{"id":57914,"date":"2023-09-13T11:04:32","date_gmt":"2023-09-13T09:04:32","guid":{"rendered":"https:\/\/dev.ife.ee\/?p=57914"},"modified":"2023-09-13T12:54:12","modified_gmt":"2023-09-13T10:54:12","slug":"maeterlinck-symbolisme-et-pelleas-et-melisande-conference-opera-national-estonien","status":"publish","type":"post","link":"https:\/\/dev.ife.ee\/fr\/maeterlinck-symbolisme-et-pelleas-et-melisande-conference-opera-national-estonien\/","title":{"rendered":"Maeterlinck, le symbolisme et \u00ab\u00a0Pell\u00e9as et M\u00e9lisande\u00a0\u00bb | Conf\u00e9rence \u00e0 l&rsquo;Op\u00e9ra national estonien"},"content":{"rendered":"<p><strong><span style=\"font-size: 20px;\">Nous vous invitons \u00e0 une conf\u00e9rence d\u00e9di\u00e9e \u00e0 Maurice Maeterlinck, au symbolisme, \u00e0 la modernit\u00e9 th\u00e9\u00e2trale et \u00e0 <em>Pell\u00e9as et M\u00e9lisande<\/em>, qui aura lieu \u00e0 l&rsquo;Op\u00e9ra national estonien (Rahvusooper Estonia) le vendredi 22 septembre de 12h00 \u00e0 14h00. La participation est gratuite mais l&rsquo;inscription pr\u00e9alable est demand\u00e9e via <a href=\"https:\/\/forms.gle\/tHXRQkvoiE7JhnuQ7\" target=\"_blank\" rel=\"noopener\">ce lien<\/a>.<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<h3>Les intervenants<\/h3>\n<p>Nous sommes ravis d&rsquo;accueillir en Estonie les experts de Maeterlinck :<\/p>\n<ul>\n<li><strong>Mme Laurence Boudart<\/strong>, directrice des Archives et Mus\u00e9e de la Litt\u00e9rature (AML) de Belgique, chercheuse.<\/li>\n<li><strong>M. Tanguy Habrand<\/strong>, attach\u00e9 scientifique aux Archives et Mus\u00e9e de la Litt\u00e9rature (AML) de Belgique, &nbsp;charg\u00e9 de cours \u00e0 l\u2019Universit\u00e9 de Li\u00e8ge.<\/li>\n<li><strong>M. Arnaud Rykner<\/strong>, professeur d&rsquo;universit\u00e9, romancier, dramaturge, metteur en sc\u00e8ne.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>La premi\u00e8re de <a href=\"https:\/\/opera.ee\/en\/staging\/pelleas-ja-melisande\/\" target=\"_blank\" rel=\"noopener\">l&rsquo;op\u00e9ra <em>Pell\u00e9as et M\u00e9lisande <\/em><\/a>du compositeur fran\u00e7ais Claude Debussy, bas\u00e9 sur la pi\u00e8ce de l\u2019auteur belge Maurice Maeterlinck, aura lieu \u00e0 l&rsquo;Op\u00e9ra national estonien le soir m\u00eame du 22 septembre.<\/p>\n<p>A l\u2019occasion de cet \u00e9v\u00e9nement musical de la rentr\u00e9e 2023, l\u2019Institut fran\u00e7ais d\u2019Estonie, l\u2019Op\u00e9ra national estonien, les Archives et Mus\u00e9e de la Litt\u00e9rature de Bruxelles, et Wallonie-Bruxelles International proposent une<a href=\"https:\/\/dev.ife.ee\/fr\/maeterlinck-debussy-pelleas-et-melisande-exposition-opera-national-estonien\/\" target=\"_blank\" rel=\"noopener\"> exposition th\u00e9matique<\/a> pour les visiteurs de l&rsquo;op\u00e9ra ainsi que les participants de la conf\u00e9rence.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Biographies des intervenants<\/h3>\n<p><strong>Laurence Boudart<\/strong> &nbsp;a r\u00e9alis\u00e9 des \u00e9tudes de traduction (fran\u00e7ais-allemand-italien) \u00e0 l\u2019Universit\u00e9 de Mons (B), puis un doctorat en lettres modernes \u00e0 l\u2019Universit\u00e9 de Valladolid (E), avec un th\u00e8se portant sur la formation de l\u2019identit\u00e9 nationale belge \u00e0 travers le discours scolaire. Apr\u00e8s avoir enseign\u00e9 la langue fran\u00e7aise, les litt\u00e9ratures et cultures francophones, ainsi que la traduction \u00e0 l\u2019Universit\u00e9 de Valladolid pendant pr\u00e8s de 15 ans, elle dirige depuis 2019 les Archives &amp; Mus\u00e9e de la Litt\u00e9rature (Bruxelles), qu\u2019elle a rejoints en 2012. En tant que chercheuse, ses centres d\u2019int\u00e9r\u00eat portent sur les lettres belges de langue fran\u00e7aise et les questions li\u00e9es \u00e0 la valorisation du patrimoine litt\u00e9raire. Elle donne r\u00e9guli\u00e8rement des cours, s\u00e9minaires et conf\u00e9rences dans des universit\u00e9s belges et \u00e9trang\u00e8res, et m\u00e8ne une activit\u00e9 scientifique li\u00e9e notamment \u00e0 la litt\u00e9rature belge. Son action en faveur de la transmission du patrimoine s\u2019exprime \u00e0 travers le commissariat d\u2019expositions, la direction de la collection scientifique \u00ab Archives du Futur \u00bb ou la participation \u00e0 des comit\u00e9s de lecture, comme celui de la collection Espace Nord ou de la revue <i>Textyles<\/i>.<\/p>\n<div><strong>Tanguy Habrand<\/strong> est attach\u00e9 scientifique aux Archives et Mus\u00e9e de la Litt\u00e9rature (AML) et charg\u00e9 de cours \u00e0 l\u2019Universit\u00e9 de Li\u00e8ge (orientation \u00c9dition et M\u00e9tiers du Livre). Il est notamment l\u2019auteur d\u2019une&nbsp;<i>Histoire de l\u2019\u00e9dition en Belgique<\/i>&nbsp;<i>(xve-xxie si\u00e8cle)<\/i>&nbsp;avec Pascal Durand (2018), du&nbsp;<i>Livre au temps du confinement&nbsp;<\/i>(2020) et d\u2019un essai sur la figure d&rsquo;<i>Hermione Granger, lectrice de Harry Potter&nbsp;<\/i>(2022).