbains qui, bien que ne r\u00e9pondant pas \u00e0 des imp\u00e9ratifs esth\u00e9tiques particuliers, peuvent avoir un effet ma\u00efeutique et attrayant. Leur charme unique est probablement imparfait. Nous admirons la beaut\u00e9, mais nous nous passionnons pour quelque chose qui nous surprend par sa vigueur et sa force expressive. Le parfait est exalt\u00e9 dans l&rsquo;imparfait parce que notre attention est concentr\u00e9e sur les \u00e9motions et les gestes. Doisneau a d\u00e9couvert le secret de la vie en revenant \u00e0 la v\u00e9rit\u00e9 humaine dans ses belles contradictions et imperfections.<\/p>\n<p>Pour la premi\u00e8re fois le public d&rsquo;Estonie \u00e0 la possibilit\u00e9 de d\u00e9couvrir cette r\u00e9trospective de 80 photos qui comprend une palette de captures de la vie parisienne d\u2019apr\u00e8s guerre, de moments de l\u2019enfance, de c\u00e9l\u00e9brit\u00e9s et de moments inoubliables &#8211; tout ce qui fait de Doisneau un photographe important et unique. M\u00eame un demi-si\u00e8cle plus tard, la tendresse, l\u2019humour, l\u2019amour, la nostalgie et la pinc\u00e9e d\u2019ironie de ses photos parle toujours au public.<\/p>\n<p><strong><a href=\"https:\/\/dokfoto.ee\/en\/\">Au Centre de la Photographie Documentaire \/ Dokfoto keskus<\/a> \u00e0 l&rsquo;adresse Telliskivi 60a, Tallinn.<\/strong><br \/>\n<strong>Du 17 mai au 18 ao\u00fbt 2019<br \/>\nDu lundi au dimanche de 12h00 \u00e0 19h00<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h4>Visites guid\u00e9es avec les commissaires<\/h4>\n<p>Le 16 juin de 14h00 \u00e0 14h45<br \/>\nLe 10 juillet de 18h00 \u00e0 18h45<br \/>\nLe 7 ao\u00fbt de 18h00 \u00e0 18h45<br \/>\nLe 18 ao\u00fbt de 14h00 \u00e0 14h45<\/p>\n<p>Le billet de l&rsquo;exposition vous donne acc\u00e8s \u00e0 la visite guid\u00e9e.<\/p>\n<p>&nbsp;<\/p>\n<p>Merci \u00e0 tous nos amis et supporters sans lesquels ce r\u00eave n&rsquo;aurait pu se r\u00e9aliser : <a href=\"https:\/\/dokfoto.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dokfoto Keskus<\/a>,&nbsp;<a href=\"https:\/\/www.robert-doisneau.com\/fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Atelier Robert Doisneau<\/a>,&nbsp;<a href=\"https:\/\/ee.ambafrance.org\/-Eesti-keeles-\" target=\"_blank\" rel=\"noopener noreferrer\">Prantsuse Suursaatkond Eestis<\/a>,&nbsp;<a href=\"https:\/\/www.tallink.com\/about\" target=\"_blank\" rel=\"noopener noreferrer\">Tallink Grupp<\/a>,&nbsp;<a href=\"https:\/\/www.prike.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">AS Prike<\/a>,&nbsp;<a href=\"https:\/\/www.sekurit.ee\/Saint-Gobain_Glass_Estonia_SEAriuksus_Saint-Gobain_Sekur_700\" target=\"_blank\" rel=\"noopener noreferrer\">Saint-Gobain Glass<\/a>,&nbsp;<a href=\"https:\/\/www.citymotors.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">City Motors<\/a>,&nbsp;<a href=\"https:\/\/taevas.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Taevas Ogilvy<\/a>,&nbsp;<a href=\"https:\/\/telliskivi.cc\/\" target=\"_blank\" rel=\"noopener noreferrer\">Telliskivi Loomelinnak<\/a>,&nbsp;<a href=\"https:\/\/printwise.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Printwise<\/a>,&nbsp;<a href=\"https:\/\/clearchannel.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Clear Channel<\/a>,&nbsp;<a href=\"https:\/\/www.kulka.ee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Eesti Kultuurkapital<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-35840 aligncenter\" src=\"https:\/\/www.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement.jpeg\" alt=\"Robert Doisneau\" width=\"1143\" height=\"1058\" srcset=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement.jpeg 8502w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement-300x278.jpeg 300w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement-768x711.jpeg 768w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement-1106x1024.jpeg 1106w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement-600x555.jpeg 600w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/telechargement-1320x1222.jpeg 1320w\" sizes=\"(max-width: 1143px) 100vw, 1143px\" \/><\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-35923 aligncenter\" src=\"https:\/\/www.ife.ee\/wp-content\/uploads\/2019\/04\/untitled-design-10.png\" alt=\"Robert Doisneau\" width=\"940\" height=\"788\" srcset=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/untitled-design-10.png 940w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/untitled-design-10-300x251.png 300w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/untitled-design-10-768x644.png 768w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2019\/04\/untitled-design-10-600x503.png 600w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Oui, j&rsquo;ai d\u00e9rob\u00e9 un tr\u00e9sor, mais au fond, je ne l&rsquo;ai qu&#8217;emprunt\u00e9. Je vais rendre ce tr\u00e9sor que les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":36092,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[85],"tags":[680,792,556,528],"class_list":["post-36091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","tag-art","tag-documentaire","tag-exposition","tag-photographie"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/36091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/comments?post=36091"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/36091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media\/36092"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media?parent=36091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/categories?post=36091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/tags?post=36091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}