&nbsp;Il a d\u00e9fendu en 2021 une th\u00e8se consacr\u00e9e aux&nbsp;<i>M\u00e9tamorphoses de l\u2019ind\u00e9pendance \u00e9ditoriale&nbsp;<\/i>(Universit\u00e9 de Li\u00e8ge).<\/div>\n<p>\n<strong>Arnaud Rykner<\/strong>&nbsp;est Professeur \u00e0 la Sorbonne nouvelle (Paris) o\u00f9 il dirige l\u2019Institut de Recherches en Etudes Th\u00e9\u00e2trales (IRET), et membre S\u00e9nior de l\u2019Institut Universitaire de France depuis 2017. Il a publi\u00e9 une dizaine de monographies et dirig\u00e9 une dizaine de collectifs consacr\u00e9s \u00e0 la litt\u00e9rature, au th\u00e9\u00e2tre ou aux arts visuels. &nbsp;Il a \u00e9dit\u00e9 le th\u00e9\u00e2tre de Nathalie Sarraute dans la Pl\u00e9iade et en Folio Th\u00e9\u00e2tre, collection o\u00f9 il a \u00e9galement r\u00e9alis\u00e9 l\u2019\u00e9dition de quatre pi\u00e8ces de Duras et celle de <em>Pell\u00e9as et M\u00e9lisande<\/em> de Maeterlinck, auteur sur lequel il a publi\u00e9 par ailleurs une bibliographie index\u00e9e et comment\u00e9e pour les \u00e9ditions Memini (Rome).<br \/>\nIl a publi\u00e9 \u00e9galement neuf romans au Rouergue \/ Actes Sud, ainsi que deux pi\u00e8ces. Plusieurs de ses textes ont fait l\u2019objet de cr\u00e9ations th\u00e9\u00e2trales.<br \/>\nApr\u00e8s avoir \u00e9t\u00e9 assistant de Claude R\u00e9gy, il a de son c\u00f4t\u00e9 mis en sc\u00e8ne Sarraute, Maeterlinck, ou Kolt\u00e8s, \u00e0 Paris, Strasbourg et Toulouse.<br \/>\nIl a \u00e9t\u00e9 laur\u00e9at du Prix Georges Jamati en esth\u00e9tique th\u00e9\u00e2trale, du Prix Jeand\u2019heurs du roman historique pour <em>Le Wagon<\/em>, du Prix du rayonnement de la litt\u00e9rature belge pour ses travaux sur Maeterlinck et Lemonnier. En 2019, il a \u00e9t\u00e9 pensionnaire de la Villa Kujoyama \u00e0 Kyoto.<\/p>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-57939 size-large\" src=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-782x1024.jpg\" alt=\"Conf\u00e9rence_Maeterlinck_Pell\u00e9as et M\u00e9lisande_Tallinn\" width=\"782\" height=\"1024\" srcset=\"https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-782x1024.jpg 782w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-229x300.jpg 229w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-768x1006.jpg 768w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-1172x1536.jpg 1172w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-1563x2048.jpg 1563w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-1320x1729.jpg 1320w, https:\/\/dev.ife.ee\/wp-content\/uploads\/2023\/09\/mlt-00465-0001-001-045-min-1-scaled.jpg 1954w\" sizes=\"(max-width: 782px) 100vw, 782px\" \/><\/p>\n<p><em><span style=\"font-weight: 400;\">Illustration de Charles Doudelet figurant dans une \u00e9dition de <\/span><\/em><span style=\"font-weight: 400;\">Pell\u00e9as et M\u00e9lisande<\/span><em><span style=\"font-weight: 400;\"> color\u00e9e de la main de l\u2019illustrateur (Spoleto, Claudio Argentieri, 1922). Archives et Mus\u00e9e de la Litt\u00e9rature.<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nous vous invitons \u00e0 une conf\u00e9rence d\u00e9di\u00e9e \u00e0 Maurice Maeterlinck, au symbolisme, \u00e0 la modernit\u00e9 th\u00e9\u00e2trale et \u00e0 Pell\u00e9as et [&hellip;]<\/p>\n","protected":false},"author":170,"featured_media":57916,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[85],"tags":[3125,3127,793,556,3123,3126,1862,3107,3108,3122,3124],"class_list":["post-57914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenements","tag-arnaud-rykner","tag-claude-debussy-fr","tag-conference","tag-exposition","tag-laurence-boudart","tag-maurice-maeterlinck-fr","tag-opera","tag-opera-national-estonien","tag-pelleas-et-melisande","tag-symbolisme","tag-tanguy-habrand"],"_links":{"self":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/57914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/users\/170"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/comments?post=57914"}],"version-history":[{"count":0,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/posts\/57914\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media\/57916"}],"wp:attachment":[{"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/media?parent=57914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/categories?post=57914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.ife.ee\/fr\/wp-json\/wp\/v2\/tags?post=57914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}